服饰的英雄主义:希腊花瓶绘画中的埃克塞基亚斯和装饰品

IF 0.9 1区 历史学 0 ARCHAEOLOGY American Journal of Archaeology Pub Date : 2024-01-01 DOI:10.1086/727314
Anthony F. Mangieri
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摘要

雅典花瓶画家埃克塞基阿斯(Exekias)在其收藏于梵蒂冈(梵蒂冈博物馆,16757 年)的游戏双耳瓶上,为阿喀琉斯和阿贾克斯的斗篷点缀了星星、玫瑰花瓣、卐和其他图案。尽管长期以来这些纺织品一直备受推崇,但学者们却忽视了它们的历史意义,认为它们只是装饰而非图腾。但对埃克塞基阿斯织物装饰的分析为我们了解一个著名的花瓶提供了新的视角,并为花瓶绘画中的服饰诗学提供了一个案例研究,改变了我们对希腊艺术中装饰和故事的理解。在史诗、精英传统、魔法实践以及近东和意大利艺术中的此类意象的谱系和背景下,绘制斗篷装饰的位置,揭示了埃克塞基阿斯的装饰成语如何传达意义并增强他对两位英雄的描绘。本文探讨了埃克塞基阿斯虚构的服饰装饰是如何唤起史诗传统、挪用近东奢华艺术的权威、反映意大利纺织传统知识、激活宇宙知识并引发魔法联想的。最终,埃克塞基阿斯利用服饰装饰来阐释阿基里斯和阿贾克斯的性格和命运,并对英雄的本质进行了诠释1。
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Heroics of Dress: Exekias and Ornament in Greek Vase Painting
The Athenian vase painter Exekias, on his gaming amphora in the Vatican (Musei Vaticani 16757), embellishes the cloaks of Achilles and Ajax with stars, rosettes, swastikas, and other motifs. Although long admired, these historiated textiles have been overlooked by scholars as merely decorative rather than iconographic. But analysis of Exekias’ textile decoration yields new insights on a well-known vase and offers a case study for a poetics of dress in vase painting that transforms our understanding of ornament and storytelling in Greek art. Mapping the place of the cloaks’ adornment within the genealogy and context of such imagery in epic poetry, elite traditions, magical practices, and Near Eastern and Italian art reveals how Exekias’ decorative idiom conveys meaning and enhances his portrait of the two heroes. This article explores how Exekias’ fictive dress ornament evokes epic traditions, appropriates the authority of Near Eastern luxury arts, reflects knowledge of textile traditions in Italy, activates knowledge of the cosmos, and conjures magical associations. Ultimately, Exekias employs the decoration of dress to expound on the characters and fates of Achilles and Ajax and to offer an exegesis on the nature of the hero.1
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2.00
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8.30%
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93
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