母系亲缘关系中的米南妇女音乐:揭示伦理与表演美学的界限

Wilma Sriwulan, Irwan Irwan, Selvi Kasman, Yon Hendri, E. Erizal
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引用次数: 0

摘要

本研究旨在揭示米南妇女的音乐,以找到米南卡鲍母系妇女的共同视角。本研究采用的方法是妇女视角研究法(女性主义视角)。这种方法产生了一份非常独特的报告,它是通过女性主义人种学获得的数据,是一份关于实地研究成果的报告。研究结果表明,以 Adat Salingka Nagari 为基础的妇女音乐是一种与 Adat(传统)相融合的妇女音乐,为妇女提供了在社会中实现自我的机会;作为 Anak Dendang 的一员,她们获得了更多的利益,并成为家庭的经济支柱。
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Minang Women’s Music in Matrilineal Kinship: Revealing the Boundaries of Ethics and Performance Aesthetics
This research aims to reveal Minang women’s music to find a common thread perspective on Minangkabau matrilineal women. The method used in this research is a women’s perspective research method (feminist perspective). This method produces a very distinctive report, which is obtained from data through feminist ethnography, which is a report on the results of field research. The findings are that women’s music based on Adat Salingka Nagari is a women’s music that blends with Adat (tradition) and provides an opportunity to actualize themselves in the societies; as a result of being a Anak Dendang they get more than enough benefits and as family breadwinners.
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来源期刊
Harmonia: Journal of Arts Research and Education
Harmonia: Journal of Arts Research and Education Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.90
自引率
0.00%
发文量
32
审稿时长
4 weeks
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