使用向量探索视觉意义的形成

Bashayir Alzahrani, Mohammed Alhuthali
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引用次数: 0

摘要

妇女在沙特社会中的作用经常引起人们的关注。对许多非沙特人来说,历史上的限制被视为深层次和根本性歧视的证据,而限制与自由如何相互作用的复杂性则被忽视了。自 2017 年以来,沙特对男性监护制度进行了一系列重大改革,这为女性开放了公共空间,并结束了对女性驾驶的标志性禁令。然而,反过来,对这一改革的解释也存在争议,有人批评改革的局限性,也有人认为改革是重大而重要的一步。本研究观察了近期改革前后沙特阿拉伯公共场所的一系列女性图像。 图像中的载体作为结合不同符号模式的一种手段,其重要性是理解符号间性的主要研究工具。这也有助于研究被表现的行动者是在寻求与外部观众直接接触,还是他们的关注点受到图像的限制。这就强调了互文性对于理解图像中的个别符号模式的重要性。 不过,它也强调,互见本身并不能解释更广泛的 "再现 "过程。
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Use of Vectors to Explore Visual Meaning Making
The role of women in Saudi society has regularly attracted attention. To many non-Saudis the historic restrictions are seen as evidence of deep and fundamental discrimination and the complexities of how restrictions and freedoms interact overlooked. Since 2017, there have been a series of major reforms to the male guardianship system and this has opened up public spaces for women as well as ending the emblematic ban on women driving. However, in turn, this has seen contested interpretations with criticisms of the limited nature of the reforms contrasted with those who see them as a major and significant step. This study looks at a series of images of women in public spaces in Saudi Arabia both before and after the recent reforms.  The importance of vectors within the image as a means to combine different semiotic modes is the main research tool for understanding intersemiosis. This also allows a study of whether the represented actors are seeking to directly engage with the external viewer or if their focus is bounded by the image. This stresses the importance of intersemiosis in understanding the individual semiotic modes in an image.  However, it also stresses that intersemiosis, in itself, cannot explain the wider process of resemiosis.
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