群体与偏见:社会身份在青少年音乐家音乐职业道路愿望中的作用

IF 1.2 4区 教育学 Q2 EDUCATION & EDUCATIONAL RESEARCH Journal of Research in Music Education Pub Date : 2023-11-19 DOI:10.1177/00224294231211911
John A. Bragle, Diana R. Dansereau
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引用次数: 0

摘要

根据社会认同理论,个体会将自己归类为不同的群体,然后根据定型规范在不同群体之间进行区分,从而建立一种感知的等级制度,以增强自尊心。本研究旨在探索青少年音乐家在音乐表演和音乐教育职业道路上的社会身份,并确定这些职业道路上的自我归类和区分是否是这些社会身份的特征。参与者为 821 名青少年音乐家,他们的经历和背景各不相同。结果表明,参与者的自我分类和区分倾向于音乐表演职业道路,但分配的假设资源倾向于音乐教育职业道路。年龄、家庭收入、演出环境和主修音乐的意向是自我分类、区分和资源分配的重要预测因素。这些研究结果表明,年龄较大、经济能力较强、自认为是独奏家或打算主修音乐专业的参与者更有可能与音乐表演的社会身份保持一致。
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Groups and Biases: The Role of Social Identity in the Musical Career Path Aspirations of Adolescent Musicians
According to social identity theory, individuals self-categorize into groups and then differentiate between groups based on stereotypical norms to create a perceived hierarchy to benefit their self-esteem. The purpose of this study was to explore the presence of social identities among adolescent musicians related to the career paths of music performance and music education and to determine whether self-categorization and differentiation regarding these career paths were a feature of these social identities. Participants were 821 adolescent musicians of varying experience and backgrounds. Results indicated that participants self-categorized and differentiated in favor of the music performance career path but allocated hypothetical resources in favor of the music education career path. Age, family income, performance setting, and intention to major in music were significant predictors of self-categorization, differentiation, and resource allocation. These findings indicate that participants who were older, had greater financial means, identified as soloists, or intended to major in music were more likely to be aligned with a music performance social identity.
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来源期刊
CiteScore
3.40
自引率
7.10%
发文量
20
期刊介绍: The quarterly Journal of Research in Music Education comprises reports of original research related to music teaching and learning. The wide range of topics includes various aspects of music pedagogy, history, and philosophy, and addresses vocal, instrumental, and general music at all levels, from early childhood through adult.
期刊最新文献
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