先听后说。论创造力的可塑成分

Aleksander A. Melik-Pashaev
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引用次数: 0

摘要

背景。创造力和天赋的问题,由于主题的特殊性,不适合传统的科学研究方法。此外,心理学几乎专门研究智力天赋,而艺术天赋的问题仍然是最不发达的。作品的目的是勾勒出理解艺术家-创造者的个人素质作为艺术思想诞生和实施的心理条件的路径。方法。从心理学、哲学、神学文献和艺术大师的自我报告中对艺术创造力和人的创造性本质问题的数据进行分析和概括。结果。研究表明,艺术和创造天赋的本质是不可能通过研究与之相关的个人人格特征来理解的。另一种被发现很有希望的方法是,将天赋作为在特定活动中主动性的自由表现进行研究。然而,这种活动必须辅以一种“可塑性”的能力,以沉思的方式感知现实。正如艺术大师们自己所证明的那样,一个真正的艺术理念最初并不是由艺术家的任意活动产生的,而是被视为一种意想不到的东西,需要通过一种或另一种艺术来实现。在这方面,文章提出了一个有创造力的人的男女、雌雄同体性质的问题。举例说明如何在身体、心理和精神层面理解这个问题。结论。艺术家,以及艺术学科的教师,需要克服片面的“男性化”的方法,将创造力作为一种活动,并注意需要教育自己(或学生)对生活进行“创造性思考”的能力。这一精神上和实际的任务不能在一般性的方法建议的帮助下解决,它需要个人的内部工作。尽管如此,还是有一些例子表明这个任务是可以解决的,并提出了可能的解决方案。儿童所具有的良好心理条件,使其在教学实践中具有可解决性。
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First to hear, then to tell. On the plastic component of creativity
Background. The problem of creativity and giftedness, due to the specifics of the subject, does not lend itself well to traditional methods of scientific research. In addition, psychology is occupied almost exclusively with intellectual giftedness, and the problem of artistic giftedness remains the least developed. Objective of the work is to outline the path to understanding personal qualities of the artist-creator as the psychological conditions for the birth and implementation of artistic ideas. Methods. Analysis and generalization of data from psychological, philosophical, theological literature and self-reports of art masters on the problems of artistic creativity and the creative nature of human. Results. It is shown that the essence of artistic and creative giftedness is impossible to understand by studying individual personality traits statistically associated with it. Another way, found to be promising, is the study of giftedness as a free manifestation of initiative in a particular activity. However, this activity must be supplemented and preceded by a “plastic” ability to perceive reality contemplatively. As the masters of art themselves testify, a truly artistic idea is not initially generated by the artist’s arbitrary activity, it is rather perceived as something unexpected and requiring realization by means of one or another art. In this regard, the article raises the question of the male-female, androgynous nature of a creative person. Examples are given of how this problem was comprehended at the bodily, mental and spiritual levels. Conclusion. An artist, as well as a teacher of art disciplines, needs to overcome the one-sided “masculine” approach to creativity as an activity and pay attention to the need to educate in himself (or in his students) the ability to “creative contemplation” of life. This spiritual and practical task cannot be solved with the help of methodological recommendations of a general order, it requires individual internal work. Never the less, there are examples that show that this task is solvable and suggest possible solutions. Favorable psychological conditions that children are endowed with make it solvable in pedagogical practice.
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审稿时长
12 weeks
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