从沉思到参与。文化之夜 "期间装置艺术的认知-符号地位

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Avant Pub Date : 2023-11-30 DOI:10.26913/ava2202306
Marcin Trybulec
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引用次数: 0

摘要

文化之夜(Noc Kultury)等街头节庆活动旨在促进文化参与。随着此类节日的日益流行,人们不禁要问:"文化之夜 "是否创造了一个有利于知识普及的环境?本文认为,"文化之夜 "创造了一种参与和沉浸的体验。沉浸和参与体验的基础是模糊表象对象与所谓普通现实元素之间的明显区别。由于 "文化之夜 "的艺术装置通常被设计为参与者所在物理空间的延伸,从参与者的角度来看,它们失去了标准的表象功能。本文解释说,模糊表象与现实之间的区别,严重限制了将 "文化之夜 "的装置艺术视为具有认知功能的对象。
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Od kontemplacji do partycypacji. Poznawczo-semiotyczny status instalacji podczas Nocy Kultury
Street festivals such as The Night of Culture (Noc Kultury) are aimed at fostering cultural participation. The growing popularity of such festivals raises the question, whether The Night of Culture creates an environment facilitating knowledge popularization. The paper explains that The Night of Culture creates an experience of engagement and immersion. The experience of immersion and engagement is grounded in blurring the clear distinction between representational objects and elements of so-called ordinary reality. Since the art installations at The Night of Culture are often designed to be treated as an extension of the physical space in which the participant is located, from the participant’s perspective they lose the standard representational function. The paper explains that blurring the distinction between representation and reality impose serious limitation on treating the installations at The Night of Culture as the objects with a cognitive function.
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来源期刊
Avant
Avant HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
0
审稿时长
8 weeks
期刊最新文献
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