档案还是展览?: pitt-rivers博物馆的真实与虚拟对比案例研究

Hailin Chen, Jonathan Hale, Laura Hanks
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引用次数: 0

摘要

博物馆是展览综合体,通过聚集的空间、物体和人进行交流。对于博物馆的参观者来说,两种不同的体验模式——“档案”和“展览”体验——脱颖而出,彼此对话。人们可能会认为这些经历的目的是相互矛盾的,或者是相互排斥的,但两者之间的区别并不总是明确或严格的。这种区别可以在博物馆实践的细节中观察到,它们迎合了公众对博物馆空间和公共历史变化的期望。本文将以皮特河博物馆为主题,嵌入一个3D虚拟专题展览——《成人礼》,来说明这两种体验之间的关系。在虚拟展览中描述了对身体运动的研究,以比较两种体验,这可能进一步帮助我们把握回应未来一代博物馆的实质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

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Archive or exhibition?: A comparative case study of the real and virtual Pitt Rivers Museum

Museums are exhibitionary complexes which communicate using aggregated space, objects, and people. For the visitors of museums, two distinctive modes of experience – “archive” and “exhibition” experiences – stand out and are in conversation with one another. One might expect these experiences to have contradictory aims, or be mutually exclusive, but the distinction between the two has not always been clear or rigid. The distinction can be observed in details of museum practices, which cater to public expectations for change in museum spaces and public history. This paper will take the Pitt Rivers Museum as a subject and will embed a 3D virtual thematic exhibition – Rites of Passage – to illustrate the relation between the two experiences. Within the virtual exhibition a study of bodily movement is depicted for the comparison between the two experiences, which might further help us grasp the substance of replying to future generation of museums.

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CiteScore
5.40
自引率
0.00%
发文量
33
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