{"title":"孔子以前中国美学思想中审美对象的“和”与“美”关系研究","authors":"Jong-Won JANG","doi":"10.13000/jfmse.2023.10.35.5.919","DOIUrl":null,"url":null,"abstract":"The purpose of this paper is to investigate the relationship between harmony and beauty in the objects of aesthetics before Confucius in China in order to illuminate the prototype of modern harmonious beauty. Beauty can exist only in the unity of the diversity of things. This unification of diversity is called ‘harmony’. That is why","PeriodicalId":496496,"journal":{"name":"Su'san haeyang gyoyug yeon'gu","volume":"32 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Study on the Relationship between ‘Harmony’ and ‘Beauty’ in Aesthetic Objects in Aesthetic Thought before Confucius in China\",\"authors\":\"Jong-Won JANG\",\"doi\":\"10.13000/jfmse.2023.10.35.5.919\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The purpose of this paper is to investigate the relationship between harmony and beauty in the objects of aesthetics before Confucius in China in order to illuminate the prototype of modern harmonious beauty. Beauty can exist only in the unity of the diversity of things. This unification of diversity is called ‘harmony’. That is why\",\"PeriodicalId\":496496,\"journal\":{\"name\":\"Su'san haeyang gyoyug yeon'gu\",\"volume\":\"32 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-10-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Su'san haeyang gyoyug yeon'gu\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13000/jfmse.2023.10.35.5.919\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Su'san haeyang gyoyug yeon'gu","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13000/jfmse.2023.10.35.5.919","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A Study on the Relationship between ‘Harmony’ and ‘Beauty’ in Aesthetic Objects in Aesthetic Thought before Confucius in China
The purpose of this paper is to investigate the relationship between harmony and beauty in the objects of aesthetics before Confucius in China in order to illuminate the prototype of modern harmonious beauty. Beauty can exist only in the unity of the diversity of things. This unification of diversity is called ‘harmony’. That is why
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