我的感觉,我演奏的方式?情感在音乐实践中实现目标的作用

IF 1.3 3区 教育学 Q2 EDUCATION & EDUCATIONAL RESEARCH International Journal of Music Education Pub Date : 2023-12-04 DOI:10.1177/02557614231212578
Zofia Mazur-Socha, Mariola Laguna
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引用次数: 0

摘要

我们考察了与练习相关的情感,以确定它在音乐实践中目标实现的四个阶段中所起的作用。研究1以171名钢琴学生为样本,研究2以235名演奏不同乐器的学生为样本,测试基于环复模型的四种不同效价和激活水平的情感与目标实现阶段:练习意图、练习计划、练习行动阶段和表现评价之间的关系。在研究2中,我们还分析了在时间1和行动阶段测量的情感与2周后在时间2测量的绩效评估之间的纵向关系。在两项研究中,高激活的积极情绪与较高的练习意图相关,而高激活和低激活的消极情绪与较高的消极绩效评价相关。研究结果对情感和目标理论的发展以及音乐实践理论模型的完善具有重要意义。它们与音乐教育家和音乐教育研究人员相关,可用于筛选和进度监测工作,形成干预措施,以增强学生练习乐器的动机。
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The Way I Feel, the Way I Play? The role of affect in goal realization in musical practice
We examined practice-related affect to determine the role it plays in four phases of goal realization in musical practice. Study 1 with a sample of 171 piano students and Study 2 with 235 students playing various instruments allowed for testing the relationships between four types of affect differing in valence and activation level based on the circumplex model and the phases of goal realization: practice intention, practice planning, actional phase of practice, and performance evaluation. In Study 2 we also analyzed longitudinal relationships between affect measured at Time 1 and actional phase of practice and performance evaluation measured 2 weeks later at Time 2. In both studies, highactivation positive affect was related to higher practice intention, while both high- and low-activation negative affect were related to more negative performance evaluation. The results are important for advancing affect and goal theories and for improving theoretical models of musical practice. They are relevant for music educators and music education researchers and can be used in screening and progressmonitoring efforts, shaping interventions to enhance students’ motivation to practice their instruments.
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来源期刊
CiteScore
3.20
自引率
11.10%
发文量
58
期刊介绍: The International Journal of Music Education (IJME) is a peer-reviewed journal published by the International Society for Music Education (ISME) four times a year. Manuscripts published are scholarly works, representing empirical research in a variety of modalities. They enhance knowledge regarding the teaching and learning of music with a special interest toward an international constituency. Manuscripts report results of quantitative or qualitative research studies, summarize bodies or research, present theories, models, or philosophical positions, etc. Papers show relevance to advancing the practice of music teaching and learning at all age levels with issues of direct concern to the classroom or studio, in school and out, private and group instruction. All manuscripts should contain evidence of a scholarly approach and be situated within the current literature. Implications for learning and teaching of music should be clearly stated, relevant, contemporary, and of interest to an international readership.
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