{"title":"用预算寻找音色:巴西独立摇滚乐家庭录音(2013-2020 年)","authors":"Marcelo Bergamin Conter, Lucas Nucci Macedo","doi":"10.1177/27538702231219363","DOIUrl":null,"url":null,"abstract":"In Brazil, the high cost of musical instruments is a prominent concern among indie rock musicians, given the genre's well-known emphasis on timbre. Through an insider research approach, involving timbre analysis and in-depth interviews with six band members, this article aims to identify signs emerging from the sound textures of Brazilian indie rock home recordings that express the situation of the economic limitations within which these musicians operate. The study concludes that even though each band deals with budgetary constraints in different ways and explores different strategies when looking for singular timbres, a shift towards professional mixing leads musicians away from a DIY approach to another of precarious work and authorial disidentification, which operates in favour of mainstream tendencies, and consequently, towards a Global North standardisation.","PeriodicalId":507692,"journal":{"name":"DIY, Alternative Cultures & Society","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Searching for timbre on a budget: Brazilian indie rock home recordings (2013–2020)\",\"authors\":\"Marcelo Bergamin Conter, Lucas Nucci Macedo\",\"doi\":\"10.1177/27538702231219363\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In Brazil, the high cost of musical instruments is a prominent concern among indie rock musicians, given the genre's well-known emphasis on timbre. Through an insider research approach, involving timbre analysis and in-depth interviews with six band members, this article aims to identify signs emerging from the sound textures of Brazilian indie rock home recordings that express the situation of the economic limitations within which these musicians operate. The study concludes that even though each band deals with budgetary constraints in different ways and explores different strategies when looking for singular timbres, a shift towards professional mixing leads musicians away from a DIY approach to another of precarious work and authorial disidentification, which operates in favour of mainstream tendencies, and consequently, towards a Global North standardisation.\",\"PeriodicalId\":507692,\"journal\":{\"name\":\"DIY, Alternative Cultures & Society\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"DIY, Alternative Cultures & Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/27538702231219363\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"DIY, Alternative Cultures & Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/27538702231219363","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Searching for timbre on a budget: Brazilian indie rock home recordings (2013–2020)
In Brazil, the high cost of musical instruments is a prominent concern among indie rock musicians, given the genre's well-known emphasis on timbre. Through an insider research approach, involving timbre analysis and in-depth interviews with six band members, this article aims to identify signs emerging from the sound textures of Brazilian indie rock home recordings that express the situation of the economic limitations within which these musicians operate. The study concludes that even though each band deals with budgetary constraints in different ways and explores different strategies when looking for singular timbres, a shift towards professional mixing leads musicians away from a DIY approach to another of precarious work and authorial disidentification, which operates in favour of mainstream tendencies, and consequently, towards a Global North standardisation.