表演问题:现场音乐中的存在、记忆和虚构

Q2 Arts and Humanities IASPM Journal Pub Date : 2023-12-14 DOI:10.5429/2079-3871(2023)v13i3.2en
Victor De Almeida Nobre Pires, Thiago Soares
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引用次数: 0

摘要

本文从 2020 年冠状病毒大流行背景下音乐 "生命 "的神圣化和空洞化出发,讨论了现场音乐的一系列 "表演问题"(马德里,2009 年)。从 "现场 "的概念开始,我们认识到 "现场 "是一种在媒体配置中具有悠久传统的状态(奥斯兰德,2008 年;皮雷斯,2019 年),并提出了在数字文化中存档所带来的美学困境。我们讨论了现场音乐材料创造的三种体验中记忆、发明和模拟之间的推测区域:全息图和音乐表演的存在、大流行病背景下数字平台上存档节目的再传播,以及为预先录制的材料创造新的声音环境。
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Performance problems: presence, memory and fabulation in live music
This article discusses a set of “performance problems” (Madri 2009) in live music from the enshrinement and emptying of music “lives” in the context of the Coronavirus pandemic in 2020. Beginning with the notion of presence, we recognize “live” as a status with a long tradition in mediatic configurations (Auslander 2008, Pires 2019) and present the aesthetic impasses brought about by their archiving in digital culture. We debate speculative zones between memory, invention, and simulation in three experiences created by live music materials: the presence of holograms and music performances, the retransmission of archived shows on digital platforms in the context of the pandemic, and the creation of new sound environments for pre-recorded materials.
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来源期刊
IASPM Journal
IASPM Journal Arts and Humanities-Music
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
30 weeks
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