艺术教育发展的理论与方法原则

Natalia N. Sayapina, Mohammed K. Al-Jazaeri
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摘要

由于理论教育学和应用教育学需要研究艺术教育的理论和方法问题,因此本研究显得很有意义。本研究的目的是研究美术教育发展的理论和方法原则。值得注意的是,作为联邦一级文件的《艺术教育框架》的内容制定了俄罗斯联邦在指定地区的文化政策战略,并规范了各级教育机构的艺术教育。研究的结果。研究表明,艺术教育理论的创造是一个相当复杂的过程,这一过程需要学者们从应用的角度来考虑基本的科学理论:艺术感知理论和艺术创造理论。我们对视觉美术的兴趣决定了我们思考不同历史时期视觉美术理论的前提。这些理论是艺术教育领域和美术领域的理论基础。本文总结了各作家在学校美术教学中的主要运动。文章强调,对这些运动和与之相对应的美术教育项目的研究有助于选择适合特定教育机构课程的项目。关于学生视觉艺术发展的结果应该是什么,这一想法反映在美术教育的概念和方法上,这些概念和方法都体现在教育机构将选择的课程中。这些结果成为美术教育发展的方法论基础。主要结论:文章在总结国内外理论和实践者的经验基础上,强调了在艺术教育领域开展理论和方法研究的必要性,克服了在艺术教育理论、视觉美术理论和教学方法上的“连贯”问题。
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Theoretical and methodological principles in development of art education
The study appears relevant due to the need of theoretical and applied pedagogy to research the issues of art education concerning its theoretical and methodological aspects. The purpose of the research is to study the theoretical and methodological principles in development of art education. Attention is drawn to the content of the Art Education Framework as a federal-level document that develops the strategy of the cultural policy of the Russian Federation in the designated area and regulates art education in educational organizations of different levels. Research results. It is shown that the creation of art education theories is a rather complex process which makes scholars consider basic scientific theories: the theory of artistic perception and the theory of artistic creativity, which are regarded through their applied aspect. Our interest in visual fine art determines the prerequisite of considering the theories of visual fine arts in various historical periods. These theories serve as a theoretical basis both in the field of art education and in the field of fine arts. The article summarizes the main movements in teaching fine arts at school created by various authors. The article emphasizes that the study of both these movements and the fine arts educational programs that correspond to them facilitate the choice in favor of the program that would fit the curriculum of a particular educational organization. The idea of what results of students’ visual arts development should be is reflected in both the concepts and methods of fine arts education that are presented in the program an educational organization will choose. These results become the methodological basis in development of art education. Main conclusions: the article emphasizes the necessity to carry out theoretical and methodological research in the field of art education as well as to overcome the problems of creating “coherent” theories of art education, theories of visual fine art and methods of teaching it based on the experience accumulated by Russian and foreign theorists and practitioners.
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