唐-德里罗的《人体艺术家》中的新陈代谢作为表演,2001 年

Hanna Rykova
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摘要

文章深入探讨了唐-德里罗(Don DeLillo)的小说《身体艺术家》(2001 年),认为这是一部开创性的作品,为文学作品中的身体概念引入了新的视角。分析的核心是元身体的概念,其特点是动态和灵活。研究认为,对身体的描写经历了一个转变过程,从读者意识中的静态实体演变为一种动态的力量,对感知的变化和新获得的信息做出反应。元身体被描绘成一种全新的现象,通过摒弃偏见和评估特定环境中感觉的可能性,促进了对元身体的理解。文章强调,元身体越来越依赖于读者在不同情况下评估感觉可能性的能力,挑战了先入为主的观念,丰富了文学作品对身体作为当代话语中适应性实体的描述。首先,文章通过距离的坍塌来研究元身体,阐明时空体验是如何被改变的。第二个视角是通过物质人工制品的视角来研究元身体,包括口述录音机、收音机和网络摄像头等机械设备。此外,文章还探讨了家庭关系中的交流-对话性质,强调了夫妻间沉默与声音、有声对话与无声对话之间的相互作用。它超越了传统的文学描写,鼓励读者重新评估自己的成见,在不同的语境中接触身体,让读者对当代文学中身体的多面性有了细致入微的理解。
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METABODY AS PERFORMANCE IN DON DELILLO’S THE BODY ARTIST, 2001
The article delves into Don DeLillo’s novel “The Body Artist” (2001), presenting it as a pioneering work that introduces a novel perspective on the concept of the body in literature. Central to the analysis is the notion of the meta-body, characterized by its dynamic and flexible nature. The study posits that the portrayal of the body undergoes a transformation, evolving from a static entity in the reader’s consciousness to a dynamic force responsive to shifts in perception and newly acquired information. The meta-body is portrayed as a fresh phenomenon, its understanding facilitated through the rejection of biases and the evaluation of the likelihood of sensations in specific contexts.A pivotal aspect of the exploration is the meta-body’s emancipation from traditional stereotypes and assumptions. It is underscored that the meta-body increasingly relies on the reader’s capacity to assess the probability of sensations in diverse circumstances, challenging preconceived notions and enriching the literary portrayal of the body as an adaptive entity within contemporary discourse.The article further scrutinizes the concept of the meta-body from various analytical perspectives within the novel. Firstly, it examines the meta-body through the collapse of distance, elucidating how spatiotemporal experiences are altered. The second perspective investigates the meta-body through the lens of material artifacts, encompassing mechanical devices such as dictaphones, radios, and webcams. Additionally, the communication-dialogical nature of family relationships is explored, emphasizing the interplay between silence and sound, verbalized and unspoken dialogues among members of a marital couple.Noteworthy is the analysis of the meta-body through the perspective of bodily performance.In summary, the article positions “The Body Artist” as a literary milestone that introduces the concept of the meta-body, portraying the body as a dynamic and adaptive entity. It goes beyond conventional literary portrayals, encouraging readers to reassess their preconceptions and engage with the body in diverse contexts, offering a nuanced understanding of its multifaceted nature within contemporary literature.
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