在"Jarrar al-Nour"诗集中对诗人"Abdel Nasser Abdel Mawla"的更新

Ali Mahmud Ashma'i Mahmud
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摘要

本研究旨在了解押韵诗中更新的概念,以及现代诗歌中发生的变化,押韵诗的价值与其当前地位之间的区别,然后讨论押韵诗,并对押韵诗进行定义及其控制,以唤起诗人阿卜杜勒·纳赛尔·阿卜杜勒·毛拉的诗集《Jarrar al-Nur》中的诗歌状态,并指出该diwan中更新的特征。在本研究的褶皱中,我们包括阿拉伯诗歌中的更新概念,以及这种更新的表现形式,以及诗人作为呼吁保留押韵诗歌的诗人之一的定义,以及最突出的更自由和多样化的新模板,以使文学鉴赏家清楚地了解押韵诗歌的总体情况,以及垂直诗歌的重要性。
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Aspects of renewal in the rhymed poem In the collection of "Jarrar al-Nour" For the poet "Abdel Nasser Abdel Mawla"
This study aims to know the concept of renewal in the rhymed poem, and the changes that occurred in the modern poem, and the distinction between the value of the rhymed and its current position, then talk about rhymed poetry, and define it and its controls to evoke a poetic state in the collection of "Jarrar al-Nur" by the poet "Abdul Nasser Abdel Mawla And an indication of the features of renewal in this diwan, and in the folds of this research we include the concept of renewal in the Arabic poem, and the manifestations of this renewal, and the definition of the poet as one of the poets who called for preserving the rhymed poem, and the most prominent new templates that are more free and diverse, in order to make it clear to connoisseurs of literature the general picture For rhymed poetry, and the importance of the vertical poem.
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