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引用次数: 0
摘要
摘要《沙哈纳米耶·达瓦里》(shahnameh -ye Davari)是最后一批沙哈纳米作品之一，创作于1272年(1856年)。它保存在德黑兰的礼萨阿巴西博物馆，编号为599。这是一份装饰华丽的手稿，与宫廷作品相当，有68幅插图，但它不是委托作品。它是由Mohammad ibn Vesal(1822-1865)以笔名Davari创作的，他是一位诗人/书法家/插画家/很少或根本没有意义的光源，也许是对一种垂死的艺术的颂歌。本文试图介绍手稿，将其置于伊朗卡扎尔(1789-1925)艺术史的背景下。
Shahnameh-ye Davari, dating to 1272 (1856) is one of the last Shahnamehs, copied and illustrated in the traditional style. It is kept at the Reza Abbasi Museum in Tehran under accession number 599. It is a sumptuously decorated manuscript on a par with courtly productions and has sixty-eight illustrations, yet it is not a commissioned work. It was created by Mohammad ibn Vesal (1822–1865), with the pen name Davari, a poet/calligrapher/illustrator/illuminator of little or no means and perhaps as an ode to a dying art. This article attempts to introduce the manuscript, placing it within the context of the artistic history of Qajar Iran (1789–1925).
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