介于民间故事和文化神话之间。关于民谣 "Meșterul Manole "的几个笑话

Kazimierz Jurczak
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摘要

介于民间故事与文化神话之间。关于民谣 "Manole 大师 "的几点评论 围墙女人的民间故事在东南欧有多种变体,在罗马尼亚文化中具有特殊地位。马诺勒老爷的传说 "与 "Miorița "一样,都已成为罗马尼亚的经典文学作品。在战时和共产主义时期,它被 G. Călinescu 视为 "文化神话",是罗马尼亚四大基本神话之一,在意识形态和政治上被广泛利用。作家们或将其解读为罗马尼亚天才创作的样本,或将其解读为建设新世界的献身精神的典范。
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Între un topos folcloric şi un mit cultural. Câteva glose pe marginea baladei „Meşterul Manole”
Between a Folkloric Topos and a Cultural Myth. A Few Glosses on the Ballad “Master Manole” The folkloric topos of the walled-up woman, present in several variants in South-Eastern Europe, has a special status in the Romanian culture. The “Legend of Master Manole” from which it originates, along with “Miorița”, has become a canonical literary text. Considered by G. Călinescu as a “cultural myth”, one of the four essential Romanian myths, in the interwar and communist period, it was intensively exploited ideologically and politically. Interpreted by writers, either as a sample of Romanian creative genius, or as an example of dedication to the work of building the new world, the topos has long overgrown its initial condition as a simple motif of popular culture.
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