政治中的艺术家:g.i.h oros - gurkin作为公众和政治人物形象的演变

Yu. G. Chernyshov, A. D. Derendyaeva
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摘要

本文以阿尔泰著名艺术家G.I. Choros-Gurkin的命运为例,讨论了“知识分子掌权”的最明显的例子之一。本研究的目的是确定G.I. Choros-Gurkin作为公众和政治人物形象的复杂演变的特征。法规和法律文件、档案基金资料、大众媒体出版物等作为来源。G.I.乔罗斯-古尔金的形象发生了重大变化:从一个有才华的艺术家,希什金的学生,到民族运动的领袖和阿尔泰山杜马主席(1918),然后成为“人民的敌人”和“叛徒”。在很长一段时间里,甚至在他的政治恢复(1956年)之后,他的名字也被省略了。但是,从20世纪80年代末开始,他的政治家形象迅速恢复。现在他不仅是“民族英雄”和“天才位点”,而且是“阿尔泰国家的缔造者”。本文表明,到目前为止,G.I. Choros-Gurkin的形象在记忆政治中被用作促成阿尔泰共和国民族认同和领土认同形成的关键人物。
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ARTIST IN POLITICS: THE EVOLUTION OF THE IMAGE OF G. I. CHOROS-GURKIN AS A PUBLIC AND POLITICAL FIGURE
The article considers one of the clearest examples of the "intellectual's going to power" situation on the example of the fate of the famous Altai artist G.I. Choros-Gurkin. The purpose of the study is to identify the characteristic features of the complex evolution of the image of G.I. Choros-Gurkin as a public and political figure. Regulatory and legal documents, materials of archival funds, publications in mass media, etc. are used as sources. The image of G.I. Choros-Gurkin transforms significantly: from a talented artist, a student of I.I. Shishkin, to a leader of the national movement and a chairman of the Altai Mountain Duma (1918), and then into an "enemy of the people" and a "traitor". For a long time, even after his political rehabilitation (1956), his name was omitted. However, since the late 1980s, his image as a politician has been rapidly reviving. Now he is not only the "national hero" and "genius loci", but also the "founder of the Altai statehood". The article shows that by now the image of G.I. Choros-Gurkin is used in the memory politics as a key figure that contributes to the formation of ethnic and territorial identity in the Altai Republic.
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