博物馆是什么?将绘画作为留学生的在线学习策略

Q3 Arts and Humanities Drawing: Research, Theory, Practice Pub Date : 2023-10-01 DOI:10.1386/drtp_00113_1
Stuart Burch
{"title":"博物馆是什么?将绘画作为留学生的在线学习策略","authors":"Stuart Burch","doi":"10.1386/drtp_00113_1","DOIUrl":null,"url":null,"abstract":"This article recounts the experience of devising and remotely delivering a multi-disciplinary drawing-based online summer course for Chinese students. This pivoted around the question: ‘what is a museum?’ Students were invited to give an initial drawn response prior to the first session. The resulting images provided the basis for whole-group discussion followed by further creative tasks. Activities included designing a museum logo, drawing a representation of an object of special personal significance and writing an interpretative text label. The chosen artefacts were then accessioned into a virtual museum in order to realize the promise of the online course, entitled ‘Museum Makers: Objects, Collections and Display’. This pedagogical endeavour was intended to use drawing to actively engage learners such that they were able to define museums, recognize the value of objects, understand what makes a collection and appreciate the principles of interpretation. Illustrative examples of student work are reproduced alongside an account of the production process and the participants’ views on the effectiveness of drawing as a learning strategy. The paper reflects on the challenges and opportunities of implementing drawing in a non-art context before going on to outline the operationalization and outcomes of the initiative, leading to a series of transferable findings and conclusions.","PeriodicalId":36057,"journal":{"name":"Drawing: Research, Theory, Practice","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"What is a museum? Drawing as online learning strategy for international students\",\"authors\":\"Stuart Burch\",\"doi\":\"10.1386/drtp_00113_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article recounts the experience of devising and remotely delivering a multi-disciplinary drawing-based online summer course for Chinese students. This pivoted around the question: ‘what is a museum?’ Students were invited to give an initial drawn response prior to the first session. The resulting images provided the basis for whole-group discussion followed by further creative tasks. Activities included designing a museum logo, drawing a representation of an object of special personal significance and writing an interpretative text label. The chosen artefacts were then accessioned into a virtual museum in order to realize the promise of the online course, entitled ‘Museum Makers: Objects, Collections and Display’. This pedagogical endeavour was intended to use drawing to actively engage learners such that they were able to define museums, recognize the value of objects, understand what makes a collection and appreciate the principles of interpretation. Illustrative examples of student work are reproduced alongside an account of the production process and the participants’ views on the effectiveness of drawing as a learning strategy. The paper reflects on the challenges and opportunities of implementing drawing in a non-art context before going on to outline the operationalization and outcomes of the initiative, leading to a series of transferable findings and conclusions.\",\"PeriodicalId\":36057,\"journal\":{\"name\":\"Drawing: Research, Theory, Practice\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Drawing: Research, Theory, Practice\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/drtp_00113_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Drawing: Research, Theory, Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/drtp_00113_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

摘要

本文讲述了为中国学生设计并远程提供多学科绘画在线暑期课程的经历。课程围绕一个问题展开:"什么是博物馆?"学生们在第一节课之前就被邀请给出初步的绘画回答。由此产生的图像为全组讨论提供了基础,随后是进一步的创意任务。活动包括设计博物馆标识、绘制具有特殊个人意义的物品以及撰写解释性文字标签。然后将选定的文物加入虚拟博物馆,以实现题为 "博物馆制作者 "的在线课程的承诺:物品、藏品和展示 "的在线课程。这项教学工作旨在利用绘画积极吸引学习者,使他们能够定义博物馆、认识物品的价值、了解什么是藏品并理解解释的原则。本文在转载学生作品示例的同时,还介绍了作品的制作过程以及参与者对绘画作为一种学习策略的有效性的看法。论文先反思了在非艺术环境中实施绘画的挑战和机遇,然后概述了这一举措的实施情况和成果,并得出了一系列可推广的结果和结论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
What is a museum? Drawing as online learning strategy for international students
This article recounts the experience of devising and remotely delivering a multi-disciplinary drawing-based online summer course for Chinese students. This pivoted around the question: ‘what is a museum?’ Students were invited to give an initial drawn response prior to the first session. The resulting images provided the basis for whole-group discussion followed by further creative tasks. Activities included designing a museum logo, drawing a representation of an object of special personal significance and writing an interpretative text label. The chosen artefacts were then accessioned into a virtual museum in order to realize the promise of the online course, entitled ‘Museum Makers: Objects, Collections and Display’. This pedagogical endeavour was intended to use drawing to actively engage learners such that they were able to define museums, recognize the value of objects, understand what makes a collection and appreciate the principles of interpretation. Illustrative examples of student work are reproduced alongside an account of the production process and the participants’ views on the effectiveness of drawing as a learning strategy. The paper reflects on the challenges and opportunities of implementing drawing in a non-art context before going on to outline the operationalization and outcomes of the initiative, leading to a series of transferable findings and conclusions.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Drawing: Research, Theory, Practice
Drawing: Research, Theory, Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.40
自引率
0.00%
发文量
11
期刊最新文献
The digital revolution as a renaissance in drawing education? Combining graphic facilitation and animation-based sketching in higher education ‘The dance of drawing’ and the limits of digital assistance Sketching as an external representation of thinking results and processes in education Dancing, drawing, designing
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1