{"title":"蜡染皮肤:爪哇北海岸女性气质的表现","authors":"Nanang Ganda Prawira, Aditya Aditama Putri Hk","doi":"10.37467/revhuman.v16.3284","DOIUrl":null,"url":null,"abstract":"To date, Javanese-Indonesian coastal women have only been part of the batik craft industry, but their strategic roles and expressions have never been disclosed or cared. Whereas the feminine side and the aesthetic symbolic adaptation of Batik-crafter women are very important issues in the creation of the Indonesian cultural repertoire. This study succeeded in explaining the visual identity signs and aesthetic structures described by the community of the crafter woman in the Paoman Village, as well as revealing the meaning of the Indramayu written batik motif as a sign in coastal culture.","PeriodicalId":36097,"journal":{"name":"Human Review","volume":"24 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Batik Dermayon: Expression of Femininity in North Coast of Java\",\"authors\":\"Nanang Ganda Prawira, Aditya Aditama Putri Hk\",\"doi\":\"10.37467/revhuman.v16.3284\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"To date, Javanese-Indonesian coastal women have only been part of the batik craft industry, but their strategic roles and expressions have never been disclosed or cared. Whereas the feminine side and the aesthetic symbolic adaptation of Batik-crafter women are very important issues in the creation of the Indonesian cultural repertoire. This study succeeded in explaining the visual identity signs and aesthetic structures described by the community of the crafter woman in the Paoman Village, as well as revealing the meaning of the Indramayu written batik motif as a sign in coastal culture.\",\"PeriodicalId\":36097,\"journal\":{\"name\":\"Human Review\",\"volume\":\"24 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-09-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Human Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37467/revhuman.v16.3284\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Human Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37467/revhuman.v16.3284","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Batik Dermayon: Expression of Femininity in North Coast of Java
To date, Javanese-Indonesian coastal women have only been part of the batik craft industry, but their strategic roles and expressions have never been disclosed or cared. Whereas the feminine side and the aesthetic symbolic adaptation of Batik-crafter women are very important issues in the creation of the Indonesian cultural repertoire. This study succeeded in explaining the visual identity signs and aesthetic structures described by the community of the crafter woman in the Paoman Village, as well as revealing the meaning of the Indramayu written batik motif as a sign in coastal culture.