以声音为重点的视听设计师的未来

Q3 Arts and Humanities International Journal of Film and Media Arts Pub Date : 2023-12-29 DOI:10.24140/ijfma.v8.n3.03
Jorge Lensing
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引用次数: 0

摘要

音响设计师历来主要与电影、电视电影和系列剧制作领域有关。然而,他们的影响范围正大大超出这些领域。值得注意的是,博物馆策展、艺术节、剧院和天文馆等领域的专业人士正日益认识到,将视听元素融入其演示中具有变革潜力,从而提高观众参与的整体质量。传统上,许多博物馆都依赖不合格的语音导览和通过不合适的扬声器播放的单调录音来配合展品。与此形成鲜明对比的是,创新的展览理念正在凸显视听装置的深远影响。这些装置完全重新思考了展览体验,在艺术、历史和科学领域为参观者提供了全新的参与维度。就天文馆而言,绝大多数展览仍以宇宙学主题和科学叙事为特色,在全穹顶环境中进行展示。尽管如此,大学和年轻的视听设计师们正在身临其境的视听体验方面取得突破性进展。由于视听元素的融入,戏剧的发展也在经历着深刻的变革。随着图画剧场、新音乐剧场和舞蹈剧场等多媒体戏剧形式越来越多地采用交互式电子媒体,传统的戏剧体验正在发生范式转变。这种对传统的背离正在开创一个超越以往艺术界限的视听表演质量的新时代。鉴于这些变革趋势,声音设计研究也不得不随之发展。当声音设计师们在这些多媒体整合的创新前沿遨游时,将视觉任务纳入课程变得势在必行。有抱负的声音设计师可以通过接受包含声音和视觉维度的跨学科方法,更好地在各种创意平台上塑造身临其境的视听故事的未来。
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The future of audio-visual designers with a focus on sound
Sound designers have historically been associated primarily with the realm of films, TV-movies, and series production. However, the scope of their influence is expanding significantly beyond these domains. Notably, professionals in the fields of museum curation, festivals, theatres, and planetariums are increasingly recognizing the transformative potential of incorporating audio-visual elements into their presentations, thereby enhancing the overall quality of audience engagement. Traditionally, many museums have relied on subpar audio guides and monotonous recordings played through inadequate loudspeakers to accompany their exhibits. In stark contrast, innovative exhibition concepts are foregrounding the profound impact of audio-visual installations. These installations completely rethink exhibition experiences, offering visitors entirely new dimensions of engagement within the realms of art, history, and science. In the context of planetariums, a substantial majority of shows continue to feature cosmological themes and scientific narratives presented in full-dome environments. Nevertheless, universities and younger audio-visual designers are now pioneering groundbreaking advancements in immersive audio-visual experiences. The evolution of theatre is yet another arena undergoing a profound metamorphosis due to the integration of audio-visual elements. As multimedia theatre forms such as picture theatre, new music theatre, and dance theatre increasingly embrace interactive electronic media, the traditional theatrical experience is undergoing a paradigm shift. This departure from convention is ushering in a new era of audio-visual performance quality that transcends prior artistic boundaries. Given these transformative trends, the study of sound design is compelled to evolve in tandem. Incorporating visual tasks into the curriculum is becoming imperative, as sound designers navigate these innovative frontiers of multimedia integration. By embracing cross-disciplinary approaches that encompass both sonic and visual dimensions, aspiring sound designers will be better equipped to shape the future of immersive audio-visual storytelling across a diverse array of creative platforms.
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来源期刊
International Journal of Film and Media Arts
International Journal of Film and Media Arts Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
1
期刊最新文献
The future of audio-visual designers with a focus on sound Editorial: Sound – Screen – Research “Sound-Conscious” Screenwriting: Considering sound as storytelling tool in the screenplay The Construction of a Different Fantasmatic Body – Post-Cinematic Experience Between ASMR and Multi-Vocality Sound Dramaturgy
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