重新诠释性别概念及其对保留布洛拉巴龙表演的影响

Agus Cahyono, Sunarto Sunarto, Deasylina Da Ary, N. S. Prameswari, Endik Guntaris
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引用次数: 0

摘要

Barongan Blora 是中爪哇的一种传统民间舞蹈,自 1830 年以来一直存在。时间的流逝带来了新的社会观念,影响着巴隆干舞表演的实施,尤其是与性别相关的观念。本研究旨在探讨巴隆干舞舞者的性别角色,以及他们如何与社会和文化成分相互作用。性别阐释旨在了解男性和女性社会角色的社会建构。这些角色包括男性和女性舞者,他们的动作表现出不同的特征,同时又保持了表演的重要价值。本研究采用了定性研究设计,对印度尼西亚布洛拉的多个巴隆干群体进行了个案研究。2023 年 5 月,通过访谈、观察和记录收集了数据。研究结果表明,在巴隆干族舞步中,"猫 "的动作占主导地位,并由强壮、充满活力和灵活的角色来支撑。另一方面,每个角色的动作都是根据角色和扮演角色的舞者量身定制的。男性舞者扮演的角色看起来强壮有力,强调男性特质,如 Barongan、Gembong Amijoyo、Joko Lodro、Untup 和 Nayantaka。与此同时,饰演男性角色(如 Barongan 和 Jathilan)的女性舞者则必须敏捷、强壮、柔美。巴龙干舞表演中的性别差异可以从所创造的动作中看出来。不过,男性和女性舞者在外貌上并无本质区别,因为他们都需要与所扮演角色相匹配的体格。巴龙干舞表演还影响着社会和文化特征。在社会特征方面,巴隆干体现了布洛拉人以人为本的民粹主义特征。在文化方面,Barongan Blora 随着时代的变迁而不断发展,但仍能为社会各阶层所欣赏。由于其独特性,巴隆甘的保护工作仍然与时俱进,同时以物质和非物质的形式保持文化价值和内容。
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Reinterpretation of Gender Concept and Its Influence on Preservation of Barong Show Performance in Blora
Barongan Blora is a traditional folk dance in Central Java that has existed since 1830. The passage of time brings up new social conceptions that influence the implementation of Barongan performances, particularly those relating to gender. This research aims to look into the gender roles of Barongan dancers and how they interact with social and cultural components of society. Gender interpretation aims to understand the social construction of men’s and women’s roles in society. These roles include male and female dancers whose motions express diverse traits while maintaining the performance’s significant values. This study employs a qualitative research design with case studies on various Barongan groups in Blora, Indonesia. In May 2023, data was gathered through interviews, observation, and documentation. The results suggest that cat motions dominate the Barongan dance steps, which are supported by strong, energetic, and nimble characters. On the other hand, each character’s movements are tailored to the roles and the dancers who portray them. Male dancers are cast as characters who appear strong and emphasize masculine attributes, such as Barongan, Gembong Amijoyo, Joko Lodro, Untup, and Nayantaka. Meanwhile, female dancers who play male characters, such as Barongan and Jathilan, must be agile, strong, and feminine. Gender distinctions in Barongan performance can be noticed in the movements created. Still, there are no substantial disparities in physical appearance between male and female dancers because both needed a physique corresponding to the characters being played. The Barongan performance also impacts society’s social and cultural features. Regarding social qualities, Barongan embodies the populist traits of the Blora people, which are based on humanist principles. In terms of culture, Barongan Blora has evolved to keep up with changing times, yet it remains and can be appreciated by all levels of society. Due to its uniqueness, Barongan’s preservation is still carried out in line with the times while maintaining cultural values and content in physical and non-physical forms.
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来源期刊
Harmonia: Journal of Arts Research and Education
Harmonia: Journal of Arts Research and Education Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.90
自引率
0.00%
发文量
32
审稿时长
4 weeks
期刊最新文献
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