致女王丁尼生的政治学

Nicholas Shrimpton
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摘要

尽管丁尼生经常被称为 "保守派",但他与家族其他成员一样,不是保守党人,而是辉格党人。辉格党在 19 世纪 70 年代消失后,其独特观点在很大程度上被人们遗忘。然而,如果不了解这些观点,就很容易忽略或误解丁尼生诗歌中政治表述的意义。他有两首名为《致王后》的诗,一首首次发表于 1851 年,另一首于 1873 年印刷,作为《国王田园诗》的后记,是这些观点的重要表达。第一首诗将在 1866-1867 年改革法案辩论期间在议会中被引用(由财政大臣在丁尼生的建议下引用)。第二段是对辉格党政治身份消亡的忧虑和紧迫的时事评论。因此,它建议对《国王田园诗》进行整体的政治解读,其中亚瑟王圆桌的创建和解散,到 1873 年,反映了 1832 年《辉格党改革法案》所创建的政府模式的诞生和消亡,而 19 世纪 60 年代后期的新政治则摧毁了这一政府模式,同时也摧毁了创建这一政府模式的辉格党。
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‘To the Queen’: Tennyson’s Politics
Though Tennyson is often referred to as ‘conservative’, he was, like the other members of his family, not a Tory but a Whig. The disappearance of the Whig Party in the 1870s has caused its distinctive views to be largely forgotten. Without an understanding of them, however, it is easy to miss or misinterpret the significance of the political statements made in Tennyson’s verse. His two poems called ‘To the Queen’, one first published in 1851 the other printed in 1873 as the epilogue to Idylls of the King, are important expressions of these ideas. The first would be quoted (by the Chancellor of the Exchequer, and at Tennyson’s suggestion) in Parliament during the Reform Bill debates of 1866–1867. The second is a troubled and urgently topical comment on the demise of the Whig political identity. As such, it suggests a political reading of Idylls of the King as a whole, in which the creation and dissolution of King Arthur’s Round Table has come, by 1873, to reflect the birth and death of the mode of government created by the Whig Reform Act of 1832 and destroyed, together with the party which had introduced it, by the new politics of the later 1860s.
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