流亡中的法国物化:亨利、奥玛勒公爵、奥尔尔萨姆家族和1848 - 1880年间的跨国政治

IF 0.3 3区 历史学 Q2 HISTORY French History Pub Date : 2023-11-04 DOI:10.1093/fh/crad048
Tom Stammers
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引用次数: 0

摘要

在1848年革命和普法战争之间,没落的奥尔萨姆王朝居住在伦敦西郊。被剥夺王位的路易-菲利普和他的儿子们努力维护他们作为统治家族的尊严和资格。在这个动荡的时代,文化追求——无论是艺术收藏、展览还是文学——都是融入英国社会精英阶层的重要手段。物质文化仍然是家庭确认和保存其爱国和王朝双重凭据的中心手段。本文以奥玛勒公爵在伦敦的收藏活动为重点,探讨了英国流亡的经历和机遇如何深刻地塑造了奥尔姆萨人如何将自己定位为法国历史和国家认同的保管人。这是一种文化抵抗,反对法国政府驱逐和“去国有化”他们,艺术品收藏为了解这个家族的爱国自我形象和不断演变的政治野心提供了一个宝贵的窗口。
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Materializing France in exile: Henri, duc d’Aumale, the Orléans family and the transnational politics of collecting c. 1848–80
Abstract Between the 1848 Revolution and the Franco–Prussian War, the fallen Orléans dynasty lived in the western suburbs of London. Deprived of the throne, Louis-Philippe and his sons struggled to uphold their dignity and credentials as a ruling house. In this time of limbo, cultural pursuits—whether art collecting, exhibitions, literature—were a crucial means of integration into the elite tiers of British society. Material culture remained a central means by which the family affirmed and preserved their dual patriotic and dynastic credentials. Focusing on the collecting activities of the duc d’Aumale in London, this article explores how the experiences and opportunities of British exile profoundly shaped how the Orléans positioned themselves as custodians of French history and national identity. An act of cultural resistance against French governments that had banished and ‘denationalized’ them, art collecting offers a valuable window onto the family’s patriotic self-image and evolving political ambitions.
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来源期刊
French History
French History Multiple-
CiteScore
0.30
自引率
50.00%
发文量
61
期刊介绍: French History offers an important international forum for everyone interested in the latest research in the subject. It provides a broad perspective on contemporary debates from an international range of scholars, and covers the entire chronological range of French history from the early Middle Ages to the twentieth century. French History includes articles covering a wide range of enquiry across the arts and social sciences, as well as across historical periods, and a book reviews section that is essential reference for any serious student of French history.
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