I Made Widi Artha, Ni Luh Sustiawati, Ni Made Arshiniwati, Ni Wayan Ardini, Suminto Suminto
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 Research methods: This study aimed to examine Tugek character in the performance of Tugek Carangsari prembon mask dance drama. It uses qualitative methods, namely researchers collect data, process data, analyze data and then analyze descriptively interpretively.
 Result and discussion: The results shows that the character in Tugek Carangsari prembon dance drama performance used the TAT-SAT-SAT-TAT formula, which means “tatwa e anggo satwa, satwa e apang nyak metatwa” (tatwa/philosophy is used as a story so that the story contains tatwa).
 Implications: Tugek character can be seen from the variety of movements, fashion, make-up, musical accompaniment, dialogue, vocals/gending, performance structure and the time and place of the performance.","PeriodicalId":0,"journal":{"name":"","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tugek Character in Topeng Carangsari\",\"authors\":\"I Made Widi Artha, Ni Luh Sustiawati, Ni Made Arshiniwati, Ni Wayan Ardini, Suminto Suminto\",\"doi\":\"10.51172/jbmb.v4i1.248\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Purpose: Tugek is one of the characters in the prembon mask dance drama in Carangsari Village, Badung Regency, Bali. Luh Manik or popular as Tugek is a character who becomes the center of attention, because the message to be conveyed is delivered with a fresh joke.
 Research methods: This study aimed to examine Tugek character in the performance of Tugek Carangsari prembon mask dance drama. It uses qualitative methods, namely researchers collect data, process data, analyze data and then analyze descriptively interpretively.
 Result and discussion: The results shows that the character in Tugek Carangsari prembon dance drama performance used the TAT-SAT-SAT-TAT formula, which means “tatwa e anggo satwa, satwa e apang nyak metatwa” (tatwa/philosophy is used as a story so that the story contains tatwa).
 Implications: Tugek character can be seen from the variety of movements, fashion, make-up, musical accompaniment, dialogue, vocals/gending, performance structure and the time and place of the performance.\",\"PeriodicalId\":0,\"journal\":{\"name\":\"\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0,\"publicationDate\":\"2023-04-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.51172/jbmb.v4i1.248\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.51172/jbmb.v4i1.248","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
目的:Tugek是巴厘岛巴东摄政区Carangsari村的prembon面具舞剧中的角色之一。Luh Manik或通俗的Tugek是一个成为关注中心的角色,因为要传达的信息是用一个新鲜的笑话传递的。
研究方法:本研究旨在探讨土克卡朗沙里面具舞剧表演中的土克性格。它采用定性方法,即研究人员收集数据,处理数据,分析数据,然后描述性解释分析。
结果与讨论:结果表明,Tugek Carangsari prembon舞剧表演中的人物使用了TAT-SAT-SAT-TAT公式,即“tatwa e anggo satwa, satwa e apang nyak metatwa”(以tatwa/哲学作为故事,使故事包含tatwa)。
启示:从动作、服装、化妆、音乐伴奏、对话、人声/性别、表演结构、表演时间和地点的多样性可以看出突克人的性格。
Purpose: Tugek is one of the characters in the prembon mask dance drama in Carangsari Village, Badung Regency, Bali. Luh Manik or popular as Tugek is a character who becomes the center of attention, because the message to be conveyed is delivered with a fresh joke.
Research methods: This study aimed to examine Tugek character in the performance of Tugek Carangsari prembon mask dance drama. It uses qualitative methods, namely researchers collect data, process data, analyze data and then analyze descriptively interpretively.
Result and discussion: The results shows that the character in Tugek Carangsari prembon dance drama performance used the TAT-SAT-SAT-TAT formula, which means “tatwa e anggo satwa, satwa e apang nyak metatwa” (tatwa/philosophy is used as a story so that the story contains tatwa).
Implications: Tugek character can be seen from the variety of movements, fashion, make-up, musical accompaniment, dialogue, vocals/gending, performance structure and the time and place of the performance.