Rhiannon Julia O’Grady, Daniel Cassany, Janine Knight
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Furthermore, it reveals how a multimodal approach can be part of a student-centred pedagogy and facilitate assessment methods that are alternative to traditional written assignments. Integrating multimodal composition processes gives learners opportunities to create texts for a specific audience, to think critically about the reading, make personal connections with the classical play, and increase their knowledge of English literature.KEYWORDS: Multimodal approachcompositionEnglish literaturesecondary educationShakespeare Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsRhiannon Julia O’GradyRhiannon Julia O’Grady hold a doctorate in Education. She has worked in the UK and internationally, teaching in secondary and tertiary education for over fifteen years in Europe and Asia. Her special interests are English literature and language teaching, teacher development, and pedagogical research for developing multimodal and interactive learning approaches.Daniel CassanyDaniel Cassany is an Associate Professor in Discourse Analysis at Pompeu Fabra University in Barcelona. He has published more than 20 books about written communication and language teaching in Catalan, Spanish and Portuguese and more than 100 scientific papers, also in English and French. Website: https://portal.upf.edu/web/daniel_cassany/Janine KnightJanine Knight holds a doctorate in education and eLearning. She is currently a teacher of English and teacher trainer at the International University of Catalonia, Spain. Her research activities are focused on learner agency in Computer Assisted Language Learning (CALL); developing critical digital skills for pre-service teachers; task-based language learning scenarios to develop spoken interaction; developing plurilingual competencies in schools and teacher training programmes. 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Forming part of a wider study undertaken by an English language and literature teacher, it documents how learners engage in visual, linguistic, manual, and digital responses to the play. The results show the increased enjoyment and the agency of learners when a range of modes are introduced to facilitate a Shakespeare study. It demonstrates how integrating multimodality can encourage pupils to draw on their backgrounds and cultural experiences to access classic texts. Furthermore, it reveals how a multimodal approach can be part of a student-centred pedagogy and facilitate assessment methods that are alternative to traditional written assignments. 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引用次数: 0
摘要
摘要本定性行动研究探讨了巴塞罗那一所私立三语学校中学生使用社会符号学资源以及传统和数字工具来理解《罗密欧与朱丽叶》的情况。作为一名英语语言文学教师开展的一项更广泛研究的一部分,该研究记录了学习者如何通过视觉、语言、手工和数字方式对戏剧做出反应。结果表明,当引入一系列模式来促进莎士比亚学习时,学习者的乐趣和能动性增加了。它展示了整合多模态如何鼓励学生利用他们的背景和文化经验来获取经典文本。此外,它揭示了多模式方法如何成为以学生为中心的教学法的一部分,并促进了替代传统书面作业的评估方法。整合多模态写作过程使学习者有机会为特定的观众创作文本,批判性地思考阅读,与古典戏剧建立个人联系,并增加他们的英国文学知识。关键词:多模态写作英语文学中学教育莎士比亚披露声明作者未报告潜在利益冲突。作者简介rhiannon Julia O 'Grady拥有教育学博士学位。她曾在英国和国际上工作,在欧洲和亚洲教授中学和大学教育超过15年。她的研究兴趣主要集中在英语文学和语言教学、教师发展以及多模式互动学习方法的教学研究。丹尼尔·卡萨尼,巴塞罗那庞培法布拉大学语篇分析副教授。他以加泰罗尼亚语、西班牙语和葡萄牙语出版了20多本关于书面交流和语言教学的书籍,并以英语和法语发表了100多篇科学论文。她目前是西班牙加泰罗尼亚国际大学的英语教师和教师培训师。她的研究主要集中在计算机辅助语言学习(CALL)中的学习者代理;培养职前教师的关键数字技能;基于任务的语言学习场景,发展口语互动;在学校和教师培训项目中发展多语能力。她曾在中小学、大学、继续教育和成人教育领域任教。
“I represented Tybalt in straight red lines” developing a multimodal approach for teaching Shakespeare to lower secondary age pupils
ABSTRACTThis qualitative Action Research study explores a group of lower secondary pupils’ use of social semiotic resources and traditional and digital tools to develop an understanding of Romeo and Juliet at a private trilingual school in Barcelona. Forming part of a wider study undertaken by an English language and literature teacher, it documents how learners engage in visual, linguistic, manual, and digital responses to the play. The results show the increased enjoyment and the agency of learners when a range of modes are introduced to facilitate a Shakespeare study. It demonstrates how integrating multimodality can encourage pupils to draw on their backgrounds and cultural experiences to access classic texts. Furthermore, it reveals how a multimodal approach can be part of a student-centred pedagogy and facilitate assessment methods that are alternative to traditional written assignments. Integrating multimodal composition processes gives learners opportunities to create texts for a specific audience, to think critically about the reading, make personal connections with the classical play, and increase their knowledge of English literature.KEYWORDS: Multimodal approachcompositionEnglish literaturesecondary educationShakespeare Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsRhiannon Julia O’GradyRhiannon Julia O’Grady hold a doctorate in Education. She has worked in the UK and internationally, teaching in secondary and tertiary education for over fifteen years in Europe and Asia. Her special interests are English literature and language teaching, teacher development, and pedagogical research for developing multimodal and interactive learning approaches.Daniel CassanyDaniel Cassany is an Associate Professor in Discourse Analysis at Pompeu Fabra University in Barcelona. He has published more than 20 books about written communication and language teaching in Catalan, Spanish and Portuguese and more than 100 scientific papers, also in English and French. Website: https://portal.upf.edu/web/daniel_cassany/Janine KnightJanine Knight holds a doctorate in education and eLearning. She is currently a teacher of English and teacher trainer at the International University of Catalonia, Spain. Her research activities are focused on learner agency in Computer Assisted Language Learning (CALL); developing critical digital skills for pre-service teachers; task-based language learning scenarios to develop spoken interaction; developing plurilingual competencies in schools and teacher training programmes. She has taught within primary and secondary schools, universities, further education, and adult education scenarios.