18-19 世纪东加利西亚犹太艺术中的神话形象及其诠释

Natalia Levkovych
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摘要

本研究分析了东加利西亚犹太艺术中海洋生物、海马和利维坦的神话形象。它指出了犹太艺术中独特的象征和符号系统的形成,该系统是传达基本宗教和哲学原理的一种手段。对拟人化描绘的禁止促进了整个动物和植物图像周期的发展,说明了散居国外的犹太人对以色列土地、耶路撒冷圣殿、伊甸园、《托拉》戒律和《塔木德经》的理解。根据对艺术品的研究,包括对大屠杀期间被摧毁的霍多里夫和赫维兹德茨犹太教堂保存下来的插图,以及《托拉》盾牌、《托拉》阅读指针、光明节灯和墓碑装饰--马策沃特等仪式物品的研究,可以确定犹太艺术发展了自己的装饰和符号与标志使用程序。神话中海洋生物图腾的特征已被确认。研究强调,在犹太艺术纪念碑中,海马的传统形象是一种半马半鱼的生物,后来被一种半羊半鱼或半狮半鱼的生物所取代。这种转变可以用民间传说的影响和对民间艺术的重新诠释来解释。海马的象征意义与人们对环绕以色列国土的大海的感知有关,隐喻着向另一个美丽的天堂世界的过渡。利维坦的图画也与其象征意义有关。利维坦盘绕在一个环中,是预示弥赛亚时代的传统象征,而利维坦盘绕在城市或特定建筑周围,则体现了圣殿的概念,暗指一个神圣的空间,因为神兽的皮肤将被用于义人的帐篷。墓碑(matzevot)上的海马和利维坦体现了对弥赛亚时代和复活的期待。通过对犹太表象和装饰艺术中象征意义的探索,我们可以深入了解东加利西亚的传统犹太文化。
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Mythological Images and Their Interpretations in Jewish Art of Eastern Galicia, 18th – 19th Century
This study analyzes the mythological representations of sea creatures, the hippocampus, and the Leviathan in the Jewish art of Eastern Galicia. It identifies the formation of a distinctive symbolic and sign system within Jewish art, serving as a means to convey fundamental religious and philosophical principles. The prohibition of anthropomorphic depictions contributed to the development of an entire cycle of animalistic and botanical images, illustrating the diaspora Jews' conceptualizations of the Land of Israel, the Jerusalem Temple, the Gardens of Eden, the commandments of the Torah, and the Talmud. Based on the study of artworks, including preserved illustrations from the destroyed synagogues in Khodoriv and Hvizdets during the Holocaust, as well as ritual objects such as Torah shields, Torah reading pointers, Hanukkah lamps, and the decoration of tombstones-matzevot, it has been established that Jewish art developed its own program of ornamentation and the use of symbols and signs. The features of the iconography of mythical sea creatures have been identified. It is emphasized that the traditional representation of the hippocampus as a creature with the body of half horse and half fish in Jewish art monuments was replaced by depictions of a creature with the body of half goat and half fish, or half lion and half fish. Such transformations can be explained by the influence of folklore and the reinterpretation of folk art. The symbolism of the hippocampus is associated with perceptions of the sea that surrounds the Land of Israel and serves as a metaphor for the transition to another, beautiful, paradisiacal world. The iconography of the depiction of the Leviathan is also connected to its symbolism. The Leviathan coiled in a ring is a traditional symbol of anticipation of messianic times, and the Leviathan coiled around a city or specific structures embodies the concept of the temple, alluding to a sacred space, as the skin of the mythical creature will be used for the tent of the righteous. Representations of the hippocampus and Leviathan on tombstones-matzevot embody the idea of anticipating messianic times and resurrection. The exploration of symbolism in Jewish representational and decorative art provides insight into the traditional Jewish culture of Eastern Galicia.
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