Seema Chopra, Sarah Needham-Beck, Jatin P Ambegaonkar
{"title":"女性舞者跳卡塔克舞后15分钟内主动和被动恢复模式的血乳酸和心率反应。","authors":"Seema Chopra, Sarah Needham-Beck, Jatin P Ambegaonkar","doi":"10.1177/1089313X231213119","DOIUrl":null,"url":null,"abstract":"<p><p><b>Introduction:</b> Dance is physically demanding and results in blood lactate (BL) accumulation and elevated Heart Rate (HR). Researchers recommend using either Active Recovery (AR; eg, low-to-moderate intensity-exercise) or Passive Recovery (PR; eg, complete rest) modes after activity. We compared BL and HR responses between AR or PR over a 15-minute recovery period following a Kathak dance. <b>Methods:</b> Twelve female dancers (31.0 ± 6.0 years; 161.5 ± 4.9 cm; 55.5 ± 5.8 kg) performed 2 dance testing sessions (Day 1 = AR, Day 2 = PR) 48 hours apart. Each session started with a 10-minute warm up followed by dancers performing four 2-minute stages of Kathak dance, with three 1-minute periods between stages where we recorded HR and their Rate of Perceived Exertion (RPE:scale = 6-20) to match the intensity of both sessions. Post-dance, we recorded dancers' BL and HR at 1, 3, 5, 10, and 15 minutes while they recovered via AR or PR. Separate 2(mode) × (time) Repeated-Measures-ANOVA followed by simple-main-effects testing and adjusted Bonferroni-pairwise-comparisons examined differences in BL and HR responses across modes and time(α = .05). <b>Results:</b> Dancers' HR and RPE were similar across sessions. No mode × time interaction existed in BL (<i>F</i><sub>4,8</sub> = 3.6, <i>P</i> = .06). BL levels were similar across modes (<i>F</i><sub>1,2</sub> = 0.5, <i>P</i> = .5). BL levels reduced over time (<i>F</i><sub>4,8</sub> = 6.0, <i>P</i> = .02), but Bonferroni-comparisons did not reveal any pairwise differences. In HR a significant mode*time interaction (<i>F</i><sub>4,36</sub> = 11.0, <i>P</i> = .01, η<sup>2</sup> = .55) was observed. Both Active and Passive recovery modes achieved absolute HR levels by 15 minutes, with PR mode stabilizing within 5 minutes. <b>Conclusions:</b> Over a 15-minute recovery period after Kathak dance, dancers' BL and HR responses were similar across time in both AR and PR, with HR being higher in AR. Dancers' HR remained similar from 1 to 3 minute post dance recovery and then dropped over time. Thus, dancers can rest up to 3 minutes and still maintain the same elevated HR. Overall, dancers can choose either AR or PR as their recovery mode based on their individual preferences.</p>","PeriodicalId":46421,"journal":{"name":"Journal of Dance Medicine & Science","volume":" ","pages":"75-82"},"PeriodicalIF":1.1000,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Blood Lactate and Heart Rate Responses Between Active and Passive Recovery Modes Over a 15-Minute Recovery Period in Female Dancers After Kathak Dance.\",\"authors\":\"Seema Chopra, Sarah Needham-Beck, Jatin P Ambegaonkar\",\"doi\":\"10.1177/1089313X231213119\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p><b>Introduction:</b> Dance is physically demanding and results in blood lactate (BL) accumulation and elevated Heart Rate (HR). Researchers recommend using either Active Recovery (AR; eg, low-to-moderate intensity-exercise) or Passive Recovery (PR; eg, complete rest) modes after activity. We compared BL and HR responses between AR or PR over a 15-minute recovery period following a Kathak dance. <b>Methods:</b> Twelve female dancers (31.0 ± 6.0 years; 161.5 ± 4.9 cm; 55.5 ± 5.8 kg) performed 2 dance testing sessions (Day 1 = AR, Day 2 = PR) 48 hours apart. Each session started with a 10-minute warm up followed by dancers performing four 2-minute stages of Kathak dance, with three 1-minute periods between stages where we recorded HR and their Rate of Perceived Exertion (RPE:scale = 6-20) to match the intensity of both sessions. Post-dance, we recorded dancers' BL and HR at 1, 3, 5, 10, and 15 minutes while they recovered via AR or PR. Separate 2(mode) × (time) Repeated-Measures-ANOVA followed by simple-main-effects testing and adjusted Bonferroni-pairwise-comparisons examined differences in BL and HR responses across modes and time(α = .05). <b>Results:</b> Dancers' HR and RPE were similar across sessions. No mode × time interaction existed in BL (<i>F</i><sub>4,8</sub> = 3.6, <i>P</i> = .06). BL levels were similar across modes (<i>F</i><sub>1,2</sub> = 0.5, <i>P</i> = .5). BL levels reduced over time (<i>F</i><sub>4,8</sub> = 6.0, <i>P</i> = .02), but Bonferroni-comparisons did not reveal any pairwise differences. In HR a significant mode*time interaction (<i>F</i><sub>4,36</sub> = 11.0, <i>P</i> = .01, η<sup>2</sup> = .55) was observed. Both Active and Passive recovery modes achieved absolute HR levels by 15 minutes, with PR mode stabilizing within 5 minutes. <b>Conclusions:</b> Over a 15-minute recovery period after Kathak dance, dancers' BL and HR responses were similar across time in both AR and PR, with HR being higher in AR. Dancers' HR remained similar from 1 to 3 minute post dance recovery and then dropped over time. Thus, dancers can rest up to 3 minutes and still maintain the same elevated HR. Overall, dancers can choose either AR or PR as their recovery mode based on their individual preferences.</p>\",\"PeriodicalId\":46421,\"journal\":{\"name\":\"Journal of Dance Medicine & Science\",\"volume\":\" \",\"pages\":\"75-82\"},\"PeriodicalIF\":1.1000,\"publicationDate\":\"2024-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Dance Medicine & Science\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/1089313X231213119\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"2023/12/3 0:00:00\",\"PubModel\":\"Epub\",\"JCR\":\"Q3\",\"JCRName\":\"SPORT SCIENCES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Dance Medicine & Science","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/1089313X231213119","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"2023/12/3 0:00:00","PubModel":"Epub","JCR":"Q3","JCRName":"SPORT SCIENCES","Score":null,"Total":0}
引用次数: 0
摘要
舞蹈对身体的要求很高,会导致血乳酸(BL)积累和心率(HR)升高。研究人员建议使用主动恢复(AR);例如,低到中等强度的运动)或被动恢复(PR;活动后的完全休息模式。我们比较了AR和PR在跳卡塔克舞后15分钟的恢复期内的BL和HR反应。方法:12名年龄(31.0±6.0岁);161.5±4.9 cm;55.5±5.8 kg)间隔48小时进行2次舞蹈测试(第1天= AR,第2天= PR)。每个阶段以10分钟的热身开始,然后舞者表演4个2分钟的卡塔克舞阶段,在阶段之间有3个1分钟的时间,我们记录了HR和他们的感知消耗率(RPE:量表= 6-20),以匹配两个阶段的强度。舞蹈后,我们记录了舞者在1、3、5、10和15分钟的BL和HR,同时通过AR或PR恢复。单独的2(模式)×(时间)重复测量-方差分析,然后进行简单主效应检验和调整的bonferroni -两两比较,检查了不同模式和时间的BL和HR反应的差异(α = 0.05)。结果:舞者的HR和RPE在各阶段相似。BL不存在模式与时间的交互作用(F4,8 = 3.6, P = 0.06)。不同模式的BL水平相似(F1,2 = 0.5, P = 0.5)。随着时间的推移,BL水平降低(F4,8 = 6.0, P = 0.02),但bonferroni比较未显示任何两两差异。在HR中,模式与时间的交互作用显著(F4,36 = 11.0, P =。0.01, η2 = 0.55)。主动和被动恢复模式在15分钟内达到绝对HR水平,PR模式在5分钟内稳定。结论:在卡塔克舞后15分钟的恢复期,舞者的BL和HR反应在AR和PR中都是相似的,AR中的HR更高。舞者的HR在舞蹈恢复后1到3分钟保持相似,然后随着时间的推移而下降。因此,舞者可以休息3分钟,仍然保持相同的高HR。总的来说,舞者可以根据个人喜好选择AR或PR作为他们的恢复模式。
Blood Lactate and Heart Rate Responses Between Active and Passive Recovery Modes Over a 15-Minute Recovery Period in Female Dancers After Kathak Dance.
Introduction: Dance is physically demanding and results in blood lactate (BL) accumulation and elevated Heart Rate (HR). Researchers recommend using either Active Recovery (AR; eg, low-to-moderate intensity-exercise) or Passive Recovery (PR; eg, complete rest) modes after activity. We compared BL and HR responses between AR or PR over a 15-minute recovery period following a Kathak dance. Methods: Twelve female dancers (31.0 ± 6.0 years; 161.5 ± 4.9 cm; 55.5 ± 5.8 kg) performed 2 dance testing sessions (Day 1 = AR, Day 2 = PR) 48 hours apart. Each session started with a 10-minute warm up followed by dancers performing four 2-minute stages of Kathak dance, with three 1-minute periods between stages where we recorded HR and their Rate of Perceived Exertion (RPE:scale = 6-20) to match the intensity of both sessions. Post-dance, we recorded dancers' BL and HR at 1, 3, 5, 10, and 15 minutes while they recovered via AR or PR. Separate 2(mode) × (time) Repeated-Measures-ANOVA followed by simple-main-effects testing and adjusted Bonferroni-pairwise-comparisons examined differences in BL and HR responses across modes and time(α = .05). Results: Dancers' HR and RPE were similar across sessions. No mode × time interaction existed in BL (F4,8 = 3.6, P = .06). BL levels were similar across modes (F1,2 = 0.5, P = .5). BL levels reduced over time (F4,8 = 6.0, P = .02), but Bonferroni-comparisons did not reveal any pairwise differences. In HR a significant mode*time interaction (F4,36 = 11.0, P = .01, η2 = .55) was observed. Both Active and Passive recovery modes achieved absolute HR levels by 15 minutes, with PR mode stabilizing within 5 minutes. Conclusions: Over a 15-minute recovery period after Kathak dance, dancers' BL and HR responses were similar across time in both AR and PR, with HR being higher in AR. Dancers' HR remained similar from 1 to 3 minute post dance recovery and then dropped over time. Thus, dancers can rest up to 3 minutes and still maintain the same elevated HR. Overall, dancers can choose either AR or PR as their recovery mode based on their individual preferences.