世界舞台文本对人格的心理和社会损害

Salah Hamadi Jazaa, Hussan Abod Ali
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引用次数: 0

摘要

破坏的主题依赖于许多思想和哲学体系,它渗透到人类生活的方方面面,如政治、社会、文化和艺术,以表明人类世界的不一致性、其各个部分的解体以及价值观的崩溃。这个概念指的是现实和假想中的人类人格,因为它是这些习俗手中的玩物,以传递其思想,所以人格有时登上金字塔的顶端,有时却坠入深渊,在它被贬低到动物的等级之后,为了这个主题的必要性、研究者决定将其研究题目定为 "高级戏剧文本中对人格的心理和社会破坏研究",因为全球戏剧中的许多模式见证了古往今来针对人格的大多数做法,以及随之而来的破坏、扭曲、损失和毁灭。
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The psychological and social undermining of the personality in the texts of the world stage
The subject of undermining depended on many intellectual and philosophical systems, and it penetrated into most aspects of human life, such as political, social, cultural and artistic, to indicate the inconsistency of the human world, the disintegration of its parts, and the collapse of values. This concept refers to the human personality in its real and hypothetical capacity, as it was the plaything in the hands of these practices in order to pass its ideas, so the personality sometimes ascended the top of the pyramid and at other times descended towards the abyss, after it was lowered to the rank of an animal, and for the necessity of this topic, the researcher decided to formulate the title of his research, including A study of (psychological and social undermining of the personality in the texts of the high theater), because the global theater presented many models that were a witness to most of these practices that were applied against the personality throughout the ages, and the manifestations of demolition, distortion, loss and destruction that followed.
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