{"title":"耶稣基督被钉在十字架上这面镜子在虔诚读物领域的作用","authors":"Isabelle Pantin","doi":"10.1353/frf.2022.a914319","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p>The <i>Miroir de Jesus Christ crucifié</i>, written by Marguerite de Navarre shortly before her death (1549), is a devotional text, <i>i.e</i>. associated with the practice of prayer and spiritual exercises. It aims at arousing the experience of an inner transformation both in its author and in its reader. In this poem, the body of the Crucified, contemplated part by part, acts as an accusing mirror in which the worshipper sees her/his own “darkness”, and at the same time as an illuminating mirror through which the soul gradually perceives the “clarity” of divine charity until it reaches the threshold of annihilation as a prelude to mystical union. The poem is therefore a meditation on the Passion and belongs to a long and dense tradition of texts, from the Bible to contemporary spiritual literature, which work on the same motifs.</p><p>This study adopts the point of view of the editor of the poem, anxious to identify its sources correctly. It shows how the devotional character of the text and its belonging to a particularly rich and uninterrupted meditative tradition modify the constraints and difficulties of this work. Getting lost in a labyrinth of motifs reflected as far as the eye can see in countless texts is an indispensable step, but the search for models allowing to clarify certain choices of composition of the poem is the means to deepen the reflection on its mode of operation, even if it does not deliver the keys for its understanding.</p></p>","PeriodicalId":42174,"journal":{"name":"FRENCH FORUM","volume":"68 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Le Miroir de Jésus Christ crucifié dans le champ des textes dévotionnels\",\"authors\":\"Isabelle Pantin\",\"doi\":\"10.1353/frf.2022.a914319\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Abstract:</p><p>The <i>Miroir de Jesus Christ crucifié</i>, written by Marguerite de Navarre shortly before her death (1549), is a devotional text, <i>i.e</i>. associated with the practice of prayer and spiritual exercises. It aims at arousing the experience of an inner transformation both in its author and in its reader. In this poem, the body of the Crucified, contemplated part by part, acts as an accusing mirror in which the worshipper sees her/his own “darkness”, and at the same time as an illuminating mirror through which the soul gradually perceives the “clarity” of divine charity until it reaches the threshold of annihilation as a prelude to mystical union. The poem is therefore a meditation on the Passion and belongs to a long and dense tradition of texts, from the Bible to contemporary spiritual literature, which work on the same motifs.</p><p>This study adopts the point of view of the editor of the poem, anxious to identify its sources correctly. It shows how the devotional character of the text and its belonging to a particularly rich and uninterrupted meditative tradition modify the constraints and difficulties of this work. Getting lost in a labyrinth of motifs reflected as far as the eye can see in countless texts is an indispensable step, but the search for models allowing to clarify certain choices of composition of the poem is the means to deepen the reflection on its mode of operation, even if it does not deliver the keys for its understanding.</p></p>\",\"PeriodicalId\":42174,\"journal\":{\"name\":\"FRENCH FORUM\",\"volume\":\"68 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-12-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"FRENCH FORUM\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/frf.2022.a914319\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"FRENCH FORUM","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/frf.2022.a914319","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
摘要
摘要:《耶稣基督受难记》是玛格丽特-德-纳瓦拉(Marguerite de Navarre,1549 年)在去世前不久写下的,是一部虔诚之作,即与祈祷和灵修有关。它旨在唤起作者和读者的内心转变体验。在这首诗中,被钉在十字架上的耶稣的身体被逐个部分地凝视着,就像一面指责的镜子,崇拜者从镜子中看到自己的 "黑暗",同时又像一面照亮的镜子,灵魂通过镜子逐渐感知到神圣仁慈的 "清晰",直到达到毁灭的临界点,这是神秘结合的前奏。因此,这首诗是对受难的冥想,属于从《圣经》到当代灵性文学中以相同主题为题材的悠久而密集的文本传统。本研究从这首诗的编辑者的角度出发,阐述了这首诗的虔诚性质以及它属于一个特别丰富且不间断的冥想传统是如何改变这部作品的限制和困难的。迷失在无数文本所反映的主题的迷宫中是不可或缺的一步,但寻找可以澄清诗歌某些构成选择的模式是加深对其运作模式的思考的手段,尽管它并不能提供理解诗歌的钥匙。
Le Miroir de Jésus Christ crucifié dans le champ des textes dévotionnels
Abstract:
The Miroir de Jesus Christ crucifié, written by Marguerite de Navarre shortly before her death (1549), is a devotional text, i.e. associated with the practice of prayer and spiritual exercises. It aims at arousing the experience of an inner transformation both in its author and in its reader. In this poem, the body of the Crucified, contemplated part by part, acts as an accusing mirror in which the worshipper sees her/his own “darkness”, and at the same time as an illuminating mirror through which the soul gradually perceives the “clarity” of divine charity until it reaches the threshold of annihilation as a prelude to mystical union. The poem is therefore a meditation on the Passion and belongs to a long and dense tradition of texts, from the Bible to contemporary spiritual literature, which work on the same motifs.
This study adopts the point of view of the editor of the poem, anxious to identify its sources correctly. It shows how the devotional character of the text and its belonging to a particularly rich and uninterrupted meditative tradition modify the constraints and difficulties of this work. Getting lost in a labyrinth of motifs reflected as far as the eye can see in countless texts is an indispensable step, but the search for models allowing to clarify certain choices of composition of the poem is the means to deepen the reflection on its mode of operation, even if it does not deliver the keys for its understanding.
期刊介绍:
French Forum is a journal of French and Francophone literature and film. It publishes articles in English and French on all periods and genres in both disciplines and welcomes a multiplicity of approaches. Founded by Virginia and Raymond La Charité, French Forum is produced by the French section of the Department of Romance Languages at the University of Pennsylvania. All articles are peer reviewed by an editorial committee of external readers. The journal has a book review section, which highlights a selection of important new publications in the field.