论早期法国海洋词典(1670-1770 年代)的副词本:异时空研究

IF 0.1 4区 文学 0 LITERATURE, ROMANCE Australian Journal of French Studies Pub Date : 2023-12-14 DOI:10.3828/ajfs.2023.33
Robin Howells
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引用次数: 0

摘要

这篇文章源于我对贝尔纳丹-德-圣皮埃尔(Bernardin de Saint-Pierre)于 1773 年出版的航海叙事的研究(我有幸与玛格丽特-桑基(Margaret Sankey)再次取得联系)。这篇文章探讨了现代学术界很少研究的法国早期航海词典这一主题。从 16 世纪 70 年代出现的词典开始,我确定了其后一百年间的六部航海词典,其中两部是双语词典。每部词典的开篇都有一个或多个作者旁注--主要是某种形式的序言--构成了本文的主要研究对象。在此期间,它们在社会学和意识形态方面都发生了很大的变化。亚文体本身在后期也出现了变化的迹象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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On the Paratexts of Early French Maritime Dictionaries (1670s–1770s): A Diachronic Study
This article arises from my work on aspects of a voyage narrative published in 1773 by Bernardin de Saint-Pierre (occasioning for me the pleasure of renewed contact with Margaret Sankey). It treats the topic, little examined by modern scholarship, of early French maritime dictionaries. Beginning with their emergence in the 1670s, I identify over the next hundred years six nautical dictionaries, of which two are bilingual. Each opens with one or more authorial paratexts—principally some form of preface—which constitute the main object of study here. They exhibit over this period considerable sociological and ideological changes. The subgenre itself latterly also shows signs of change.
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
28
期刊介绍: The Australian Journal of French Studies is an international, fully refereed journal devoted to French literature, culture, society and history. The journal encourages new theoretical engagements and particularly welcomes interdisciplinary approaches. Articles are published in English and French. The majority of numbers are focussed on a specific theme, but numbers on miscellaneous topics will usually be published annually.
期刊最新文献
A Spiritual and Intellectual Vagabond: The Chequered Career of Yves de Vallone (1666–1705) On the Paratexts of Early French Maritime Dictionaries (1670s–1770s): A Diachronic Study Margaret Sankey: A Life of Scholarship Présence auctoriale dans les films de Marguerite Duras Writing for the Papers: Colette’s Chroniques and the Question of Genre
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