普通的时刻

Elizabeth Mackinlay
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引用次数: 0

摘要

这部自传体的民族志作品呈现了一系列“来自学院的女权主义笔记”,在观看当代澳大利亚大学生活的普通时刻时收集和塑造。弗吉尼亚·伍尔夫和凯瑟琳·斯图尔特的情感和女权主义作品将这篇文章创造性地和批判性地记录了每天发生的“事情”。1943年,弗吉尼亚·伍尔夫在《三个几内亚》中提出的关于我们加入男性学术队伍的条件的问题与当时一样重要,每一个简短的自我民族志笔记都旨在尖锐地审视我们反对的是什么,以及我们今天在学术界作为女权主义者所支持的是什么。然而,在这篇文章的边缘,我把自己定位为一个白人定居者-殖民地-cis-性别-女权主义者,弗吉尼亚·伍尔夫通过一种不同的女权主义视角来思考和写作女性地位的相关性,以及自我民族志的能力,因为它在今天的性别研究领域正在发挥作用,从而深入到这种困境的根源。
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Ordinary Moments
This autoethnographic piece presents a series of “feminist notes from the academy” collected and fashioned while watching the ordinary moments of life in a contemporary Australian university pass by. The affective and feminist works of Virginia Woolf and Kathleen Stewart locate this article creatively and critically to document the “somethings” that happen day in and day out. The question asked by Virginia Woolf in 1943 in Three Guineas about the terms on which we have joined the academic procession of men are as relevant now as they were then, and each short autoethnographic note aims to bring sharply into view what it is we are against and what it is we stand for as feminists in the academy today. Niggling at the edges of this piece, however, is my positioning as a white-settler-colonial-cis-gendered-feminist woman in the academy, the relevancy of Virginia Woolf’s wondering and writing about the status of women through a different kind of feminist lens, and indeed, the capacity of autoethnography to get down to the roots of this dilemma as it is being played out in the fields of Gender Studies today.
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