{"title":"朱迪-沃森","authors":"Claire Kennedy, Judy Watson","doi":"10.1558/qre.26498","DOIUrl":null,"url":null,"abstract":"Artist Judy Watson, a member of the Waanyi people of north-west Queensland, has spent several periods in Italy, including on a residency in Tuscany in 1992, and when selected to present her work in the Australian pavilion at the Venice Biennale in 1997 and as a speaker at the aabaakwad gathering of First Nations artists at the Biennale in 2022. In the interview, Watson reflects on her connection to culture and Country and speaks of the works inspired by her stays in Italy. She also comments on changes over time in the Venice Biennale, as well as the interest in Indigenous Australian artists in Italy.","PeriodicalId":41491,"journal":{"name":"Queensland Review","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2023-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Judy Watson\",\"authors\":\"Claire Kennedy, Judy Watson\",\"doi\":\"10.1558/qre.26498\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Artist Judy Watson, a member of the Waanyi people of north-west Queensland, has spent several periods in Italy, including on a residency in Tuscany in 1992, and when selected to present her work in the Australian pavilion at the Venice Biennale in 1997 and as a speaker at the aabaakwad gathering of First Nations artists at the Biennale in 2022. In the interview, Watson reflects on her connection to culture and Country and speaks of the works inspired by her stays in Italy. She also comments on changes over time in the Venice Biennale, as well as the interest in Indigenous Australian artists in Italy.\",\"PeriodicalId\":41491,\"journal\":{\"name\":\"Queensland Review\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2023-11-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Queensland Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1558/qre.26498\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"AREA STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Queensland Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/qre.26498","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"AREA STUDIES","Score":null,"Total":0}
Artist Judy Watson, a member of the Waanyi people of north-west Queensland, has spent several periods in Italy, including on a residency in Tuscany in 1992, and when selected to present her work in the Australian pavilion at the Venice Biennale in 1997 and as a speaker at the aabaakwad gathering of First Nations artists at the Biennale in 2022. In the interview, Watson reflects on her connection to culture and Country and speaks of the works inspired by her stays in Italy. She also comments on changes over time in the Venice Biennale, as well as the interest in Indigenous Australian artists in Italy.
期刊介绍：
Published in association with Griffith University Queensland Review is a multi-disciplinary journal of Australian Studies which focuses on the history, literature, culture, society, politics and environment of the state of Queensland. Queensland’s relations with Asia, the Pacific islands and Papua New Guinea are a particular focus of the journal, as are comparative studies with other regions. In addition to scholarly articles, Queensland Review publishes commentaries, interviews, and book reviews.
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