The current research dealt with (the aesthetic of sculptural and functional creativity in the art of carving Sumerian cylindrical seals) through the study of the aesthetic of sculptural and functional creativity in the art of carving Sumerian cylindrical seals and the Sumerian era, so the researcher sought in the first chapter to clarify the research problem, its importance and the need for it, as well as the goal of the research, which It is represented by the following: defines "the aesthetic of sculptural and functional creativity in the art of carving Sumerian cylindrical seals." Then the researcher concluded the aforementioned chapter by defining the terms that are directly related to the title and objectives of the research. As for the second chapter, it included a presentation of the theoretical framework and previous studies. It consisted of two chapters. In the first chapter, it was established that the emergence and development of cylindrical seals in Sumerian society. As for the second topic, it dealt with the Sumerian sculptural creativity of the seals aesthetically and functionally. The third chapter specialized in monitoring the research community and the tool that included collecting information, so samples were adopted from it in an intentional manner, and it amounted to (3) sculptural works that covered the limits of the research by adopting the descriptive analytical approach for the purpose of analyzing it according to the indicators of the theoretical framework of the research that the researcher relied on.
{"title":"The aesthetics of sculptural and functional creativity in the art of carving Sumerian cylinder seals","authors":"Farah Hussein Kazem","doi":"10.59767/2023.11/27.5","DOIUrl":"https://doi.org/10.59767/2023.11/27.5","url":null,"abstract":"The current research dealt with (the aesthetic of sculptural and functional creativity in the art of carving Sumerian cylindrical seals) through the study of the aesthetic of sculptural and functional creativity in the art of carving Sumerian cylindrical seals and the Sumerian era, so the researcher sought in the first chapter to clarify the research problem, its importance and the need for it, as well as the goal of the research, which It is represented by the following: defines \"the aesthetic of sculptural and functional creativity in the art of carving Sumerian cylindrical seals.\" Then the researcher concluded the aforementioned chapter by defining the terms that are directly related to the title and objectives of the research. As for the second chapter, it included a presentation of the theoretical framework and previous studies. It consisted of two chapters. In the first chapter, it was established that the emergence and development of cylindrical seals in Sumerian society. As for the second topic, it dealt with the Sumerian sculptural creativity of the seals aesthetically and functionally. The third chapter specialized in monitoring the research community and the tool that included collecting information, so samples were adopted from it in an intentional manner, and it amounted to (3) sculptural works that covered the limits of the research by adopting the descriptive analytical approach for the purpose of analyzing it according to the indicators of the theoretical framework of the research that the researcher relied on.","PeriodicalId":148490,"journal":{"name":"Basrah Arts Journal","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139197893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The research tagged (Representations of Contemporary Technologies in Graphic Art) deals with the dialectical relationship between the diversifications of technologies within their temporal developments and the structure of graphic work, especially in our current era and the huge openness of digital technologies and their cultural influences in thought and their functional deliberations in life and their aesthetic representations in art. This faces a cognitive tangle and questions represented in: 1. What is the cognitive space of graphic techniques between the primitive and contemporary edges? 2. How did reproduction replace the original in contemporary circulation? The importance of the research is represented in the following points: 1. The research deals with one of the forms of arts whose historical presence has indicated through time and space. 2. The research seeks to seriously explore the roots of an artistic phenomenon seeking to innovate manifestations of the beautiful always. 3. The research monitors and analyzes the phenomenon of archaeological transition from immanent to transcendental. The boundaries of the research receded between the early days of the spread of digital technologies in the visual arts, including graphics, and the researcher chose the year 1970 to the year 2023 to contain the research problem from its beginnings to its conclusions. Therefore, to the basic indicators reported in the third chapter, which dealt with three distinct models as a research sample, and concluded from its analysis to the results of the research that were discussed in the fourth chapter, and the researcher drew conclusions from them and identified recommendations and proposals.
{"title":"Contemporary techniques of graphic art and its representations","authors":"Rana Hazim Saeed","doi":"10.59767/2023.11/27.3","DOIUrl":"https://doi.org/10.59767/2023.11/27.3","url":null,"abstract":"The research tagged (Representations of Contemporary Technologies in Graphic Art) deals with the dialectical relationship between the diversifications of technologies within their temporal developments and the structure of graphic work, especially in our current era and the huge openness of digital technologies and their cultural influences in thought and their functional deliberations in life and their aesthetic representations in art. This faces a cognitive tangle and questions represented in: 1. What is the cognitive space of graphic techniques between the primitive and contemporary edges? 2. How did reproduction replace the original in contemporary circulation? The importance of the research is represented in the following points: 1. The research deals with one of the forms of arts whose historical presence has indicated through time and space. 2. The research seeks to seriously explore the roots of an artistic phenomenon seeking to innovate manifestations of the beautiful always. 3. The research monitors and analyzes the phenomenon of archaeological transition from immanent to transcendental. The boundaries of the research receded between the early days of the spread of digital technologies in the visual arts, including graphics, and the researcher chose the year 1970 to the year 2023 to contain the research problem from its beginnings to its conclusions. Therefore, to the basic indicators reported in the third chapter, which dealt with three distinct models as a research sample, and concluded from its analysis to the results of the research that were discussed in the fourth chapter, and the researcher drew conclusions from them and identified recommendations and proposals.","PeriodicalId":148490,"journal":{"name":"Basrah Arts Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139208809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This research is concerned with the study of (the lettering structure of the sacred letters in the contemporary Arabic formation), which worked on studying the structure of the Arabic letter within the limits of the sacred speech, and the great role that the speech played when it was embodied within the artistic works, whether it was drawing, sculpture or ceramics. The first is the preservation of Islamic heritage and arts, which were distinguished by the most important element in them, which is the Arabic letter and calligraphy, which gained their sanctity from the Noble Qur’an and the noble prophetic sayings. The researcher reached a number of results, including: 1- The contemporary literal structure of artistic discourses, with their different types and their preoccupations in Arabic formation, revealed divine connotations that are liberated from their rules. 2- Representing the literal structures in their abstract forms through dealing with the details, disposing of the mass, and manipulating the texture to broadcast a sacred discourse represented by simulating the essence, and by activating the technical feature within the formation of contemporary discourse and its data, which is a procedure to introduce sacred connotations to convey the meaning and undermine the similarity and simplify it with plastic and semantic dimensions.
{"title":"The literal structure of sacred letters in contemporary Iraqi painting","authors":"Hayder Saleh, Ban Mohammad Ali","doi":"10.59767/2023.11/27.9","DOIUrl":"https://doi.org/10.59767/2023.11/27.9","url":null,"abstract":"This research is concerned with the study of (the lettering structure of the sacred letters in the contemporary Arabic formation), which worked on studying the structure of the Arabic letter within the limits of the sacred speech, and the great role that the speech played when it was embodied within the artistic works, whether it was drawing, sculpture or ceramics. The first is the preservation of Islamic heritage and arts, which were distinguished by the most important element in them, which is the Arabic letter and calligraphy, which gained their sanctity from the Noble Qur’an and the noble prophetic sayings. The researcher reached a number of results, including: 1- The contemporary literal structure of artistic discourses, with their different types and their preoccupations in Arabic formation, revealed divine connotations that are liberated from their rules. 2- Representing the literal structures in their abstract forms through dealing with the details, disposing of the mass, and manipulating the texture to broadcast a sacred discourse represented by simulating the essence, and by activating the technical feature within the formation of contemporary discourse and its data, which is a procedure to introduce sacred connotations to convey the meaning and undermine the similarity and simplify it with plastic and semantic dimensions.","PeriodicalId":148490,"journal":{"name":"Basrah Arts Journal","volume":"143 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139206920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This research is concerned with studying the meanings inherent in theatrical performance in the light of the analytical mechanisms adopted by phenomenological philosophy, which examines how artistic works are performed, in an attempt to reach their first facts, by directing perception to the beginning of things، And then to associate with it a direct experience according to the thoughts manifested in the feeling. Thus, consciousness carries out the experience of meaning in theatrical performance, through a long series of cognitive practices, which can be intellectually and aesthetically compared to the (montage) practices that abound in the creative consciousness in the style of cinematic depth of field. The first chapter defines the problem of research (systematically) with the following question: What are the aesthetic approaches to the coexistence of meaning between the depth of the cinematic field and the structure of theatrical presentation. While the second chapter is determined (theoretically) by the following: the first research (the strategy of cohabitation of meaning in the depth of the cinematic field), the second research (the strategy of cohabitation of meaning in theatrical presentation) ، The third Topic (aesthetics of depth of field in theatrical performance). The third chapter is determined (procedurally) by the theatrical show (Shajar Murr), written and directed by (Abdul Majid Al-Hawas), for the year (2015). In addition to the fourth chapter, which includes the results and conclusions of the research. Finally, a list of sources, references and a summary of the research in English.
{"title":"The aesthetic approach to the cohabitation of meaning between cinematic depth of field and theatrical presentation","authors":"Bahaa Abdul, Mohsin Hasan, Maher Abdul, Jabbar Ibrahim, Maher Majid","doi":"10.59767/2023.11/27.8","DOIUrl":"https://doi.org/10.59767/2023.11/27.8","url":null,"abstract":"This research is concerned with studying the meanings inherent in theatrical performance in the light of the analytical mechanisms adopted by phenomenological philosophy, which examines how artistic works are performed, in an attempt to reach their first facts, by directing perception to the beginning of things، And then to associate with it a direct experience according to the thoughts manifested in the feeling. Thus, consciousness carries out the experience of meaning in theatrical performance, through a long series of cognitive practices, which can be intellectually and aesthetically compared to the (montage) practices that abound in the creative consciousness in the style of cinematic depth of field. The first chapter defines the problem of research (systematically) with the following question: What are the aesthetic approaches to the coexistence of meaning between the depth of the cinematic field and the structure of theatrical presentation. While the second chapter is determined (theoretically) by the following: the first research (the strategy of cohabitation of meaning in the depth of the cinematic field), the second research (the strategy of cohabitation of meaning in theatrical presentation) ، The third Topic (aesthetics of depth of field in theatrical performance). The third chapter is determined (procedurally) by the theatrical show (Shajar Murr), written and directed by (Abdul Majid Al-Hawas), for the year (2015). In addition to the fourth chapter, which includes the results and conclusions of the research. Finally, a list of sources, references and a summary of the research in English.","PeriodicalId":148490,"journal":{"name":"Basrah Arts Journal","volume":"39 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139199568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The current research succeeded in studying the method in which the artist employs interaction with the child through the language of short influence (thank you Hassan and Alberto Buri) as a comparative model only to reveal the method in which they employ everything for his concept of impact in his artwork technically and intellectually. Which were discussed as vocabulary that formed the current studies, which distinguishes four chapters: The first chapter (the general framework of the research): The emergence of the research problem that emerged in the light of the question: What is the nature of presenting the philosophy of impact and the method of its implementation in the work of Shaker Hassan and Alberto Buri? As a comparative study, the researcher then presented the basics of the research framework, including the importance, objectives, limits, and conclusion of the separation of words. The second chapter (theoretical framework and previous studies) came to obtain it Solid structural foundations on which the research is based, and the introduction of methodological and scientific considerations. Which included three sections: The first topic: was devoted to studying the concept of impact in philosophy. The second topic: specialized in studying experimental performances in contemporary art. The topic began with a general introduction that dealt with experience and experience and its role in developing performance in artistic work, and then dealt with a review of some artistic experiences, their transformations and developments. Due to experience and intellectual development, while the third topic included: the experience of the intellectual and technical impact of Shaker Hassan and Alberto Buri, after which the indicators that resulted from the theoretical framework were mentioned. and a review of previous studies, As for the third chapter (research procedures): in it the descriptive approach for the research was chosen, and then the research community was determined from which the sample was taken, as well as the selection of the research tool (observation) to achieve its objectives, then the sample models were analyzed according to a technical vision with philosophical dimensions. As for the fourth chapter (results, conclusions, recommendations and proposals): it included the results reached by the researcher through analyzing the sample and then discussing it, as the conclusions were proven.
{"title":"The impact technique in the works of Shaker Hassan Al Said and Alberto Buri","authors":"فادية عقيل جبار","doi":"10.59767/2023.11/27.6","DOIUrl":"https://doi.org/10.59767/2023.11/27.6","url":null,"abstract":"The current research succeeded in studying the method in which the artist employs interaction with the child through the language of short influence (thank you Hassan and Alberto Buri) as a comparative model only to reveal the method in which they employ everything for his concept of impact in his artwork technically and intellectually. Which were discussed as vocabulary that formed the current studies, which distinguishes four chapters: The first chapter (the general framework of the research): The emergence of the research problem that emerged in the light of the question: What is the nature of presenting the philosophy of impact and the method of its implementation in the work of Shaker Hassan and Alberto Buri? As a comparative study, the researcher then presented the basics of the research framework, including the importance, objectives, limits, and conclusion of the separation of words. The second chapter (theoretical framework and previous studies) came to obtain it Solid structural foundations on which the research is based, and the introduction of methodological and scientific considerations. Which included three sections: The first topic: was devoted to studying the concept of impact in philosophy. The second topic: specialized in studying experimental performances in contemporary art. The topic began with a general introduction that dealt with experience and experience and its role in developing performance in artistic work, and then dealt with a review of some artistic experiences, their transformations and developments. Due to experience and intellectual development, while the third topic included: the experience of the intellectual and technical impact of Shaker Hassan and Alberto Buri, after which the indicators that resulted from the theoretical framework were mentioned. and a review of previous studies, As for the third chapter (research procedures): in it the descriptive approach for the research was chosen, and then the research community was determined from which the sample was taken, as well as the selection of the research tool (observation) to achieve its objectives, then the sample models were analyzed according to a technical vision with philosophical dimensions. As for the fourth chapter (results, conclusions, recommendations and proposals): it included the results reached by the researcher through analyzing the sample and then discussing it, as the conclusions were proven.","PeriodicalId":148490,"journal":{"name":"Basrah Arts Journal","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139202669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The research deals with a proposed program to develop the creative ability associated with Arabic calligraphy among students of the fifth level of the Department of Visual Arts at the College of Design and Arts according to the creative activities and strategies used, and this study seeks to prepare a teaching program to develop the creativity of visual arts students to produce artworks related to Arabic calligraphy and Islamic art in a way General, and aims to raise the level of skill and technical performance of students at the fifth level in the Arabic calligraphy course based on the strategies and creative activities used for teaching, and allowing visual arts students to create artworks related to Arabic calligraphy and their Islamic heritage and to enhance the identity and pride in the Arab-Islamic heritage among visual arts students, and finally, after studying the investigations and objectives, The researcher reached some results, the most important of which is Arabic calligraphy, which is part of the Arab heritage and Islamic art, and is characterized by its ability to continue and communicate, which helped the students to create contemporary works of art derived from the Arab heritage and Islamic art. Islamic, and also Arabic calligraphy enjoys a huge amount of creative aesthetic values and rhythmic systems, and the multiplicity of their relationships, forms and types, which led to the presence of calligraphy in contemporary art and facilitated the production of creative works among visual arts students.
{"title":"A proposed program for the development of creativity in the Arabic calligraphy course among visual arts students","authors":"Maha Mohammed Nasser, Bedoor Abdullah Mansour","doi":"10.59767/2023.11/27.1","DOIUrl":"https://doi.org/10.59767/2023.11/27.1","url":null,"abstract":"The research deals with a proposed program to develop the creative ability associated with Arabic calligraphy among students of the fifth level of the Department of Visual Arts at the College of Design and Arts according to the creative activities and strategies used, and this study seeks to prepare a teaching program to develop the creativity of visual arts students to produce artworks related to Arabic calligraphy and Islamic art in a way General, and aims to raise the level of skill and technical performance of students at the fifth level in the Arabic calligraphy course based on the strategies and creative activities used for teaching, and allowing visual arts students to create artworks related to Arabic calligraphy and their Islamic heritage and to enhance the identity and pride in the Arab-Islamic heritage among visual arts students, and finally, after studying the investigations and objectives, The researcher reached some results, the most important of which is Arabic calligraphy, which is part of the Arab heritage and Islamic art, and is characterized by its ability to continue and communicate, which helped the students to create contemporary works of art derived from the Arab heritage and Islamic art. Islamic, and also Arabic calligraphy enjoys a huge amount of creative aesthetic values and rhythmic systems, and the multiplicity of their relationships, forms and types, which led to the presence of calligraphy in contemporary art and facilitated the production of creative works among visual arts students.","PeriodicalId":148490,"journal":{"name":"Basrah Arts Journal","volume":"61 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139204587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The theater is filled with images of torment, and the sentence of torment here is more general and comprehensive than any other expression such as pessimism, sadness and alarm, for example, the torment represents the biggest concern in the Zaidi theater in general, and in the play of martyrs first enter paradise in particular. The idea of the torment inflicted by everyone, the martyr and his mother, without a clear explanation, leads to the idea of general punishment, which seems to some extent acceptable to the mind, especially the feeling of sin, which made both Shahid 1 and Shahid 2 admit that he does not deserve to be a martyr, especially after they were thrown into destructive wars that are useless except for masters with higher interests, Religion has nothing to do with it except an illusion used by politicians to incite war to reap their own fruits. Both martyrs appear to be in a state of permanent crucifixion, criticizing a vague hope to come. Here, Al-Zaidi gets very close to Beckett's theater in the game of thinking about the sin committed, which is the use of the war machine to kill without justification or real purpose. To turn the play into the point of view of its author towards war and the destruction, devastation and illusions it produces, to turn the same point of view into one of the most important forms of torment in the theater of Ali Abdul Nabi Al-Zaidi.
{"title":"Images of torment in Iraqi theater publications","authors":"Adnan Hussain","doi":"10.59767/2023.11/27.11","DOIUrl":"https://doi.org/10.59767/2023.11/27.11","url":null,"abstract":"The theater is filled with images of torment, and the sentence of torment here is more general and comprehensive than any other expression such as pessimism, sadness and alarm, for example, the torment represents the biggest concern in the Zaidi theater in general, and in the play of martyrs first enter paradise in particular. The idea of the torment inflicted by everyone, the martyr and his mother, without a clear explanation, leads to the idea of general punishment, which seems to some extent acceptable to the mind, especially the feeling of sin, which made both Shahid 1 and Shahid 2 admit that he does not deserve to be a martyr, especially after they were thrown into destructive wars that are useless except for masters with higher interests, Religion has nothing to do with it except an illusion used by politicians to incite war to reap their own fruits. Both martyrs appear to be in a state of permanent crucifixion, criticizing a vague hope to come. Here, Al-Zaidi gets very close to Beckett's theater in the game of thinking about the sin committed, which is the use of the war machine to kill without justification or real purpose. To turn the play into the point of view of its author towards war and the destruction, devastation and illusions it produces, to turn the same point of view into one of the most important forms of torment in the theater of Ali Abdul Nabi Al-Zaidi.","PeriodicalId":148490,"journal":{"name":"Basrah Arts Journal","volume":"30 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139206420","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The applications lesson is a bud that is subject to several intellectual and technical limitations, which are supervised by specialized professors, a space that gives the student a space of freedom in choosing texts and representative students, and opens a wide field for applications students to express their technical and methodological inclinations, whether by adopting a specific direction or trying to diverge and be creative. Therefore, we find that the personality of the student in the study of applications has its impact and existence through his adoption and choice of theatrical work as a text and treatment. Artistic and cultural institutions.the research was directed to demonstrate the effectiveness of the curricula in understanding comedy for directing students of the Faculty of Fine Arts.
{"title":"Curricula and their effectiveness in understanding comedy for directing students of the college of Fine Arts, University of Basrah","authors":"نور صباح عبد المطلب, هالة حسن سبتي","doi":"10.59767/2023.11/27.2","DOIUrl":"https://doi.org/10.59767/2023.11/27.2","url":null,"abstract":"The applications lesson is a bud that is subject to several intellectual and technical limitations, which are supervised by specialized professors, a space that gives the student a space of freedom in choosing texts and representative students, and opens a wide field for applications students to express their technical and methodological inclinations, whether by adopting a specific direction or trying to diverge and be creative. Therefore, we find that the personality of the student in the study of applications has its impact and existence through his adoption and choice of theatrical work as a text and treatment. Artistic and cultural institutions.the research was directed to demonstrate the effectiveness of the curricula in understanding comedy for directing students of the Faculty of Fine Arts.","PeriodicalId":148490,"journal":{"name":"Basrah Arts Journal","volume":"41 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139203560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The subject of undermining depended on many intellectual and philosophical systems, and it penetrated into most aspects of human life, such as political, social, cultural and artistic, to indicate the inconsistency of the human world, the disintegration of its parts, and the collapse of values. This concept refers to the human personality in its real and hypothetical capacity, as it was the plaything in the hands of these practices in order to pass its ideas, so the personality sometimes ascended the top of the pyramid and at other times descended towards the abyss, after it was lowered to the rank of an animal, and for the necessity of this topic, the researcher decided to formulate the title of his research, including A study of (psychological and social undermining of the personality in the texts of the high theater), because the global theater presented many models that were a witness to most of these practices that were applied against the personality throughout the ages, and the manifestations of demolition, distortion, loss and destruction that followed.
{"title":"The psychological and social undermining of the personality in the texts of the world stage","authors":"Salah Hamadi Jazaa, Hussan Abod Ali","doi":"10.59767/2023.11/27.4","DOIUrl":"https://doi.org/10.59767/2023.11/27.4","url":null,"abstract":"The subject of undermining depended on many intellectual and philosophical systems, and it penetrated into most aspects of human life, such as political, social, cultural and artistic, to indicate the inconsistency of the human world, the disintegration of its parts, and the collapse of values. This concept refers to the human personality in its real and hypothetical capacity, as it was the plaything in the hands of these practices in order to pass its ideas, so the personality sometimes ascended the top of the pyramid and at other times descended towards the abyss, after it was lowered to the rank of an animal, and for the necessity of this topic, the researcher decided to formulate the title of his research, including A study of (psychological and social undermining of the personality in the texts of the high theater), because the global theater presented many models that were a witness to most of these practices that were applied against the personality throughout the ages, and the manifestations of demolition, distortion, loss and destruction that followed.","PeriodicalId":148490,"journal":{"name":"Basrah Arts Journal","volume":"24 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139205816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The art of sculpture in the Arab world formed a solid foundation in the field of art through the various sculptural products presented by Arab sculptors in employing art through which they contributed to the reflection of the cultural heritage due to the forms, symbols, images, forms of clothing and their external formal influences that were included in their works, which reflected the aesthetics of fashion in Arab sculpture. Contemporary, which necessitated highlighting the knowledge of its aspects from the cognitive, social, artistic and cultural aspects, and the connotations expressed by the Arab sculptor in dress, and to know the cultural value and employ it in the sculptural work, through which it is possible to differentiate between one country and another in terms of culture, traditions, and knowledge of the segments of society that were the basis for the variation in people's daily lives. The current research includes four chapters, the first chapter of which includes the research problem, which becomes clear through the following question: What are the aesthetic values achieved by fashion in contemporary Arab sculptural work, as well as the importance of research and the need for it, which lies in the fact that it represents a reflection of the aspects of traditional Arab life. The current research aims to identify the aesthetics of fashion in contemporary Arab sculpture. The research is limited spatially to sculptural works in the Arab world, temporally from 1950 to 2020, and objectively by studying sculptural works that reflect the aesthetics of contemporary Arab fashion.
{"title":"Fashion Aesthetics in Contemporary Arab Sculpture","authors":"Alaa Issa Karim, Ali Abdullah Abood","doi":"10.59767/2023.11/27.10","DOIUrl":"https://doi.org/10.59767/2023.11/27.10","url":null,"abstract":"The art of sculpture in the Arab world formed a solid foundation in the field of art through the various sculptural products presented by Arab sculptors in employing art through which they contributed to the reflection of the cultural heritage due to the forms, symbols, images, forms of clothing and their external formal influences that were included in their works, which reflected the aesthetics of fashion in Arab sculpture. Contemporary, which necessitated highlighting the knowledge of its aspects from the cognitive, social, artistic and cultural aspects, and the connotations expressed by the Arab sculptor in dress, and to know the cultural value and employ it in the sculptural work, through which it is possible to differentiate between one country and another in terms of culture, traditions, and knowledge of the segments of society that were the basis for the variation in people's daily lives. The current research includes four chapters, the first chapter of which includes the research problem, which becomes clear through the following question: What are the aesthetic values achieved by fashion in contemporary Arab sculptural work, as well as the importance of research and the need for it, which lies in the fact that it represents a reflection of the aspects of traditional Arab life. The current research aims to identify the aesthetics of fashion in contemporary Arab sculpture. The research is limited spatially to sculptural works in the Arab world, temporally from 1950 to 2020, and objectively by studying sculptural works that reflect the aesthetics of contemporary Arab fashion.","PeriodicalId":148490,"journal":{"name":"Basrah Arts Journal","volume":"48 21","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139203784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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