音乐密码学和“leÓn反电话”的早期历史

IF 0.2 1区 艺术学 0 MUSIC EARLY MUSIC HISTORY Pub Date : 2017-09-12 DOI:10.1017/s0261127917000018
Elsa De Luca
{"title":"音乐密码学和“leÓn反电话”的早期历史","authors":"Elsa De Luca","doi":"10.1017/s0261127917000018","DOIUrl":null,"url":null,"abstract":"The ‘León Antiphoner’, León, Cathedral Library, MS 8, is the most complete manuscript containing Old Hispanic chant, comprising Office and Mass chants for the whole church year. As such, the León Antiphoner is the most studied Old Hispanic manuscript. Despite this, its dating is controversial and hypotheses have ranged from c. 906 (Menéndez Pidal) up to the eleventh century (Zapke and others). In this article, the dating and early history of the manuscript are reconsidered and an entirely new perspective is brought to bear on the questions of when, where, and for whom the manuscript was written. The reinterpretation of the cryptographic inscriptions found at the bottom of fols. 128<jats:sup>v</jats:sup>and 149<jats:sup>r</jats:sup>has made it possible to identify the patron of the Antiphoner as San Froilán, Bishop of León, and to date the manuscript’s production to the years 900–5. The scriptorium of the monastery of SS Cosmas and Damian in Abellar is suggested as the likeliest place of production of the Antiphoner.","PeriodicalId":42589,"journal":{"name":"EARLY MUSIC HISTORY","volume":"51 10","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2017-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"MUSICAL CRYPTOGRAPHY AND THE EARLY HISTORY OF THE ‘LEÓN ANTIPHONER’\",\"authors\":\"Elsa De Luca\",\"doi\":\"10.1017/s0261127917000018\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The ‘León Antiphoner’, León, Cathedral Library, MS 8, is the most complete manuscript containing Old Hispanic chant, comprising Office and Mass chants for the whole church year. As such, the León Antiphoner is the most studied Old Hispanic manuscript. Despite this, its dating is controversial and hypotheses have ranged from c. 906 (Menéndez Pidal) up to the eleventh century (Zapke and others). In this article, the dating and early history of the manuscript are reconsidered and an entirely new perspective is brought to bear on the questions of when, where, and for whom the manuscript was written. The reinterpretation of the cryptographic inscriptions found at the bottom of fols. 128<jats:sup>v</jats:sup>and 149<jats:sup>r</jats:sup>has made it possible to identify the patron of the Antiphoner as San Froilán, Bishop of León, and to date the manuscript’s production to the years 900–5. The scriptorium of the monastery of SS Cosmas and Damian in Abellar is suggested as the likeliest place of production of the Antiphoner.\",\"PeriodicalId\":42589,\"journal\":{\"name\":\"EARLY MUSIC HISTORY\",\"volume\":\"51 10\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2017-09-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"EARLY MUSIC HISTORY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s0261127917000018\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"EARLY MUSIC HISTORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s0261127917000018","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 1

摘要

“León安提福涅”,León,大教堂图书馆,MS 8,是包含古西班牙圣歌的最完整的手稿,包括整个教会年的办公室和弥撒圣歌。因此,León安提福涅是研究最多的古西班牙手稿。尽管如此,它的年代还是有争议的,假说从公元906年(mensamendez Pidal)到11世纪(Zapke和其他人)不等。在这篇文章中,手稿的日期和早期历史被重新考虑,并带来了一个全新的角度来承担的问题,何时,何地,以及手稿是为谁写的。重新解释在卷宗底部发现的密码铭文。128v和14rhas可以确定安提福涅的赞助人是León的主教San Froilán,并将手稿的制作日期确定为900-5年。SS Cosmas和Damian在Abellar的修道院的写字间被认为是最有可能制作Antiphoner的地方。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
MUSICAL CRYPTOGRAPHY AND THE EARLY HISTORY OF THE ‘LEÓN ANTIPHONER’
The ‘León Antiphoner’, León, Cathedral Library, MS 8, is the most complete manuscript containing Old Hispanic chant, comprising Office and Mass chants for the whole church year. As such, the León Antiphoner is the most studied Old Hispanic manuscript. Despite this, its dating is controversial and hypotheses have ranged from c. 906 (Menéndez Pidal) up to the eleventh century (Zapke and others). In this article, the dating and early history of the manuscript are reconsidered and an entirely new perspective is brought to bear on the questions of when, where, and for whom the manuscript was written. The reinterpretation of the cryptographic inscriptions found at the bottom of fols. 128vand 149rhas made it possible to identify the patron of the Antiphoner as San Froilán, Bishop of León, and to date the manuscript’s production to the years 900–5. The scriptorium of the monastery of SS Cosmas and Damian in Abellar is suggested as the likeliest place of production of the Antiphoner.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.60
自引率
0.00%
发文量
0
期刊介绍: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.
期刊最新文献
FRIAR WILLIAM HEREBERT’S CAROLS RECONSIDERED PERSPECTIVES FOR LOST POLYPHONY AND RED NOTATION AROUND 1300: MEDIEVAL MOTET AND ORGANUM FRAGMENTS IN STOCKHOLM SERMONS, HOMILIARIES AND PLAINSONG FOR THE NIGHT OFFICE: THE CASE OF STEPHEN THE PROTOMARTYR JOHANNES VETULUS DE ANAGNIA’S PLATONIST MODEL OF MUSICAL TIME A VISION OF THE NEW JERUSALEM: THE TEXT OF STRIGGIO’S ECCE BEATAM LUCEM
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1