日惹爪哇建筑中的文化融合

Hendria Bagja Prasthia, Putu Ayu P. Agustiananda, R. B. Santosa
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引用次数: 0

摘要

题目:日惹爪哇建筑的文化适应;20世纪初,欧洲殖民主义几乎统治了世界的所有地区。在这一时期,欧洲文化和殖民领土上的当地文化之间的文化适应得到了发展,包括建筑。在殖民时代晚期,许多关于建筑文化适应的研究强调了欧洲代理人在欣赏和支配当地文化方面的作用。这项研究通过关注爪哇精英作为文化变革的推动者,提出了另一种观点。爪哇建筑,一方面,具有悠久的传统,具有可识别的风格公式。另一方面,它有很大程度的适应性,为许多其他建筑传统的文化融合提供了机会。在20世纪初,一个令人兴奋的动态是与山形墙结合欧洲新古典主义建筑的立面。山形墙起源于古希腊建筑,作为欧洲建筑的参考不断发展。在日惹,贵族圈采用了由两端的双柱支撑的带有斜面的立面,并结合了许多爪哇文化元素。本研究比较了日惹苏丹宫和Notonegaran王府的几座建筑中具有不同文化来源和建筑组成的几座有围墙的住宅。通过这种比较,本研究发现了爪哇建筑进步的一面,它将欧洲建筑元素和爪哇装饰结合在一起,在构图、技术和表现上都很新颖。
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Akulturasi dalam Arsitektur Jawa di Yogyakarta
Title: Acculturation of Javanese Architecture in Yogyakarta; Pedimented façades in Javanese architecture at the Kraton Yogyakarta and Dalem Notonegaran   At the beginning of the 20th century, European Colonialism dominated almost all parts of the world. In this period, cultural acculturation was developed between European and local cultures in the colonised territory, including architecture. Many studies concerning architectural acculturation in the late colonial era emphasised the roles of European agents in appreciating while dominating the local culture. This research presents an alternative perspective by focusing on the Javanese elite as the agents of cultural change. Javanese architecture, on the one hand, with its long tradition, has recognisable stylistic formulation. On the other hand, it has a great degree of adaptation, giving chances for acculturation with many other architectural traditions. At the beginning of the 20th century, one exciting dynamic was the façade with pediment incorporating European Neo-Classical architecture. Originating in Ancient Greek Architecture, pediments continuously developed as a reference in European architecture. In Yogyakarta, the aristocratic circle adopted a pedimented façade supported by twin columns on both ends combined with many elements of Javanese culture. This research compares several pedimented façades with various cultural sources and architectural compositions in several buildings in the Sultan’s Palace of Yogyakarta and the princely residence of Notonegaran. From this comparison, this research discovers the progressive sides of Javanese architecture with many novel syntheses incorporating European architectural elements and Javanese ornamentations with novelty in composition, technology, and representation.
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