丹尼尔·保罗·施雷伯《反俄狄浦斯》:更多开篇的教训

G. Genosko
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引用次数: 0

摘要

本文的重点是德勒兹和瓜塔里的《反俄狄浦斯》的开篇,以及那些对这本书和相关的开篇有过评论的人。这一引人注目的第一段为调查丹尼尔·保罗·施雷伯总统的人物提供了方向,他是《我的神经疾病回忆录》的作者,也是西格蒙德·弗洛伊德案例研究的主题。目的是要证明,在开篇中被点名的Schreber,是反俄狄浦斯理论的关键人物。事实上,他是反俄狄浦斯的,反弗洛伊德的,反拉康的,但根据德勒兹和瓜塔里的说法,他也是精神分裂分析学杰作的作者。比较和对比Schreber在二手文献中的方法,以及仔细观察文本,通过遵循一条特定的探究线,跨越各种学科,进入书面文字和写作,进行分析。开篇对Schreber和Georges Bataille的引用的结合被用来扩展对写作中快乐和戏仿的地方问题的探究。转向写作,在许多次要文本中都有提及,以及在舒伯的回忆录中,揭露了舒伯作为一个反俄狄浦斯作家的形象。然而,施雷伯作为至高无上的作者的地位,却受到质疑,而他在《反俄狄浦斯》的开篇中占有一席之地的那种写作,被发现属于一种既强调愉悦又强调模仿的模式。反吉勒斯·德勒兹与前程无忧者与前程无忧者与前程无忧者与前程无忧者与前程无忧者与前程无忧者与前程无忧者与前程无忧者与前程无忧者与前程无忧者:在第一段中,令人印象深刻的是,关于人格障碍的调查,丹尼尔·保罗·施雷伯,人格障碍研究的作者,人格障碍研究的作者,人格障碍研究的作者西格蒙德·弗洛伊德。Le但比Schreber de看,是一个图就是nomme在l 'incipit蜡烛倒拉理论反œdipienne。Il est, en fait, anti-œdipien, et anti- freuden et anti-lacanien, mais, conformacement, comacement, comacement, comacement, deseuze et Guattari, Il est aussi l ' auteur d ' un大厨d ' œuvre schizoanalytique。比较和对比的方法有:1 .比较和对比的方法有:1 .比较和对比的方法有:比较和对比的方法有:比较和对比的方法有:比较和对比的方法有:比较和对比的方法有:比较和对比的方法有:比较和对比的方法有:比较和对比的方法有:比较和对比的方法有:比较和对比的方法有:比较和对比的方法有:比较和对比的方法有:比较和对比的方法有:比较和对比的方法有:比较和对比的方法有:比较和对比的方法有:比较和对比的方法有:比较和对比的方法有:比较和对比的方法有:比较和对比的方法。根据施雷伯和乔治·巴塔耶的联合规定,汇汇会的汇汇会是汇汇会的汇汇会,汇汇会的汇汇会是汇汇会的汇汇会,汇汇会的汇汇会是汇汇会的汇汇会。我们的调查结果显示,所有的人都认为,所有的人都认为,所有的人都认为,所有的人都认为,所有的人都认为,所有的人都认为,所有的人都认为,所有的人都认为,所有的人都认为,所有的人都是无辜的。Schreber en如此更模型statut 'auteur souverain est cependant雷的问题,剩下的类型d 'ecriture囡accorde一个地方在l 'incipit de l 'anti——œdipe se找到appartenir联合国模式privilegiant Le整容项目等la parodie拉回。
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Daniel Paul Schreber as Anti-Oedipus: More lessons from the incipit

Context

The incipit of Gilles Deleuze and Félix Guattari's book Anti-Oedipus, as well as those who have commented upon this and related incipits, is the focus of this paper. This remarkable first paragraph provides the orientation for the investigation of the figure of President Daniel Paul Schreber, author of Memoirs of My Nervous Illness, and the subject of a case study by Sigmund Freud.

Objective

The goal is to show that Schreber, who is named in the incipit, is a key figure of anti-oedipal theory. He is, in fact, anti-oedipal, and anti-Freudian and anti-Lacanian, but in accordance with Deleuze and Guattari, he is also the author of a schizoanalytic masterpiece.

Method

Comparing and contrasting approaches to Schreber in the secondary literature, as well as looking closely at the text, an analysis is mounted by following one specific line of inquiry, across a variety of disciplines, into the written word and of writing. The combination of the incipit's reference to Schreber and to Georges Bataille is used to expand the inquiry toward the question of the place of pleasure and parody in writing.

Interpretation

The turn to writing, suggested in a number of secondary texts, as well as in Schreber's Memoirs, exposes the figure of Schreber as an anti-oedipal writer. Yet the status of Schreber as sovereign author, however, is called into question, and the kind of writing that affords to him a place in the incipit of Anti-Oedipus, is discovered to belong to a mode emphasizing both pleasure and parody.

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