韩国职前音乐教师对音乐教育课程中混合式学习的认知

IF 1.3 3区 教育学 Q2 EDUCATION & EDUCATIONAL RESEARCH International Journal of Music Education Pub Date : 2023-06-21 DOI:10.1177/02557614231182166
Jihae Shin
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引用次数: 0

摘要

以前的研究已经检验了混合学习在各种学习环境中的有效性,包括公立学校的音乐课和音乐教师教育项目。然而,关于技术型教学与传统课堂环境的相对重要性的研究还很缺乏。本研究考察了韩国职前音乐教师在混合学习环境中的经验,并证明了在线和面对面学习之间需要适当的时间间隔,特别是对于那些在理论和实践音乐教育方面经验不足的教师。虽然面对面的课堂被发现是职前音乐教师在同伴的帮助下获得课堂材料不同观点的关键环境,但一些人发现向小组中的其他人解释他们的理解并表达他们对特定学校场景的看法是具有挑战性的。最后,匿名在线平台上的正式提问时间鼓励职前音乐教师积极参与课堂活动,理论与实践的结合被认为是混合式学习的主要优势。
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Korean preservice music teachers’ perceptions of blended learning in music education course
Previous studies have examined the effectiveness of blended learning in various learning contexts, including music classes in public schools and music teacher education programs. However, research on the relative importance of both technology-based instruction and traditional classroom environments is lacking. This study examined the experiences of Korean preservice music teachers in a blended learning environment and demonstrated the need for an appropriate time period between online and face-to-face learning, especially for those with little experience in theoretical and practical music education. While a face-to-face classroom was found to be a crucial setting for preservice music teachers to gain various perspectives on class materials with the help of peers, a few found it challenging to explain their understandings to others in a group and express their opinions about specific school scenarios. Finally, formal question time on an online platform that maintains anonymity encouraged preservice music teachers to actively participate in in-class activities, and the combination of theory and practice was perceived as a major strength of blended learning.
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来源期刊
CiteScore
3.20
自引率
11.10%
发文量
58
期刊介绍: The International Journal of Music Education (IJME) is a peer-reviewed journal published by the International Society for Music Education (ISME) four times a year. Manuscripts published are scholarly works, representing empirical research in a variety of modalities. They enhance knowledge regarding the teaching and learning of music with a special interest toward an international constituency. Manuscripts report results of quantitative or qualitative research studies, summarize bodies or research, present theories, models, or philosophical positions, etc. Papers show relevance to advancing the practice of music teaching and learning at all age levels with issues of direct concern to the classroom or studio, in school and out, private and group instruction. All manuscripts should contain evidence of a scholarly approach and be situated within the current literature. Implications for learning and teaching of music should be clearly stated, relevant, contemporary, and of interest to an international readership.
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