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引用次数: 0
摘要
大学的研究和教学主要是从受害者和病理学的角度来研究黑人,这往往强化了黑人作为社会、文化和经济缺陷的观念。将黑人的思想、艺术和想象力作为重塑西方思想中种族主义逻辑的关键,为研究加拿大黑人的历史提供了一种模式,超越了简单的反种族主义镜头。引用19世纪早期布克·t·华盛顿(Booker T. Washington)和w·e·b·杜波依斯(W. E. B. Du Bois)之间关于黑人教育的辩论,并借鉴加拿大多伦多约克大学(York University)颁发的加拿大黑人研究证书所获得的经验教训,本文认为,将黑人研究定位于人文学科,为思考人际关系和人类可能性提供了一套不同的理论范式。将黑人研究理解为一个支持而非反对黑人生活的项目,揭示了黑人研究在改变大学和我们所生活的社会的核心特征方面所起的关键作用。
A Project Toward Black Life: Teaching Black Studies in the Humanities
By primarily locating the study of Black people through the lens of victimhood and pathology, university research and teaching often reinforce the notion of Blackness as social, cultural, and economic deficit. Centring Black ideas, art, and imagination as critical to a reformulation of the racist logic of Western thought offers a model for engaging the histories of Black peoples in Canada that exceeds a simple anti-racism lens. Invoking the early 19th-century debate about Black education between Booker T. Washington and W. E. B. Du Bois and drawing on lessons learned through the creation of a Black Canadian Studies Certificate at York University in Toronto, Canada, this article suggests that positioning Black studies within the humanities offers a different set of theoretical paradigms for thinking about human relationships and human possibilities. Understanding Black studies as a project toward, and not against, Black life reveals the critical role Black studies plays both in transforming the core character of universities and the societies in which we live.