古今中外》:Merlynn Tong 对《安提戈涅》(2019)229 的分析,以及对作者的采访

M. Zanelli
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摘要 "古今中外":梅琳-汤对《安提戈涅》(2019)的分析,以及对作者的访谈 文章分析了澳大利亚青年作家兼演员梅琳-汤于2019年创作的索福克勒斯《安提戈涅》的最新改编作品之一。文章首先对作品延续和创新的原因(其中包括采用克瑞翁的女性形象)进行了综合评价,然后逐场探讨了戏剧,通过与伪文本的精确对比,研究了对伪文本进行的操作。文章随后对结论进行了总结,一方面特别关注了外部空间(城市)故事的现实化解决方案,但最重要的是说明了--在将安提戈涅描绘成一个活动家的同时(根据近年来改写作品中非常常见的重新定义)--戏剧的重点是描绘人物之间的人性纽带及其苦难:这是对悲剧的一种情感处理方式,与《安提戈涅》神话自二十世纪以来发展出的明显的政治性改写相去甚远。文章附录中提供了对作者的简短访谈。
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«For the ages and for right now»: un’analisi dell’Antigone (2019) 229 di Merlynn Tong, con un’intervista all’autrice
Abstract «For the ages and for right now»: an analysis of Antigone (2019) by Merlynn Tong, with an interview with the author The article analyzes one of the most recent adaptations of Sophocles’ Antigone, written in 2019 by the young Australian author and actress, Merlynn Tong. After providing a first synthetic evaluation of the reasons for continuity and innovation of the work (among which, the adoption of a Creon woman), the essay explores the drama, scene by scene, studying the operation carried out on the hypotext through a precise comparison with it. The conclusions are then subsequently summarized, with particular attention on the one hand to the actualizing solutions regarding the story of the external space (the city), but above all showing how – while depicting Antigone as an activist (according to a very common redefinition in the rewritings of recent years) – the focus of the drama is the picture of the human bonds between the characters and their suffering: an emotional approach to the tragedy, distant from the eminently political rewritings that the myth of Antigone has developed since the twentieth century. In the Appendix to the article, a short interview with the author is given.
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