{"title":"水墨的虚幻基础:新加坡的机械体与表皮效应","authors":"Orlando Woods","doi":"10.1016/j.emospa.2023.100991","DOIUrl":null,"url":null,"abstract":"<div><p>This paper advances recent theorisations of the body-as-infrastructure by exploring the premise that there are multiple bodily infrastructures at play at any one time. It focusses on three infrastructural formations – the body, the skin that encases the body, and tattoos as visual inscriptions on the skin – that jostle against each other for representational primacy. The layering of infrastructure-upon-infrastructure leads to understandings of the self that exist in a state of tension with societal norms and the illusions of self-representation. Indeed, it is the intersecting gazes of society and the self that cause these infrastructures to become disaggregated, and representational politics to emerge. I illustrate these ideas through an empirical examination of tattooed bodies in Singapore. Singapore is a socially conservative city-state in which the body is implicated in the capitalist logics of development, and the aesthetic-aspirational logics of the Singaporean family. Tattooed Singaporeans must constantly negotiate these infrastructural overlaps and divergences amidst the growing trend towards more individualistic forms of self-expression and realisation. I argue that whilst the infrastructure of ink might be considered illusory, so too does it help to stabilise the self during times of uncertainty.</p></div>","PeriodicalId":47492,"journal":{"name":"Emotion Space and Society","volume":"49 ","pages":"Article 100991"},"PeriodicalIF":1.9000,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The illusory infrastructure of ink: Machinic bodies and epidermic affects in Singapore\",\"authors\":\"Orlando Woods\",\"doi\":\"10.1016/j.emospa.2023.100991\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<div><p>This paper advances recent theorisations of the body-as-infrastructure by exploring the premise that there are multiple bodily infrastructures at play at any one time. It focusses on three infrastructural formations – the body, the skin that encases the body, and tattoos as visual inscriptions on the skin – that jostle against each other for representational primacy. The layering of infrastructure-upon-infrastructure leads to understandings of the self that exist in a state of tension with societal norms and the illusions of self-representation. Indeed, it is the intersecting gazes of society and the self that cause these infrastructures to become disaggregated, and representational politics to emerge. I illustrate these ideas through an empirical examination of tattooed bodies in Singapore. Singapore is a socially conservative city-state in which the body is implicated in the capitalist logics of development, and the aesthetic-aspirational logics of the Singaporean family. Tattooed Singaporeans must constantly negotiate these infrastructural overlaps and divergences amidst the growing trend towards more individualistic forms of self-expression and realisation. I argue that whilst the infrastructure of ink might be considered illusory, so too does it help to stabilise the self during times of uncertainty.</p></div>\",\"PeriodicalId\":47492,\"journal\":{\"name\":\"Emotion Space and Society\",\"volume\":\"49 \",\"pages\":\"Article 100991\"},\"PeriodicalIF\":1.9000,\"publicationDate\":\"2023-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Emotion Space and Society\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://www.sciencedirect.com/science/article/pii/S1755458623000543\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"GEOGRAPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Emotion Space and Society","FirstCategoryId":"90","ListUrlMain":"https://www.sciencedirect.com/science/article/pii/S1755458623000543","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"GEOGRAPHY","Score":null,"Total":0}
The illusory infrastructure of ink: Machinic bodies and epidermic affects in Singapore
This paper advances recent theorisations of the body-as-infrastructure by exploring the premise that there are multiple bodily infrastructures at play at any one time. It focusses on three infrastructural formations – the body, the skin that encases the body, and tattoos as visual inscriptions on the skin – that jostle against each other for representational primacy. The layering of infrastructure-upon-infrastructure leads to understandings of the self that exist in a state of tension with societal norms and the illusions of self-representation. Indeed, it is the intersecting gazes of society and the self that cause these infrastructures to become disaggregated, and representational politics to emerge. I illustrate these ideas through an empirical examination of tattooed bodies in Singapore. Singapore is a socially conservative city-state in which the body is implicated in the capitalist logics of development, and the aesthetic-aspirational logics of the Singaporean family. Tattooed Singaporeans must constantly negotiate these infrastructural overlaps and divergences amidst the growing trend towards more individualistic forms of self-expression and realisation. I argue that whilst the infrastructure of ink might be considered illusory, so too does it help to stabilise the self during times of uncertainty.
期刊介绍:
Emotion, Space and Society aims to provide a forum for interdisciplinary debate on theoretically informed research on the emotional intersections between people and places. These aims are broadly conceived to encourage investigations of feelings and affect in various spatial and social contexts, environments and landscapes. Questions of emotion are relevant to several different disciplines, and the editors welcome submissions from across the full spectrum of the humanities and social sciences. The journal editorial and presentational structure and style will demonstrate the richness generated by an interdisciplinary engagement with emotions and affects.