四人乞讨饭Lokapālas:其在南亚的文学与视觉表现

Q3 Arts and Humanities Manusya Pub Date : 2023-10-17 DOI:10.1163/26659077-26010003
Natchapol Sirisawad
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引用次数: 0

摘要

摘要:本文旨在分析四人Lokapālas向佛陀献碗的视觉表现及其与南亚艺术文学来源的关系,并讨论这个故事的意义。本文揭示了这些表示在Gandhāra中一直很流行。这个故事中与描绘相关的重要组成部分包括:(1)佛陀坐的树,(2)四个碗的供奉,(3)碗的合并,(4)两个商人的出现,以及(5)其他神灵的出现。然而,由于多种变体,无法建立紧密的一对一文本-图像关系。这个故事在强调某些重要的佛教概念方面具有重要意义,例如,佛陀作为至高无上的神和宇宙君主的“超然美德”(cakravartin);赠与实践;根据戒律来使用碗,以及对碗的崇敬。
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The Offering of Begging Bowls by the Four Lokapālas: Its Literary and Visual Representations in South Asia
Abstract This research paper aims to analyze a selection of visual representations regarding the offering of begging bowls to the Buddha by the four Lokapālas and their relationship to literary sources in South Asian art and discuss the significance of the story. This article reveals that these representations have always been popular in Gandhāra. The important components of this story relevant to the depictions include (1) the tree where the Buddha sat, (2) offering of the four bowls, (3) merging of the bowls, (4) presence of the two merchants, and (5) presence of other deities. However, a close one-to-one text-image relationship cannot be established due to multiple variants. The story is significant in emphasizing certain important Buddhist concepts, such as, the “transcendental virtue” of the Buddha as a supreme deity and a universal monarch ( cakravartin ); donative practice; usage of the bowl according to the Vinaya (Discipline), and the veneration of bowls.
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来源期刊
Manusya
Manusya Arts and Humanities-Arts and Humanities (all)
CiteScore
0.40
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发文量
18
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