{"title":"您在经历什么?","authors":"Mareike Stoll","doi":"10.14811/clr.v46.833","DOIUrl":null,"url":null,"abstract":" Jöns Mellgren’s Sigrid och natten (Sigrid and the Night, 2013), is a tale of grief and post-traumatic stress, but also – and more importantly – a tale of care and healing. The article’s aim is to show how the book offers narrative-visual access to social emotions (such as love and grief) and mental states (such as depression), which are usually not yet accessible to a young audience through their own experience. These social emotions and mental states are made tangible in different ways through the multimediality and materiality of the picturebook, and by the particular dialogical reading situation that the picturebook warrants. Picturebooks are consequently understood as part of visual literacy training and, explicitly in this context, of the acquiring of “emotional literacy” (Nikolajeva, “Emotions in Picturebooks” 114). The article argues that Sigrid och natten provides a training ground for visual and, in particular, emotional literacy. Three leitmotifs are examined in Sigrid och natten, namely lighthouses, colors, and hands, and one particular question is used as an analytical tool: “what are you going through?” (Ruddick, “Maternal Thinking” 596). The theme of mothering is connected to the hand and the lighthouse in particular. Regarded in a larger context of practices of care, a form of mothering takes place, for instance, in the reading situation (the reading aloud) of the book by caretakers/readers. The concept of visual literacy is influenced by Walter Benjamin’s theory on picturebooks, while cognitive criticism, reader-response theory, and a material and visual studies approach provide the theoretical framework for the reading of Mellgren’s picturebook.","PeriodicalId":52259,"journal":{"name":"Barnboken","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"What Are You Going Through?\",\"authors\":\"Mareike Stoll\",\"doi\":\"10.14811/clr.v46.833\",\"DOIUrl\":null,\"url\":null,\"abstract\":\" Jöns Mellgren’s Sigrid och natten (Sigrid and the Night, 2013), is a tale of grief and post-traumatic stress, but also – and more importantly – a tale of care and healing. The article’s aim is to show how the book offers narrative-visual access to social emotions (such as love and grief) and mental states (such as depression), which are usually not yet accessible to a young audience through their own experience. These social emotions and mental states are made tangible in different ways through the multimediality and materiality of the picturebook, and by the particular dialogical reading situation that the picturebook warrants. Picturebooks are consequently understood as part of visual literacy training and, explicitly in this context, of the acquiring of “emotional literacy” (Nikolajeva, “Emotions in Picturebooks” 114). The article argues that Sigrid och natten provides a training ground for visual and, in particular, emotional literacy. Three leitmotifs are examined in Sigrid och natten, namely lighthouses, colors, and hands, and one particular question is used as an analytical tool: “what are you going through?” (Ruddick, “Maternal Thinking” 596). The theme of mothering is connected to the hand and the lighthouse in particular. Regarded in a larger context of practices of care, a form of mothering takes place, for instance, in the reading situation (the reading aloud) of the book by caretakers/readers. The concept of visual literacy is influenced by Walter Benjamin’s theory on picturebooks, while cognitive criticism, reader-response theory, and a material and visual studies approach provide the theoretical framework for the reading of Mellgren’s picturebook.\",\"PeriodicalId\":52259,\"journal\":{\"name\":\"Barnboken\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Barnboken\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14811/clr.v46.833\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Barnboken","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14811/clr.v46.833","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
Jöns Mellgren的《Sigrid och natten》(《Sigrid and the Night》,2013)是一个关于悲伤和创伤后压力的故事,但更重要的是,它也是一个关于关怀和治愈的故事。这篇文章的目的是展示这本书是如何通过叙事的视觉方式来展现社会情感(如爱和悲伤)和精神状态(如抑郁),这些通常是年轻读者无法通过自己的经历接触到的。这些社会情感和心理状态通过绘本的多媒体化和物质性,以及绘本所保证的特定对话阅读情境,以不同的方式被具体化。因此,绘本被理解为视觉素养训练的一部分,明确地说,在这种背景下,是获得“情感素养”的一部分(Nikolajeva,“绘本中的情感”114)。这篇文章认为,西格里德奥纳顿为视觉,尤其是情感素养提供了一个训练基地。《Sigrid och natten》考察了三个主题,即灯塔、颜色和手,并使用一个特定的问题作为分析工具:“你正在经历什么?”(鲁迪克,《母性思考》596页)。母爱的主题与手和灯塔特别相关。在看护实践的更大背景下,一种形式的母性发生了,例如,在看护人/读者朗读的情况下(大声朗读)。视觉素养的概念受到本雅明绘本理论的影响,认知批评、读者反应理论和材料与视觉研究方法为梅尔格伦绘本的阅读提供了理论框架。
Jöns Mellgren’s Sigrid och natten (Sigrid and the Night, 2013), is a tale of grief and post-traumatic stress, but also – and more importantly – a tale of care and healing. The article’s aim is to show how the book offers narrative-visual access to social emotions (such as love and grief) and mental states (such as depression), which are usually not yet accessible to a young audience through their own experience. These social emotions and mental states are made tangible in different ways through the multimediality and materiality of the picturebook, and by the particular dialogical reading situation that the picturebook warrants. Picturebooks are consequently understood as part of visual literacy training and, explicitly in this context, of the acquiring of “emotional literacy” (Nikolajeva, “Emotions in Picturebooks” 114). The article argues that Sigrid och natten provides a training ground for visual and, in particular, emotional literacy. Three leitmotifs are examined in Sigrid och natten, namely lighthouses, colors, and hands, and one particular question is used as an analytical tool: “what are you going through?” (Ruddick, “Maternal Thinking” 596). The theme of mothering is connected to the hand and the lighthouse in particular. Regarded in a larger context of practices of care, a form of mothering takes place, for instance, in the reading situation (the reading aloud) of the book by caretakers/readers. The concept of visual literacy is influenced by Walter Benjamin’s theory on picturebooks, while cognitive criticism, reader-response theory, and a material and visual studies approach provide the theoretical framework for the reading of Mellgren’s picturebook.