Pub Date : 2023-10-31DOI: 10.20111/gayatri.v1i2.27
Heny Purnomo, Tri Rusia Ningsih, Ratna Mestikasari Putri
After the closure of the THR Surabaya complex (2019), the Irama Budaya ludruk community is now in a worrying situation of "stagnation". Until now, there is still no "vehicle" that is willing to accommodate this community to hold its performances again. Meanwhile, folk traditional theater performances (ludruk) which are held in person are now increasingly difficult to do and rarely found, in fact the growth and development of electronic social media (social media) has provided space for traditional theater to organize performances. In its development, live performances require a lot of money and take longer, this can make the audience feel bored, especially the younger generation. On the other hand, a lot of art is commodified through social media broadcasts which almost never leave any free time. The presence of electronic social media has created a new entertainment industry with artistic settings (scenography) supported by technological sophistication, whereas traditional theater performances are considered outdated, and often depend on supporting communities which are starting to decline. This social phenomenon has an impact on the behavior of today's audiences who prefer electronic media, especially YouTube, so that the traditional theater community needs to be "empowered" through virtual works to improve Information and Technology (IT) capabilities. Empowering the traditional theater community aims to put into practice starting from the process of preparing scenography equipment to editing various elements and elements of the artistic layout of virtual work performances. The method for empowering the traditional theater community is carried out through socialization (mentoring, training and production) and direct practice from resource persons. Through this empowerment, it is hoped that it can improve the IT capabilities of the traditional theater community in facing forms of audience transformation, and can utilize "electronic social media" as a new platform for presenting artistic performances through virtual works.
在泗水寺综合楼(2019年)关闭后，Irama Budaya ludruk社区现在处于令人担忧的“停滞”状态。直到现在，仍然没有一个“载体”愿意容纳这个社区再次举行演出。与此同时，民间传统戏剧表演(ludruk)的现场表演越来越难做，也越来越少被发现，事实上电子社交媒体(social media)的成长和发展为传统戏剧组织表演提供了空间。在其发展过程中，现场表演需要大量的资金和时间，这可能会让观众感到无聊，尤其是年轻一代。另一方面，许多艺术通过社交媒体广播被商品化，几乎没有留下任何空闲时间。电子社交媒体的出现创造了一个新的娱乐产业，其艺术设置(场景设计)得到了先进技术的支持，而传统的戏剧表演被认为是过时的，而且往往依赖于开始衰落的支持社区。这种社会现象影响了今天偏爱电子媒体，尤其是YouTube的观众的行为，因此传统戏剧社区需要通过虚拟作品来“赋权”，以提高信息和技术(IT)能力。赋能传统戏剧社群，旨在从准备舞台设备的过程，到编辑虚拟作品演出的各种元素和元素的艺术布局，付诸实践。赋予传统戏剧社区权力的方法是通过社会化(指导、培训和制作)和资源人员的直接实践来实现的。通过这种赋能，希望能够提升传统戏剧社群在面对观众转型形式时的it能力，利用“电子社交媒体”作为虚拟作品呈现艺术表演的新平台。
{"title":"Pemberdayaan Komunitas Teater Tradisi Melalui Karya Virtual Untuk Meningkatkan Kemampuan Information and Technology (IT)","authors":"Heny Purnomo, Tri Rusia Ningsih, Ratna Mestikasari Putri","doi":"10.20111/gayatri.v1i2.27","DOIUrl":"https://doi.org/10.20111/gayatri.v1i2.27","url":null,"abstract":"After the closure of the THR Surabaya complex (2019), the Irama Budaya ludruk community is now in a worrying situation of \"stagnation\". Until now, there is still no \"vehicle\" that is willing to accommodate this community to hold its performances again. Meanwhile, folk traditional theater performances (ludruk) which are held in person are now increasingly difficult to do and rarely found, in fact the growth and development of electronic social media (social media) has provided space for traditional theater to organize performances. In its development, live performances require a lot of money and take longer, this can make the audience feel bored, especially the younger generation. On the other hand, a lot of art is commodified through social media broadcasts which almost never leave any free time. The presence of electronic social media has created a new entertainment industry with artistic settings (scenography) supported by technological sophistication, whereas traditional theater performances are considered outdated, and often depend on supporting communities which are starting to decline. This social phenomenon has an impact on the behavior of today's audiences who prefer electronic media, especially YouTube, so that the traditional theater community needs to be \"empowered\" through virtual works to improve Information and Technology (IT) capabilities. Empowering the traditional theater community aims to put into practice starting from the process of preparing scenography equipment to editing various elements and elements of the artistic layout of virtual work performances. The method for empowering the traditional theater community is carried out through socialization (mentoring, training and production) and direct practice from resource persons. Through this empowerment, it is hoped that it can improve the IT capabilities of the traditional theater community in facing forms of audience transformation, and can utilize \"electronic social media\" as a new platform for presenting artistic performances through virtual works.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135975850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-31DOI: 10.20111/gayatri.v1i2.32
Moh Mujib Alfirdaus, Arif Rofiq, Bramantijo Bramantijo
This community service aims to improve the abilities of Muhammadiyah 4 Pucang Elementary School students in Surabaya in processing artistic creativity through acting. The material provided is studying and imitating characters in children's story texts who have local history competence and are socio-cultural. The learning model is role-playing based on children's games or role-playing by inviting students to imitate cute animal movements, traditional games, and character dialogues in children's story scripts that have local content and aspects of populist history. The basic reason for carrying out this activity is the lack of knowledge and experience of students in cultivating creativity through knowledge of children's script stories that are local to regional culture. The hope is to provide space for creativity to every student while at the same time strengthening the existence of regional arts and culture in children as the next generation of the nation. The steps are taken by providing role training to the characters through concentration, emotional memory, dramatic behavior, character building, observation, and rhythm. The result of this training is a form of children's drama performance. This Community Service activity through acting training on a children's script entitled Sawunggaling Has Ideals by Muhammadiyah Elementary School students is to foster creativity and interest in art in children through children's drama performances that have local historical and socio-cultural values.
这项社区服务旨在提高泗水市Muhammadiyah 4 puang小学学生通过表演处理艺术创意的能力。提供的材料是研究和模仿儿童故事文本中具有地方历史能力和社会文化的人物。学习模式是基于儿童游戏的角色扮演或角色扮演，邀请学生模仿具有当地内容和民粹主义历史方面的儿童故事剧本中的可爱动物动作，传统游戏和人物对话。开展这一活动的根本原因是学生缺乏通过了解具有地方文化和地域文化的儿童剧本故事来培养创造力的知识和经验。希望为每个学生提供创造的空间，同时加强作为国家下一代的儿童的地域艺术和文化的存在。这些步骤是通过集中注意力、情感记忆、戏剧性行为、性格塑造、观察和节奏来为角色提供角色训练。这种训练的结果是一种形式的儿童戏剧表演。这个社区服务活动是由Muhammadiyah小学的学生通过儿童剧本《Sawunggaling Has Ideals》进行表演培训，通过具有当地历史和社会文化价值的儿童戏剧表演，培养儿童的创造力和对艺术的兴趣。
{"title":"Pelatihan Seni Peran Pada Naskah Anak “Sawunggaling Punya Cita-Cita” Karya Arif Rofiq Untuk Meningkatkan Kreativitas Siswa SD Muhammadiyah 4 Pucang Surabaya","authors":"Moh Mujib Alfirdaus, Arif Rofiq, Bramantijo Bramantijo","doi":"10.20111/gayatri.v1i2.32","DOIUrl":"https://doi.org/10.20111/gayatri.v1i2.32","url":null,"abstract":"This community service aims to improve the abilities of Muhammadiyah 4 Pucang Elementary School students in Surabaya in processing artistic creativity through acting. The material provided is studying and imitating characters in children's story texts who have local history competence and are socio-cultural. The learning model is role-playing based on children's games or role-playing by inviting students to imitate cute animal movements, traditional games, and character dialogues in children's story scripts that have local content and aspects of populist history. The basic reason for carrying out this activity is the lack of knowledge and experience of students in cultivating creativity through knowledge of children's script stories that are local to regional culture. The hope is to provide space for creativity to every student while at the same time strengthening the existence of regional arts and culture in children as the next generation of the nation. The steps are taken by providing role training to the characters through concentration, emotional memory, dramatic behavior, character building, observation, and rhythm. The result of this training is a form of children's drama performance. This Community Service activity through acting training on a children's script entitled Sawunggaling Has Ideals by Muhammadiyah Elementary School students is to foster creativity and interest in art in children through children's drama performances that have local historical and socio-cultural values.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"133 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135975851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-31DOI: 10.20111/gayatri.v1i2.26
Choirul Anam, Brina Oktafiana, Shah Khadafi, Mohammad Al Farobi
Wood waste is unused and worthless pieces or remnants of wood production. Currently, wood waste is only used as charcoal or burned. The service team conducted a case study at CV in this community service. Mother's Blessing, District. Sidayu, Kab. Gresik. This activity requires further community service regarding the use of wood waste so that it becomes something valuable and useful. The method applied in this community service is to recognize several types of available wood materials and various forms of unused pieces of production leftovers—and continue with FGD, namely product design planning. As a result of this community service, it was found that wood waste left over from production could be reused into a useful and more valuable product, namely a portable notebook stand
{"title":"Pemanfaatan Material Sisa Produksi Kayu Menjadi Produk Portable Notebook Stand (Studi Kasus UMKM CV. Restu Ibu, Sidayu, Gresik)","authors":"Choirul Anam, Brina Oktafiana, Shah Khadafi, Mohammad Al Farobi","doi":"10.20111/gayatri.v1i2.26","DOIUrl":"https://doi.org/10.20111/gayatri.v1i2.26","url":null,"abstract":"Wood waste is unused and worthless pieces or remnants of wood production. Currently, wood waste is only used as charcoal or burned. The service team conducted a case study at CV in this community service. Mother's Blessing, District. Sidayu, Kab. Gresik. This activity requires further community service regarding the use of wood waste so that it becomes something valuable and useful. The method applied in this community service is to recognize several types of available wood materials and various forms of unused pieces of production leftovers—and continue with FGD, namely product design planning. As a result of this community service, it was found that wood waste left over from production could be reused into a useful and more valuable product, namely a portable notebook stand","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"8 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135975848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-31DOI: 10.20111/gayatri.v1i2.37
Totok Priyoleksono, Mohamad Arifin, Pangeran Pandularas
Most people only think that styrofoam is a material for packaging tools, for example as a container to store ice, a protector of electronic objects so that they are not damaged by vibration. According to Nanang Muchsinien, the advantage of using styrofoam as a creative medium is that it can be made in a shorter time than other materials, such as wood, cement, or other materials. The character of styreofoam which is not so heavy or relatively light, and has a small risk; therefore, using stereofoam material is not dangerous in the event of a work accident if it is hit, or falls when installed in public places Some other supporting facilities are: adequate space, tools, and materials, and of course styreofoam with good quality as the main medium styreofoam or foam plastic is one type of plastic from many other materials. The first is to make a sketch on paper as a means to find out the division of the image pieces from the existing design. The process of smoothing for this work is done by rubbing the surface of the styreofoam with rubbing paper. Technology for working on styreofoam materials is needed to speed up working so that the production process is more efficient, can save time, energy, and can reduce costs. The modeling process is carried out using modeling techniques so that in creating a sculpture that can interact directly between ideas into three dimentional form (sculpture art). In choosing to use cork/ styrofoam material because the material has already found the character of the material and the properties that exist in the material, so that it can speed up the creative process.
{"title":"Bahan Styrofoam Sebagai Ekspresi Penciptaan Seni Patung di Rumah Gabus Produktion Surabaya","authors":"Totok Priyoleksono, Mohamad Arifin, Pangeran Pandularas","doi":"10.20111/gayatri.v1i2.37","DOIUrl":"https://doi.org/10.20111/gayatri.v1i2.37","url":null,"abstract":"Most people only think that styrofoam is a material for packaging tools, for example as a container to store ice, a protector of electronic objects so that they are not damaged by vibration. According to Nanang Muchsinien, the advantage of using styrofoam as a creative medium is that it can be made in a shorter time than other materials, such as wood, cement, or other materials. The character of styreofoam which is not so heavy or relatively light, and has a small risk; therefore, using stereofoam material is not dangerous in the event of a work accident if it is hit, or falls when installed in public places Some other supporting facilities are: adequate space, tools, and materials, and of course styreofoam with good quality as the main medium styreofoam or foam plastic is one type of plastic from many other materials. The first is to make a sketch on paper as a means to find out the division of the image pieces from the existing design. The process of smoothing for this work is done by rubbing the surface of the styreofoam with rubbing paper. Technology for working on styreofoam materials is needed to speed up working so that the production process is more efficient, can save time, energy, and can reduce costs. The modeling process is carried out using modeling techniques so that in creating a sculpture that can interact directly between ideas into three dimentional form (sculpture art). In choosing to use cork/ styrofoam material because the material has already found the character of the material and the properties that exist in the material, so that it can speed up the creative process.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135975844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-31DOI: 10.20111/gayatri.v1i2.36
Robby Hidajat, Pujiyanto Pujiyanto, Ike Ratnawati, Muhammad Afaf Hasyimy, Allfa Andranica Devya A, Gesang Bayu Pamungkas
Jatirejoyoso Village, Kepanjen District, Malang Regency is an agricultural village that still depends on selling agricultural products for its livelihood. Some other people work as factory, workshop and trader workers. As for women, after high school many get married and become housewives. Environmental analysis, Jatirejoyoso Village has potential that is very close to the development of the Malang Mask Wayag performance art. Typical performance art performed by masked dancers, presenting the story of Panji. The Research Team combined two conditions that can complement each other, namely that women who become housewives are able to develop skills without having to leave the house, namely developing stamped motifs from cardboard with wayang mask ornament patterns. This is an opportunity to make simple and cheap batik crafts. The method uses design, training and mentoring. The activity stages are carried out starting from subject analysis, development, ornament design, training, and evaluation of results. Indicators of the success of this activity are the enthusiastic involvement of participants, understanding of batik stamp design skills, and the process of stamping and coloring.
{"title":"Pengembangan Motif Cap untuk Keterampilan Membatik Bagi Perempuan Warga Desa Jatirejoyoso, Kepanjen Malang Jawa Timur","authors":"Robby Hidajat, Pujiyanto Pujiyanto, Ike Ratnawati, Muhammad Afaf Hasyimy, Allfa Andranica Devya A, Gesang Bayu Pamungkas","doi":"10.20111/gayatri.v1i2.36","DOIUrl":"https://doi.org/10.20111/gayatri.v1i2.36","url":null,"abstract":"Jatirejoyoso Village, Kepanjen District, Malang Regency is an agricultural village that still depends on selling agricultural products for its livelihood. Some other people work as factory, workshop and trader workers. As for women, after high school many get married and become housewives. Environmental analysis, Jatirejoyoso Village has potential that is very close to the development of the Malang Mask Wayag performance art. Typical performance art performed by masked dancers, presenting the story of Panji. The Research Team combined two conditions that can complement each other, namely that women who become housewives are able to develop skills without having to leave the house, namely developing stamped motifs from cardboard with wayang mask ornament patterns. This is an opportunity to make simple and cheap batik crafts. The method uses design, training and mentoring. The activity stages are carried out starting from subject analysis, development, ornament design, training, and evaluation of results. Indicators of the success of this activity are the enthusiastic involvement of participants, understanding of batik stamp design skills, and the process of stamping and coloring.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135975846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-31DOI: 10.20111/gayatri.v1i2.29
Ni Ketut Dewi Yulianti, Ni Wayan Mudiasih, Ni Wayan Suratni, Komang Wahyu Dinata
Community Service (PKM) is one of the three dharmas in the Tridharma of Higher Education which is tasked with making the life of the nation and state intelligent and advancing the welfare of society by utilizing educational knowledge in addition to the dharma of research and the dharma of education and teaching. Based on this, ISI Denpasar in 2023 will carry out PKM activities in Paksebali village, Klungkung Regency with the activity title "Developing English Speaking Tour Guides and the Dewa Mesraman Dance Drama in Efforts to Develop Paksebali Village Culture in Klungkung Regency". The method of implementing activities in PKM is carried out in three stages, namely: planning, implementation and evaluation. The purpose of this article is to discuss the process of Paksebali village PKM activities and the outcomes achieved in these activities. This PKM activity produced an English speaking tour guide and the Dewa Mesraman dance drama which was made into a video recording and published on YouTube.
{"title":"Pembinaan Pemandu Wisata Berbahasa Inggris dan Pelatihan Drama Tari Dewa Mesraman dalam Upaya Mengembangkan Wisata Budaya Desa Paksebali","authors":"Ni Ketut Dewi Yulianti, Ni Wayan Mudiasih, Ni Wayan Suratni, Komang Wahyu Dinata","doi":"10.20111/gayatri.v1i2.29","DOIUrl":"https://doi.org/10.20111/gayatri.v1i2.29","url":null,"abstract":"Community Service (PKM) is one of the three dharmas in the Tridharma of Higher Education which is tasked with making the life of the nation and state intelligent and advancing the welfare of society by utilizing educational knowledge in addition to the dharma of research and the dharma of education and teaching. Based on this, ISI Denpasar in 2023 will carry out PKM activities in Paksebali village, Klungkung Regency with the activity title \"Developing English Speaking Tour Guides and the Dewa Mesraman Dance Drama in Efforts to Develop Paksebali Village Culture in Klungkung Regency\". The method of implementing activities in PKM is carried out in three stages, namely: planning, implementation and evaluation. The purpose of this article is to discuss the process of Paksebali village PKM activities and the outcomes achieved in these activities. This PKM activity produced an English speaking tour guide and the Dewa Mesraman dance drama which was made into a video recording and published on YouTube.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135975847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Penelitian ini bertujuan untuk (1) mendeskripsikan bentuk penyajian tari Wadian Kelong dalam upacara Aruh Adat Baharin di Desa Kapul Kabupaten Balangan. (2) mendeskripsikan fungsi dan makna tari Wadian Kelong dalam upacara Aruh Adat Baharin di Desa Kapul Kabupaten Balangan. (3) mendeskripsikan nilai estetika tari Wadian Kelong dalam upacara Aruh Adat Baharin di Desa Kapul Kabupaten Balangan. Metode yang digunakan adalah metode kualitatif. Teknik pengumpulan data menggunakan teknik observasi, wawancara dan dokumen. Hasil penelitian yang didapat adalah (1) Bentuk penyajian tari Wadian Kelong dalam upacara Aruh Adat Baharin tidak mementingkan keindahan gerak, namun lebih mementingkan maksud dan tujuan 2) Fungsi tari Wadian Kelong adalah sebagai sarana upacara ritual dan Makna tari Wadian Kelong untuk ungkapan jiwa, penghormatan dan pembayar rejeki (3) Nilai estetika tari Wadian Kelong dalam upacara Aruh Adat Baharin yaitu gerak tari sederhana dan memiliki kandungan daya intensitas dalam ketaksuan, iringan tari tidak banyak irama/ritmis bersipat inten dan khusu, tidak menggunakan tata rias wajah melainkan hanya menggunakan olesan kapur pada bagian tangan dan dada, tata busana bersifat khusus dan menjadi bagian identitas pada Wadian
{"title":"FUNGSI, MAKNA DAN NILAI ESTETIKA TARI WADIAN KELONG DALAM UPACARA ARUH ADAT BAHARIN DI DESA KAPUL KABUPATEN BALANGAN","authors":"Wulan Janearditta, Edi Sutardi, None Suwarjiya","doi":"10.33654/tdk.v3i2.2367","DOIUrl":"https://doi.org/10.33654/tdk.v3i2.2367","url":null,"abstract":"Penelitian ini bertujuan untuk (1) mendeskripsikan bentuk penyajian tari Wadian Kelong dalam upacara Aruh Adat Baharin di Desa Kapul Kabupaten Balangan. (2) mendeskripsikan fungsi dan makna tari Wadian Kelong dalam upacara Aruh Adat Baharin di Desa Kapul Kabupaten Balangan. (3) mendeskripsikan nilai estetika tari Wadian Kelong dalam upacara Aruh Adat Baharin di Desa Kapul Kabupaten Balangan. Metode yang digunakan adalah metode kualitatif. Teknik pengumpulan data menggunakan teknik observasi, wawancara dan dokumen. Hasil penelitian yang didapat adalah (1) Bentuk penyajian tari Wadian Kelong dalam upacara Aruh Adat Baharin tidak mementingkan keindahan gerak, namun lebih mementingkan maksud dan tujuan 2) Fungsi tari Wadian Kelong adalah sebagai sarana upacara ritual dan Makna tari Wadian Kelong untuk ungkapan jiwa, penghormatan dan pembayar rejeki (3) Nilai estetika tari Wadian Kelong dalam upacara Aruh Adat Baharin yaitu gerak tari sederhana dan memiliki kandungan daya intensitas dalam ketaksuan, iringan tari tidak banyak irama/ritmis bersipat inten dan khusu, tidak menggunakan tata rias wajah melainkan hanya menggunakan olesan kapur pada bagian tangan dan dada, tata busana bersifat khusus dan menjadi bagian identitas pada Wadian","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"298 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135253329","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Penelitian ini bertujuan untuk mengetahui proses pengembangan Media pembelajaran tari di Sanggar Seni Karamunting Kabupaten Hulu Sungai Selatan, dan untuk mengetahui kelayakan pengembangan media pembelajaran Tari Tilah Paring di Sanggar Seni Karamunting Kabupaten Hulu Sungai Selatan. Metode yang digunakan dalam penelitian ini dengan menggunakan metode R&D (resarch and development). Pengembangan Media Pembelajaran Video Toturial. Dalam hal ini teori yang digunakan adalah Ariesto Hadi Sutopo. Prosedur Pengembangan terbagi dalam lima langkah, yaitu (1) concept, (2) design, (3) material collecting, (4) assembly (5) testing. Teknik Pengumpulan data yang digunakan dalam penelitian dan pengembangan ini baik dari buku, internet, wawancara, angket/kuesioner. Hasil penelitian yang didapat adalah dalam pengembangan pembelajaran Tari Tilah Paring memperoleh skor 86 (93%) dari Total skor 92 secara keseluruhan. Hasil tersebut menyatakan bahwa Sangat Layak untuk diuji cobakan. Hasil validasi oleh ahli media pada Media pengembangan pembelajaran Tari memperoleh skor 40 (76%) dari Total skor 52 maka menyatakan bahwa Layak di uji cobakan. skor rata-rata 44,40 atau 91,67% dari nilai skor 48 secara keseluruhan. Masing- masing responden menunjukkan bahwa media pembelajaran layak digunakan yaitu dengan persentase 91%.
本研究旨在了解南河自治区舞蹈学习媒体发展的过程，并了解在南河自治区举办舞蹈学习媒体发展的可行性。利用R&D方法进行研究。视频学习媒体发展。在这种情况下，使用的理论是Ariesto Hadi Sutopo。开发程序分为五个步骤:(1)概念，(2)设计，(3)收集材料，(4)汇编(5)测试。在这项研究和开发中使用的数据收集技术包括书籍、互联网、采访、问卷。这项研究的结果是，在学习舞蹈的过程中，Paring从整个92分中得了86分(93%)。结果表明它值得进行测试。该媒体在舞蹈学习发展中取得的成绩为52分中的40分(76%)，因此值得进行测试。总分44.40或91.67%。每个受访者都指出可以使用的学习媒介是91%
{"title":"Pengembangan Media Pembelajaran Tari Tilah Paring di Sanggar Tari Tilah Paring Kabupaten Hulu Sungai Selatan","authors":"Rabiatul Adawiyah, None Suwarjiya, Edi Sutardi","doi":"10.33654/tdk.v3i2.2382","DOIUrl":"https://doi.org/10.33654/tdk.v3i2.2382","url":null,"abstract":"Penelitian ini bertujuan untuk mengetahui proses pengembangan Media pembelajaran tari di Sanggar Seni Karamunting Kabupaten Hulu Sungai Selatan, dan untuk mengetahui kelayakan pengembangan media pembelajaran Tari Tilah Paring di Sanggar Seni Karamunting Kabupaten Hulu Sungai Selatan. Metode yang digunakan dalam penelitian ini dengan menggunakan metode R&D (resarch and development). Pengembangan Media Pembelajaran Video Toturial. Dalam hal ini teori yang digunakan adalah Ariesto Hadi Sutopo. Prosedur Pengembangan terbagi dalam lima langkah, yaitu (1) concept, (2) design, (3) material collecting, (4) assembly (5) testing. Teknik Pengumpulan data yang digunakan dalam penelitian dan pengembangan ini baik dari buku, internet, wawancara, angket/kuesioner. Hasil penelitian yang didapat adalah dalam pengembangan pembelajaran Tari Tilah Paring memperoleh skor 86 (93%) dari Total skor 92 secara keseluruhan. Hasil tersebut menyatakan bahwa Sangat Layak untuk diuji cobakan. Hasil validasi oleh ahli media pada Media pengembangan pembelajaran Tari memperoleh skor 40 (76%) dari Total skor 52 maka menyatakan bahwa Layak di uji cobakan. skor rata-rata 44,40 atau 91,67% dari nilai skor 48 secara keseluruhan. Masing- masing responden menunjukkan bahwa media pembelajaran layak digunakan yaitu dengan persentase 91%.
","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135817643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Penelitian ini berkaitan dengan Tari Topeng Pamindu Nini Astaliah Di Desa Barikin. Tari topeng berkembang di barikin sekitar tahun 1380 pada saat Kerajaan Dipa topeng memiliki 7 jenis adapun topeng yang paling sering nini astaliah tarikan adalah Topeng Pamindu. Tujuan Penelitian ini : (1) Mendeskripsikan bentuk penyajian tari topeng pamindu nini astaliah, (2) Mendeskripsikan fungsi tari topeng pamindu nini astaliah. Teknik pengumpulan data menggunakan teknik observasi, wawancara dan dokumentasi. Hasil Penelitian yang diperoleh adalah, bentuk penyajian Tari Topeng Pamindu Gerak , Iringan/Musik , Tata Rias,Tata Busana, Pola Lantai, Tempat Pertunjukan, Properti, Tema, Tata Lampu tema tari topeng pamindu adalah upacara ritual gerak topeng pamindu terdapat 16 ragam gerak iringan musik menggunakan seperangkat alat musik gamelan banjar ada 8 alat musik yang dimainkan tata rias menggunakan rias natural.baju poko berwarna kuning, ,tapih sasirangan, kida- kida,selendang, ikat pinggang, kalung, anting, gelanggelang kaki giring-girimg dan subrah. Pola lantai yang digunakan adalah maju mundur ke samping kiri ke samping kanan lurus, tempat pertunjukan yang digunakan adalah panggung terbuka dan panggung proscenium. Properti topeng pamindu dan kain penutup topeng berwarna kuning tata lampu yang digunakan dalam tari topeng pamindu adalah cahaya matahari.
{"title":"TARI TOPENG PAMINDU NINI ASTALIAH DI DESA BARIKIN","authors":"Della Silvina","doi":"10.33654/tdk.v3i2.2408","DOIUrl":"https://doi.org/10.33654/tdk.v3i2.2408","url":null,"abstract":"Penelitian ini berkaitan dengan Tari Topeng Pamindu Nini Astaliah Di Desa Barikin. Tari topeng berkembang di barikin sekitar tahun 1380 pada saat Kerajaan Dipa topeng memiliki 7 jenis adapun topeng yang paling sering nini astaliah tarikan adalah Topeng Pamindu. Tujuan Penelitian ini : (1) Mendeskripsikan bentuk penyajian tari topeng pamindu nini astaliah, (2) Mendeskripsikan fungsi tari topeng pamindu nini astaliah. Teknik pengumpulan data menggunakan teknik observasi, wawancara dan dokumentasi. Hasil Penelitian yang diperoleh adalah, bentuk penyajian Tari Topeng Pamindu Gerak , Iringan/Musik , Tata Rias,Tata Busana, Pola Lantai, Tempat Pertunjukan, Properti, Tema, Tata Lampu tema tari topeng pamindu adalah upacara ritual gerak topeng pamindu terdapat 16 ragam gerak iringan musik menggunakan seperangkat alat musik gamelan banjar ada 8 alat musik yang dimainkan tata rias menggunakan rias natural.baju poko berwarna kuning, ,tapih sasirangan, kida- kida,selendang, ikat pinggang, kalung, anting, gelanggelang kaki giring-girimg dan subrah. Pola lantai yang digunakan adalah maju mundur ke samping kiri ke samping kanan lurus, tempat pertunjukan yang digunakan adalah panggung terbuka dan panggung proscenium. Properti topeng pamindu dan kain penutup topeng berwarna kuning tata lampu yang digunakan dalam tari topeng pamindu adalah cahaya matahari.
","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135816715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Tari Kanjan Halu adalah tari tradisi di Kalimantan Tengah yang diciptakan oleh Alm. Narpan M.Apoi pada tahun 1957, merupakan tari hiburan rakyat yang sarat akan budaya lokal. Menceritakan kegiatan aktivitas berladang Suku Dayak Ngaju yang dilakukan secara bergotong-royong atau Handep. Tujuan penelitian ini adalah mendeskripsikan bentuk penyajian dan unsur kebudayaan dalam tari tradisi Kanjan Halu. Metode penelitian yang digunakan adalah metode Deskriptif Kualitatif. Teknik pengumpulan data menggunakan observasi, wawancara dan dokumentasi. Kemudian dianalisis hingga menghasilkan simpulan penelitian. Hasil penelitian sebagai berikut: (1)Bentuk penyajian meliputi 12 Ragam Gerak, 17 Pola Lantai, 7 iringan alat musik, tata busana baju Kurung untuk penari perempuan dan baju Kurung Hatue Pandak Lenge untuk penari laki-laki, tata rias natural sebagai karakter masyarakat, Tempat pertunjukan prosenium dan 3 Properti yang digunakan. (2) Unsur kebudayaan yang ditemui meliputi Bahasa dalam judul tarian dan bahasa simbol, sistem pengetahuan didapatkan dari bahan properti, organisasi sosial dan kemasyarakatan yaitu budaya Handep, sistem peralatan hidup dan teknologi dari properti yang digunakan, sistem mata pencaharian hidup tampak dari tema tarian yaitu pertanian, Sistem religi didapati gerakan Kanjan dan Kesenian meliputi tari dan musik pengiring.
{"title":"Unsur-Unsur Kebudayaan Dalam Tari Tradisi Kanjan Halu Di Sanggar Tari Tingang Menteng Pahunjung Tarung Kabupaten Kapuas","authors":"None FAHRUL RAJI, None Rahmani, None Suwarjiya","doi":"10.33654/tdk.v2i2.1890","DOIUrl":"https://doi.org/10.33654/tdk.v2i2.1890","url":null,"abstract":"Tari Kanjan Halu adalah tari tradisi di Kalimantan Tengah yang diciptakan oleh Alm. Narpan M.Apoi pada tahun 1957, merupakan tari hiburan rakyat yang sarat akan budaya lokal. Menceritakan kegiatan aktivitas berladang Suku Dayak Ngaju yang dilakukan secara bergotong-royong atau Handep. Tujuan penelitian ini adalah mendeskripsikan bentuk penyajian dan unsur kebudayaan dalam tari tradisi Kanjan Halu. Metode penelitian yang digunakan adalah metode Deskriptif Kualitatif. Teknik pengumpulan data menggunakan observasi, wawancara dan dokumentasi. Kemudian dianalisis hingga menghasilkan simpulan penelitian. Hasil penelitian sebagai berikut: (1)Bentuk penyajian meliputi 12 Ragam Gerak, 17 Pola Lantai, 7 iringan alat musik, tata busana baju Kurung untuk penari perempuan dan baju Kurung Hatue Pandak Lenge untuk penari laki-laki, tata rias natural sebagai karakter masyarakat, Tempat pertunjukan prosenium dan 3 Properti yang digunakan. (2) Unsur kebudayaan yang ditemui meliputi Bahasa dalam judul tarian dan bahasa simbol, sistem pengetahuan didapatkan dari bahan properti, organisasi sosial dan kemasyarakatan yaitu budaya Handep, sistem peralatan hidup dan teknologi dari properti yang digunakan, sistem mata pencaharian hidup tampak dari tema tarian yaitu pertanian, Sistem religi didapati gerakan Kanjan dan Kesenian meliputi tari dan musik pengiring.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135259393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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