Emotion Space and Society最新文献

英文中文

Inside out – Views on and from home by people with experience of homelessness 由内而外--有无家可归经历的人对家和家外的看法

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2024-11-24 DOI: 10.1016/j.emospa.2024.101055

Stefanie Plage , Robert Perrier , Andrea Bubenik , Cameron Parsell , Rose-Marie Stambe

This visual essay explores what home means from the perspective of people who have experienced homelessness. Through their photography, we trace the dynamic interplay of inside and outside, presence and absence, materiality and immateriality in the multilayered meaning-making around home. Part of on an ethnographic project undertaken in 2022 in Southeast Queensland, 14 participants who had experienced homelessness were asked to take photographs and discuss them during a follow-up interview. The captioned photographs mediate our gaze on and from home, revealing the affordances of home as a material and immaterial construct. In the participants' visual storytelling we move across different forms of accommodation, making tangible the sense of housing instability and uncertainty they face in their daily lives. Based on the premise that the experience of being made home-less significantly and enduringly inflects one's relationship with home, their photography provides unique and valuable insights into what home means within the contemporary socio-historical context marked by escalating housing and cost of living crises. In doing so, we position this visual essay within housing activism and scholarship approaching home in terms of place and relational practice, rather than an asset, foregrounding how these understandings coalesce in home as a feeling.

这篇视觉散文从经历过无家可归的人的角度探讨了家的含义。通过他们的摄影作品，我们追溯了围绕 "家 "的多层次意义生成过程中内部与外部、存在与缺失、物质性与非物质性之间的动态互动。作为 2022 年在昆士兰东南部开展的人种学项目的一部分，14 名经历过无家可归的参与者被要求拍摄照片，并在后续访谈中进行讨论。这些带有文字说明的照片调节了我们对家的凝视，揭示了家作为一种物质和非物质建构的能力。在参与者的视觉故事中，我们穿越不同形式的住所，将他们在日常生活中面临的住房不稳定性和不确定性具体化。他们的摄影作品为我们提供了独特而宝贵的视角，让我们了解在住房和生活成本危机不断升级的当代社会历史背景下，家究竟意味着什么。因此，我们将这篇视觉文章定位在住房行动主义和学术研究中，从场所和关系实践的角度而非资产的角度来看待家，强调这些理解如何凝聚在作为一种感觉的家之中。

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引用次数: 0

Affective encounters and urban heritage: Unpacking the interface/city assemblages of online Hanfu performances 情感邂逅与城市遗产：解读在线汉服表演的界面/城市组合

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2024-11-01 DOI: 10.1016/j.emospa.2024.101053

Chu Xu, Ajay Bailey

This paper engages with the discussions on affective platforms and digital urban scholarships by drawing on digital mundane practices and networked affect theory. In urban China, a growing trend involves visitors wearing Hanfu (a traditional Han Chinese clothing style) in heritage spaces and presenting themselves distinctively online. By employing multiple qualitative media methods on Xiaohongshu, a Chinese social media platform, we demonstrate how Hanfu performances involve certain interface/city assemblages of urban heritage spaces, through which digital, imaginary, and physical elements relationally converge. We argue that affect and emotion serve as vital mechanisms for mixing these multiple assemblages, facilitating their circulation and reproduction on social media platform that heavily relies on the algorithms of feedback loops. This specific affective-algorithmic mechanism enables individuals to collectively generate new expressions of and form attachments to heritage spaces, embedded within their mundane practices as they engage with collective memories, histories, heritage materiality, and urban public life. Moving beyond merely examining the digital-urban spectacle as an outcome of social media fashioning of urban spaces, this paper extends our understanding of digital-urban space-making by illuminating the ongoing process of (re)production and dissemination of the networked affect of urban space.

本文通过借鉴数字世俗实践和网络情感理论，参与有关情感平台和数字城市奖学金的讨论。在中国城市中，一种日益增长的趋势是，游客在遗产空间中穿着汉服（一种传统的汉族服装样式），并在网上展示自己的与众不同。通过在中国社交媒体平台小红书（Xiaohongshu）上采用多种定性媒体方法，我们展示了汉服表演如何涉及城市遗产空间的某些界面/城市组合，通过这些界面/城市组合，数字、想象和物理元素相互交融。我们认为，情感和情绪是混合这些多重组合的重要机制，促进了它们在社交媒体平台上的流通和复制，而社交媒体平台在很大程度上依赖于反馈循环的算法。这种特定的情感-算法机制使个人能够集体创造遗产空间的新表达方式，并形成对遗产空间的依恋，这种依恋蕴含在他们参与集体记忆、历史、遗产物质性和城市公共生活的日常实践中。本文不仅将数字城市奇观视为社交媒体塑造城市空间的结果，还通过阐明城市空间网络化情感（再）生产和传播的持续过程，扩展了我们对数字城市空间制造的理解。

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引用次数: 0

Informality as global capitalism's unconscious 非正规性是全球资本主义的无意识

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2024-10-28 DOI: 10.1016/j.emospa.2024.101050

Pieter de Vries , Ilan Kapoor

Drawing on the burgeoning field of Global Libidinal Economy, this article argues that informality (i.e., the informal economy) is global capitalism's unconscious, both hiding and revealing the latter's instability and shadowy, indeed “dirty” if not “dangerous,” underside. On the basis of a fieldwork-based case study in Recife, Brazil, we bring out informality's exploitative dimensions—unspoken yet crucial to the functioning of capitalist markets; as well as its spontaneous and creative sides, which like the “return of the repressed,” act as disturbance and potential threat to these markets. Conceptualizing informality in this (psychoanalytic) way helps foreground the antagonisms upon which capitalism is founded, forebodingly betraying themselves despite attempts to suppress and gentrify them.

本文借鉴新兴的全球自由经济领域，认为非正规性（即非正规经济）是全球资本主义的无意识，既隐藏又揭示了后者的不稳定性和阴暗面，即使不说 "危险"，也是 "肮脏 "的。根据在巴西累西腓进行的实地案例研究，我们揭示了非正规经济的剥削层面--虽然不为人知，但对资本主义市场的运作至关重要；以及其自发和创造性的一面，就像 "被压抑者的回归 "一样，对这些市场构成干扰和潜在威胁。以这种（精神分析的）方式对非正规性进行概念化，有助于凸显资本主义赖以生存的对立面，尽管人们试图压制这些对立面并将其非主流化，但这些对立面还是会预示性地背叛自己。

引用次数: 0

‘Home is just a feeling’: Essentialist and anti-essentialist views on home among Ukrainian war refugees 家只是一种感觉乌克兰战争难民对家的本质主义和反本质主义观点

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2024-10-23 DOI: 10.1016/j.emospa.2024.101052

Anna Wnuk, Julia Góralska

The notion of home, understood as a distinct and meaningful place is frequently explored in migration studies. It emerges as an especially significant point of reference, though it is often marked by ambiguity and ambivalence, especially in the narratives of war refugees. This article examines how Ukrainian refugees in Poland define and experience home, exploring the evolving meanings of home in the context of displacement and resettlement. We conducted semi-structured interviews with thirteen refugees and forced migrants who left Ukraine after Russia's full-scale invasion on February 24th, 2022. Using a theoretical framework of essentialist and constructivist (anti-essentialist) notions of place, we identified three major themes in the way refugees perceive home. The first theme highlights attachment to home, where refugees express feelings of security, stability, and rootedness. The second reveals a profound sense of ‘non-home’, where home is lost or unattainable. The third theme explores how refugees attempt to reconcile a fixed sense of home with their experiences of mobility, reshaping home through multiple, meaningful sites. By integrating these theoretical perspectives this study offers a nuanced understanding of how displacement and migration reshape the concept of home for refugees.

移民研究中经常探讨 "家 "的概念，将其理解为一个独特而有意义的地方。尽管它往往带有模糊性和矛盾性，尤其是在战争难民的叙述中，但它作为一个特别重要的参照点而出现。本文研究了在波兰的乌克兰难民如何定义和体验家园，探讨了家园在流离失所和重新安置背景下不断演变的含义。我们对 13 名在 2022 年 2 月 24 日俄罗斯全面入侵乌克兰后离开乌克兰的难民和被迫移民进行了半结构化访谈。我们采用本质主义和建构主义（反本质主义）的地方概念作为理论框架，确定了难民感知家园方式的三大主题。第一个主题突出了对家园的依恋，难民在其中表达了安全、稳定和扎根的感觉。第二个主题揭示了一种深刻的 "非家 "感，即家已经失去或无法实现。第三个主题探讨了难民如何试图调和固定的家的感觉和他们的流动经历，通过多个有意义的地点重塑家。通过整合这些理论视角，本研究对流离失所和移民如何重塑难民的家园概念提供了细致入微的理解。

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引用次数: 0

Sweat speaks: Stories of embodiment, emotion, and erasure on a heating planet 汗水在说话热星球上的体现、情感和抹杀故事

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2024-10-19 DOI: 10.1016/j.emospa.2024.101051

Hannah Della Bosca

Sweat permeates our human lives, yet it is a bodily reality whose functions and meanings we are often conditioned to avoid, minimise, or hide. In taking sweat as its lens of analysis, this work reasserts the significance of a transboundary agent whose narrative interpretations are frequently sanitised and simplified. Here, sweat itself is recognised as a vital storyteller, emerging through tangible bodily choreographies of effort and exertion, emotion, social and cultural identity, and a warming planet. This contribution is situated at the broad intersection of sensory studies and feminist environmental humanities, and works to demonstrate sweat's political and theoretical utility in connecting everyday embodied experiences with the systemic drivers of social and ecological injustices.

汗水渗透到我们人类的生活中，但它是一种身体现实，我们往往习惯于回避、淡化或隐藏它的功能和意义。本作品以汗水为分析视角，重申了汗水这一跨界媒介的重要意义，而汗水的叙事诠释却常常被净化和简化。在这里，汗水本身被认为是一个重要的故事讲述者，它通过有形的身体编排，表现出努力和劳累、情感、社会和文化身份，以及正在变暖的地球。这篇论文位于感官研究和女权主义环境人文学科的广泛交叉点上，致力于证明汗水在将日常的身体体验与社会和生态不公正的系统性驱动因素联系起来方面的政治和理论作用。

引用次数: 0

The impact of open-pit mining in mountainous areas on eco-anxiety and future images of the place 山区露天采矿对生态焦虑和未来形象的影响

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2024-10-17 DOI: 10.1016/j.emospa.2024.101045

Sergio Elías Uribe-Sierra , Lindsey Carte , Pablo Mansilla-Quiñones , Andrés Moreira-Muñoz

The article analyzes how environmental pressures affect future images of a place and can produce ecoanxiety. We explore these themes via a qualitative study which included semi-structured interviews, observation, and document reviews. The study centered on the municipality of Putaendo, Chile, a region deeply impacted by environmental changes arising from climate change and agribusiness activities which is now facing the advance of an open-pit mining project. Our results show how transformations in the natural environment can affect individual and collective human well-being. The future image of the total destruction of a river by mining can generate ecoanxiety, expressed within the personal, family, and work levels, given the possible loss of land and water as resources for material sustenance and as an essential part of their identity. Ecoanxiety exposes local concerns over the ontological security associated with a sense of place which is under threat. In this way, ecoanxiety can be understood beyond the psychological impact linked with potential ecological changes. We also explore how expected landscape changes adversely affect the relations between people and their environment, activating organized responses to re-evaluate and protect the places which people care for via diverse cultural actions.

文章分析了环境压力如何影响一个地方的未来形象并产生生态焦虑。我们通过一项定性研究探讨了这些主题，包括半结构式访谈、观察和文件审查。研究以智利普塔恩多市为中心，该地区深受气候变化和农业综合企业活动所导致的环境变化的影响，目前正面临着露天采矿项目的推进。我们的研究结果表明，自然环境的变化如何影响个人和集体的福祉。由于可能失去作为物质生计资源和身份认同重要组成部分的土地和水，采矿对河流造成彻底破坏的未来景象会在个人、家庭和工作层面产生生态焦虑。生态焦虑暴露了当地人对与受到威胁的地方感相关的本体论安全的担忧。因此，对生态焦虑的理解可以超越与潜在生态变化相关的心理影响。我们还探讨了预期的景观变化如何对人与环境之间的关系产生不利影响，如何激活有组织的应对措施，通过各种文化行动重新评估和保护人们所关心的地方。

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引用次数: 0

Hidden emotional costs of home accommodation. The lived experiences of Ukrainian refugees in Polish homes 家庭住宿的隐性情感成本。乌克兰难民在波兰家庭中的生活经历

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2024-10-11 DOI: 10.1016/j.emospa.2024.101047

Kamil Luczaj , Iwona Leonowicz-Bukała , Olha Krasko

引用次数: 0

The spatiality of Collective Autoethnography: Praxis of care and (co)becoming 集体自述的空间性：关怀与（共同）成为的实践

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2024-10-07 DOI: 10.1016/j.emospa.2024.101043

Maria Teresa Braga Bizarria, Marcela Palomino-Schalscha, Isabella Sánchez Bolívar

The increased use of autoethnography in geography has proved to be a valuable methodology to ground theory in practice. This approach provides the researcher-participant with resources to place their personal experiences in broader socio-spatial dynamics. As a group of three Latinas, we engaged with Collective Autoethnography (CAE) to explore our experiences with racial exclusion in Te Whanganui-a-Tara Wellington, Aotearoa New Zealand. By sharing our counter-stories, CAE helped us to engage in an ongoing process of (co) becoming, without essentialising our experiences. Taking the feminist ethics of care lens, we explore the politics embedded in implementing this methodology and its transformative potential. We start reflecting about the impact of our positionalities in our decision-making. Then, we discuss how the purposeful weaving of CAE with critical frameworks helped us unpack the nuances of our experiences and amplify our voices as ethnic minority migrants in Aotearoa. Finally, we explore how CAE, as a participatory approach, can inform the multiscalarity of embodied practices and inspire structural changes, which are particularly relevant when dealing with race and ethnicity. As we co-created a ‘care-full’ space throughout the research development, we suggest that CAE can also be a ‘place’ of solidarity and transformation.

事实证明，在地理学中越来越多地使用自我民族志是一种将理论扎根于实践的宝贵方法。这种方法为研究者和参与者提供了将个人经历置于更广泛的社会空间动态中的资源。作为一个由三位拉丁裔女性组成的小组，我们参与了集体自述（CAE），以探索我们在新西兰奥特亚罗瓦的 Te Whanganuia-Tara Wellington 遭受种族排斥的经历。通过分享我们的反面故事，CAE 帮助我们参与到（共同）成为的持续过程中，而不会将我们的经历本质化。从女权主义关怀伦理的角度出发，我们探讨了实施这种方法所蕴含的政治及其变革潜力。我们首先反思我们的立场对决策的影响。然后，我们讨论了如何将 CAE 与批判性框架有目的地结合在一起，帮助我们了解自身经历的细微差别，并放大我们作为奥特亚罗亚少数民族移民的声音。最后，我们探讨了 CAE 作为一种参与式方法，如何为体现性实践的多元性提供信息，并激发结构性变革，这在处理种族和民族问题时尤为重要。在整个研究发展过程中，我们共同创造了一个 "充满关爱 "的空间，因此我们认为 CAE 也可以成为一个团结和变革的 "地方"。

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引用次数: 0

Dialectics of perception and imagination: Embodied politics of atmosphere in Xiqiao Road, Nanjing 感知与想象的辩证法：南京西桥路的氛围政治

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2024-10-05 DOI: 10.1016/j.emospa.2024.101044

Weitao Wang , Min Zhang , Peipei Chen , Xiaoxu Chen

In the social media era, scholars tend to reduce the online digital images of cities to readable visual-centric texts dominated by ideologies such as platform capitalism and symbolic consumerism, treating symbols and affects as antagonistic. This study attempts to deconstruct this dichotomy and explain the visual-centric paradigm in digital images from the perspective of affective atmospheres based on an ethnography of 20 participants on Nanjing's Xiqiao Road. Built on atmosphere theory and material imagination theory, we suggest that an embodied politics of atmosphere is constituted by perception and imagination. Perceptions foster a holistic understanding of place among participants through peripheral visions, which is potentially consistent with the logic of online dissemination of digital images. In contrast, material imagination represents the creative pole of the body and establishes a new surface aesthetics of digital images. Faced with visual-centric notions of place in contemporary digital images, illustrating the embodied politics of the affective atmosphere can help motivate people to transcend existing paradigms and experience place through a more creative vision.

在社交媒体时代，学者们倾向于将城市的在线数字图像还原为可读的视觉中心文本，这些文本由平台资本主义和符号消费主义等意识形态主导，将符号和情感视为对立的。本研究基于对南京西桥路 20 名参与者的民族志调查，试图解构这种二分法，并从情感氛围的角度解释数字图像中以视觉为中心的范式。在氛围理论和物质想象力理论的基础上，我们认为氛围的具身政治是由感知和想象力构成的。感知通过外围视觉促进参与者对地点的整体理解，这可能与数字图像的在线传播逻辑相一致。与此相反，物质想象力代表了身体的创造力，为数字图像建立了新的表面美学。面对当代数字图像中以视觉为中心的地点概念，说明情感氛围的体现政治有助于激励人们超越现有范式，通过更具创造性的视角体验地点。

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引用次数: 0

Esports events & hegemonic masculinity: Reflections on participant-observation at Evolution Championship Series 2019 电竞赛事与霸权男性气质：对 2019 年进化锦标赛系列赛参与者观察的思考

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2024-10-05 DOI: 10.1016/j.emospa.2024.101048

Ever Josue Figueroa

Using critical theory and self-embodiment, as well as Bourdieu's concept of habitus and the social field, this ethnographic project documents the various ways that hegemonic masculinity manifested at the 2019 Evolution Championship Series (EVO), the largest fighting video game tournament in the world. Participant-observation was utilized to analyze the embodied experience of attending and participating in the tournament. The findings suggest that EVO's hyper-competitive culture reifies hegemonic masculinity and marginalizes femininity. The findings suggest that esports competitions reclaim masculinity through cyber-rituals and sexual objectification of women's real and digital bodies, in lieu of the absence of physical real-world male athletic bodies.

本人种学项目运用批判理论和自我体现，以及布尔迪厄的惯性和社会场概念，记录了霸权男性在 2019 年全球最大的格斗视频游戏锦标赛--进化冠军系列赛（EVO）上的各种表现形式。该项目利用参与观察法分析了参加和参与赛事的体现性体验。研究结果表明，EVO 的超级竞技文化重塑了霸权的男性气质，边缘化了女性气质。研究结果表明，电竞比赛通过网络仪式和对女性真实和数字身体的性物化来重塑男性气质，以取代现实世界中男性运动员身体的缺失。

引用次数: 0

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