{"title":"在线欢笑:作为观众运动的印度相声","authors":"Maria Saju, Vinod Balakrishnan","doi":"10.1177/09732586231209608","DOIUrl":null,"url":null,"abstract":"This paper investigates spectator dynamics in the offline and online performances of stand-up comedians, Vir Das and Kenny Sebastian. It studies the performer–comedian relationship through the media theory of John Fiske and John Hartley, the Rasa Box of Richard Schechner and Group Phenomenon of psychology. Media and performance aspects, such as stage setting, lighting, script, identity, complaisance and techniques, are theorised to arrive at insights into spectatorship in stand-up comedy.","PeriodicalId":43888,"journal":{"name":"Journal of Creative Communications","volume":"247 3","pages":""},"PeriodicalIF":1.5000,"publicationDate":"2023-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Laughing Online: Indian Stand-up Comedy as Spectator Sport\",\"authors\":\"Maria Saju, Vinod Balakrishnan\",\"doi\":\"10.1177/09732586231209608\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper investigates spectator dynamics in the offline and online performances of stand-up comedians, Vir Das and Kenny Sebastian. It studies the performer–comedian relationship through the media theory of John Fiske and John Hartley, the Rasa Box of Richard Schechner and Group Phenomenon of psychology. Media and performance aspects, such as stage setting, lighting, script, identity, complaisance and techniques, are theorised to arrive at insights into spectatorship in stand-up comedy.\",\"PeriodicalId\":43888,\"journal\":{\"name\":\"Journal of Creative Communications\",\"volume\":\"247 3\",\"pages\":\"\"},\"PeriodicalIF\":1.5000,\"publicationDate\":\"2023-12-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Creative Communications\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/09732586231209608\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Creative Communications","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/09732586231209608","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"COMMUNICATION","Score":null,"Total":0}
Laughing Online: Indian Stand-up Comedy as Spectator Sport
This paper investigates spectator dynamics in the offline and online performances of stand-up comedians, Vir Das and Kenny Sebastian. It studies the performer–comedian relationship through the media theory of John Fiske and John Hartley, the Rasa Box of Richard Schechner and Group Phenomenon of psychology. Media and performance aspects, such as stage setting, lighting, script, identity, complaisance and techniques, are theorised to arrive at insights into spectatorship in stand-up comedy.
期刊介绍:
The Journal of Creative Communications promotes inquiry into contemporary communication issues within wider social, economic, marketing, cultural, technological and management contexts, and provides a forum for the discussion of theoretical and practical insights emerging from such inquiry. The journal encourages a new language of analysis for contemporary communications research and publishes articles dealing with innovative and alternate ways of doing research that push the frontiers of conceptual dialogue in communication theory and practice. The journal engages with a wide range of issues and themes in the areas of cultural studies, digital media, media studies, technoculture, marketing communication, organizational communication, communication management, mass and new media, and development communication, among others. JOCC is a double blind peer reviewed journal.