尼古拉-普宁为塞尚而死的人

Natalia Murray
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摘要

艺术评论家尼古拉-普宁(1888-1953 年)一生都非常崇拜保罗-塞尚。他认为,这位法国现代主义的领军人物有能力激励俄罗斯的前卫艺术家,鼓励他们打破公认的学术规则和限制。即使在法国印象派和后印象派被视为对苏联年轻人的不良影响之后,普宁仍继续向他的学生讲述塞尚及其新艺术体系的重要性。1949 年 8 月,普宁因宣传塞尚和凡高的艺术而被捕,并被送进古拉格集中营。1953 年,就在西欧艺术禁令解除,普宁喜爱的艺术家的画作可以再次在莫斯科和列宁格勒展出前不久,他死在了那里--北极圈之外。
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Nikolai Punin: The Man who Died for Cezanne
Throughout his life, the art-critic, Nikolai Punin (1888–1953) was a great admirer of Paul Cezanne. He believed that this leader of French modernism had the power to inspire avant-garde artists in Russia, encouraging them to break free from accepted academic rules and limitations. Even after French Impressionism and Post-Impressionism were regarded as a bad influence on young Soviet peo-ple, Punin continued telling his students about the importance of Cezanne and his new system in art. In August 1949, Punin was arrested and sent to the Gulag for promoting the art of Cezanne and Van Gogh. He died there – beyond the Arctic circle – in 1953, shortly before the ban on Western-European art was lifted, and the paintings of Punin’s favourite artists could be exhibited in Moscow and Leningrad once again.
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Note to the Reader How Cezanne Inspired Leningrad Nonconformism: The Art of Vladimir Shagin Картины Поля Сезанна в Собрании И. А. Морозова The Cezanne Effect in Malevich’s Suprematism По стопам Сезанна. Поездка Роберта Фалька в Экс-ан-Прованс в 1932 году
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