伦敦复兴时期的发现；或者，显微镜下的剧院

IF 0.2 2区文学 N/A LITERATURE ELH Pub Date : 2023-12-01 DOI:10.1353/elh.2023.a914014

Alexander Paulsson Lash

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引用次数: 0

摘要

摘要:本文以1665年罗伯特·胡克(Robert Hooke)的巨著《显微摄影》(Micrographia)和1676年托马斯·沙德威尔(Thomas Shadwell)对胡克和早期皇家学会其他成员的讽刺作品《艺术大师》(the Virtuoso)为中心，论述了发现的概念是应对技术辅助感知挑战的核心。在胡克描述他如何在显微镜下发现新物体的过程中，沙德威尔发现了一种语言，可以用来思考如何在复辟时期剧院的新舞台上认识人物。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Discovering Discovery in Restoration London; Or, the Theatre Under the Microscope

Abstract:Focusing on Robert Hooke's spectacular 1665 Micrographia and Thomas Shadwell's 1676 satire of Hooke and other members of the early Royal Society, The Virtuoso, this essay argues that the concept of discovery was central to managing the challenges of technologically assisted perception. In Hooke's accounts of how he discovered new objects in his microscope, Shadwell discovered a language for thinking through how characters could be known inside the new scenic stage of the Restoration theaters.

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