图片 >> 让-格扎维埃-雷诺

L. Dubreuil
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摘要

摘要:雷诺,插图画家。雷诺,记录者。"JXR "并不完全是在记录事实和文献,尽管他经常以 "发现的图像 "为基础作画,将从网站上收集的数码照片作为自己作品的基础。他也不是档案管理员,尽管他使用拼贴画,并经常将图片或标识融入数字绘画中。记录工作依然存在。在雷诺的作品中,时代被展现得光彩夺目,愚昧无知。然而,作为一名乐观主义者,艺术家通过对平凡事物的怪异分解,展示了生存的原始本质。雷诺的艺术无疑与奥诺雷-道米埃、乔治-格罗斯茨或菲利普-古斯通的艺术有相似之处,他将艺术技巧与批判力量、对偶像的蔑视与对社会的反思、欢笑与精确结合在一起。JXR与这三位画家的共同之处在于,他擅长表现对偶发的华丽和常规的庸俗的嘲笑。
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Images >> Jean-Xavier Renaud
Abstract:Renaud, the illuminator. Renaud, the chronicler. “JXR” is not exactly recording facts and documents, although he often paints on the basis of “found images,” taking digital photos he collects from websites as a basis for his own work. He is not an archivist either, although he uses collage and routinely incorporates pictures or logotypes into his digital drawings. The chronicling work remains. In Renaud’s oeuvre, the times are being shown in all their glorious stupidity. An optimist nevertheless, the artist exhibits through the grotesque dehiscence of the ordinary the raw nature of survival. By his alliance of artistic métier and critical force, of iconoclastic crudeness and reflection on society, of laughter and precision, Renaud’s art is undoubtedly related to that of Honoré Daumier, George Grosz, or Philip Guston. JXR has in common with all three painters that he excels at displaying the ridicule of adventitious grandeur and the vulgarity of the norm.
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