Tembang Banyumasan创作中的Fadjar 'Sopsan'创造力

Nurul Aulia Dewi Arifin, Sunarto Sunarto, Suharto Suharto
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引用次数: 0

摘要

艺术家和创造力是密不可分的。艺术家在创作中面临的挑战是将抽象的想法转化为实际的想法,以创造出好的作品。来自Banyumas的音乐家Fadjar Praptono通过关注歌词内容与现有社会、政治和文化情境的契合度,以对环境情境的回应鼓励为基础进行创作。本研究探讨了Fadjar创作具有鲜明Banyumas特色的tembang Banyumasan的创作过程。本研究采用描述性定性方法,旨在更深入地了解研究对象。本研究采用个案研究设计,着重于有限系统的探索。使用的数据收集技术是观察、访谈和识字研究。采访是直接与主要线人Fadjar 'Sopsan进行的。研究结果证明,Fadjar在Banyumasan歌曲创作过程中经历了创意、文化知识、经验、工作理念、创作行为等几个连续的阶段。
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Fadjar 'Sopsan' Creativity in the Creation of Tembang Banyumasan
Artists and creativity are inseparable. Artists in creativity have the challenge of transforming an abstract idea into a practical one in order to create a good creation. Fadjar Praptono, a musician from Banyumas, creates based on the Encouragment of responses to enviromental situatons by paying attention to the suitability contents of the song lyrics with the existing social, political and cultural situations. This research discusses Fadjar's creative process in creating tembang Banyumasan that have a distinctive Banyumas character. This research uses a descriptive qualitative method that aims to understand the object studied in more depth. This research uses a case study design, which is focuses on exploration of finite system. The data collection techniques used are observation, interviews, and literacy studies. The interview was conducted directly with the main informant Fadjar 'Sopsan'. The study results prove that Fadjar went through several continuous stages in the creation of Banyumasan songs, including creative ideas, cultural knowledge, experience, work concepts, and creative act.
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