{"title":"马贾伦卡省 Cijati 村在保持桑比翁口头传统方面的创新","authors":"Muhammad Reyhan Emirel Ardh, Syahrial Syahrial","doi":"10.46799/ijssr.v3i12.628","DOIUrl":null,"url":null,"abstract":"This research is a research on Sampyong Majalengka Performing Arts which has experienced changes in form, grip, and shifts in function. Abah Uu / Ki Anom Aduy Mangkubumi is a figure of Sampyong Karang Kamuning Sirah Dayeuh Cijati Majalengka, who innovates and modifies. The innovation resulted in various reactions and responses from the community, including Sampyong players, community leaders and the government. This study explains the form of invention, Abah Uu's strategy, and the community's response to creation. The method used is the Ethnographic Method. This method is used in the data retrieval process. The result found was Abah Uu's innovative form in the central Sampyong performance with the addition of different dance moves with Authentic Sampyong. Abah Uu gave the modification a name with the term Sampyong Budaya. Other modifications are changes in the package and function. Abah Uu makes the scary Sampyong into a witty entertainment, with collaborations with other arts in the form of dangdut pop sound art, and koplo. Various responses to the innovation include from the Grumala community, Padepokan Ki Braja Manggala, Padepokan Dangiang Luhur, and several community leaders. They consider that Sampyong is preserved in authentic form. Meanwhile, Padepokan Dangiang Luhur Nini joined the Abah Uu community. Abah Wastiam invaded Sampyong with the Sampyong Ujung version.","PeriodicalId":233749,"journal":{"name":"International Journal of Social Service and Research","volume":"2 3","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Innovation in Maintaining Sampyong Oral Tradition in Cijati Village, Majalengka Regency\",\"authors\":\"Muhammad Reyhan Emirel Ardh, Syahrial Syahrial\",\"doi\":\"10.46799/ijssr.v3i12.628\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This research is a research on Sampyong Majalengka Performing Arts which has experienced changes in form, grip, and shifts in function. Abah Uu / Ki Anom Aduy Mangkubumi is a figure of Sampyong Karang Kamuning Sirah Dayeuh Cijati Majalengka, who innovates and modifies. The innovation resulted in various reactions and responses from the community, including Sampyong players, community leaders and the government. This study explains the form of invention, Abah Uu's strategy, and the community's response to creation. The method used is the Ethnographic Method. This method is used in the data retrieval process. The result found was Abah Uu's innovative form in the central Sampyong performance with the addition of different dance moves with Authentic Sampyong. Abah Uu gave the modification a name with the term Sampyong Budaya. Other modifications are changes in the package and function. Abah Uu makes the scary Sampyong into a witty entertainment, with collaborations with other arts in the form of dangdut pop sound art, and koplo. Various responses to the innovation include from the Grumala community, Padepokan Ki Braja Manggala, Padepokan Dangiang Luhur, and several community leaders. They consider that Sampyong is preserved in authentic form. Meanwhile, Padepokan Dangiang Luhur Nini joined the Abah Uu community. Abah Wastiam invaded Sampyong with the Sampyong Ujung version.\",\"PeriodicalId\":233749,\"journal\":{\"name\":\"International Journal of Social Service and Research\",\"volume\":\"2 3\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Social Service and Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.46799/ijssr.v3i12.628\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Social Service and Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.46799/ijssr.v3i12.628","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本研究是对经历了形式变化、握力变化和功能变化的桑比翁-玛雅伦卡表演艺术的研究。Abah Uu / Ki Anom Aduy Mangkubumi 是 "Sampyong Karang Kamuning Sirah Dayeuh Cijati Majalengka "中一个不断创新和改变的人物。这一创新引起了社区的各种反应和回应,包括桑皮翁选手、社区领袖和政府。本研究解释了发明的形式、阿巴乌的策略以及社区对创造的反应。采用的方法是人种学方法。该方法用于数据检索过程。结果发现,阿巴乌在中央桑比翁表演中采用了创新形式,在正宗桑比翁中加入了不同的舞蹈动作。阿巴乌为这一修改命名为 "Sampyong Budaya"。其他改良还包括包装和功能的改变。阿巴乌将可怕的桑皮翁变成了一种诙谐的娱乐,并与其他艺术以当杜特流行声音艺术和科普洛的形式进行合作。格鲁马拉社区、Padepokan Ki Braja Manggala、Padepokan Dangiang Luhur 和几位社区领袖对这一创新做出了各种回应。他们认为 "桑比翁 "以原汁原味的形式保留了下来。与此同时,Padepokan Dangiang Luhur Nini 加入了阿巴乌社区。阿巴-瓦斯提姆 (Abah Wastiam) 带着 "三平乌戎 "版本入侵三平。
Innovation in Maintaining Sampyong Oral Tradition in Cijati Village, Majalengka Regency
This research is a research on Sampyong Majalengka Performing Arts which has experienced changes in form, grip, and shifts in function. Abah Uu / Ki Anom Aduy Mangkubumi is a figure of Sampyong Karang Kamuning Sirah Dayeuh Cijati Majalengka, who innovates and modifies. The innovation resulted in various reactions and responses from the community, including Sampyong players, community leaders and the government. This study explains the form of invention, Abah Uu's strategy, and the community's response to creation. The method used is the Ethnographic Method. This method is used in the data retrieval process. The result found was Abah Uu's innovative form in the central Sampyong performance with the addition of different dance moves with Authentic Sampyong. Abah Uu gave the modification a name with the term Sampyong Budaya. Other modifications are changes in the package and function. Abah Uu makes the scary Sampyong into a witty entertainment, with collaborations with other arts in the form of dangdut pop sound art, and koplo. Various responses to the innovation include from the Grumala community, Padepokan Ki Braja Manggala, Padepokan Dangiang Luhur, and several community leaders. They consider that Sampyong is preserved in authentic form. Meanwhile, Padepokan Dangiang Luhur Nini joined the Abah Uu community. Abah Wastiam invaded Sampyong with the Sampyong Ujung version.